Mary Wakefield visits one of the group’s halls of residence and meets not albino assassins but a more pious version of Trinny and Susannah
After three hours with Opus Dei women at Ashwell House in east London I wandered west, half-stunned, like a cat hit by a car. At Oxford Circus the usual loons were saving souls: ‘Repent now, turn to God!’ from a woman on the south side. From a north-end traffic island, megaphone man provided the antiphonal response: ‘Seek salvation before it is too late!’ And in my pocket my mobile, ringing with a message from an Opus Dei publicity man. ‘Hi there! When you’re finished at Ashwell House, come to Notting Hill to have tea with Sebastian. He’s a supernumerary and he plays the cello! I think it’s important that you meet him.’
Maybe, but I wasn’t sure I could. I’d had enough. It wasn’t that Opus Dei had been unexpectedly sinister or murderous, like Silas, the anti-hero of The Da Vinci Code — after all, St Josemariá Escrivá beat himself till he bled, so I’d been expecting, hoping for, gothic.
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