‘Made in Heaven’: the contrasts and complements linking Tchaikovsky and Stravinsky in two-way reciprocality form a felicitous marriage of true minds perfect for the week of wall-to-wall broadcasting on Radio Three covering (sometimes more than once) every note the two Russian masters composed.
First, the contrasts: Tchaikovsky the emotional, passionate, subjective, confessional, pouring his heart all down his sleeve, supreme in inflammatory melody, harmony, orchestration, personally present in his every utterance, whether by direct ‘programme’ (however withheld, the general tenor of the story is never in doubt) or by identification with character and situation (Tatiana’s uncalled-for declaration of love in...

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