Laura Freeman Laura Freeman

Out of order

But Tate St Ives's new exhibition, which refuses to organise the paintings chronologically, does a disservice to Heron's work

issue 02 June 2018

Patrick Heron’s paintings of the 1950s melt like ice creams. You want to run your tongue along the canvas and catch the drips. They capture a sense of summer holiday sea-and-scampi freedom. When Heron (1920–99) was five, his father, a blouse and silk-scarf manufacturer, moved from Leeds to St Ives in Cornwall.

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