Lloyd Evans Lloyd Evans

Like Alan Bennett but less funny: ‘night, Mother at Hampstead Theatre reviewed

Plus: should the Barbican be staging a work that appears to advocate the murder of a named individual?

'night, Mother has an intensely dramatic set-up that ought to be gripping or hilarious, but in reality is neither: Stockard Channing and Rebecca Night. Photo: Marc Brenner

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in