This diptych of a novel starts with a surprise. Margaret Drabble’s fame rests largely on fiction dealing with social issues in contemporary Britain. But here she has taken real-life intrigue, madness and murder in 18th- century Korea as the subject for the first half of her book. Her inspiration, Drabble tells us, came from a reading of the memoirs of the Lady Hyegy

Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in