In this handsomely illustrated book Tobie Mathew makes a case for the lowly postcard’s role in the politicisation of pre-revolutionary Russia. Cheap to produce, easily transported and hidden, and conveying a simple graphic message, picture postcards were ideally suited to anti-government agitation. Too dangerous to post, these little shots of sedition were preserved and shared for years in the postcard albums that were a feature of any polite drawing-room and increasing numbers of peasant huts and workers’ barracks.
Charlotte Hobson
Little shots of sedition
After Bloody Sunday in St Petersburg in 1905, postcards of the massacre appeared immediately, and remained a staple of anti-government propaganda

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