I vividly remember the moment when I saw my first black person. It was December in either ’68 or ’69, so I would have been three or four at the time, and my father’s works had arranged some kind of coach outing to meet Father Christmas. Seated near me was a black child a bit older than me, and I recall gazing fascinated at the blackness of his skin and noticing that it had white blotches on it like a mirror image of the dark freckles and moles on my skin. ‘Daddy, what are those white things?’ I asked, pointing at the boy’s skin. ‘Pigment,’ my father explained.
I vividly remember the moment when I saw my first black person. It was December in either ’68 or ’69, so I would have been three or four at the time, and my father’s works had arranged some kind of coach outing to meet Father Christmas. Seated near me was a black child a bit older than me, and I recall gazing fascinated at the blackness of his skin and noticing that it had white blotches on it like a mirror image of the dark freckles and moles on my skin. ‘Daddy, what are those white things?’ I asked, pointing at the boy’s skin. ‘Pigment,’ my father explained.
It’s not the sort of detail you could make up, is it? And I’m sure most Englishmen of my generation or older will have had similar experiences. It’s not a racist observation, merely a statement of fact, that in our youth Britain was much, much whiter than it is now. So white that unless you ventured into the inner cities, it was quite possible not to see a ‘coloured’ person at all.
Suppose, then, you wanted to create a cosy, long-running TV series which would have especial appeal to the group of people who most watch TV.

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