Perfectly unreliable

Memoirs? No one writes them any more. If you wish to distinguish yourself from the sweaty masses, you are far better off publishing a diary, or notebook, call it what you will (Frederic Raphael naturally calls it a cahier). To publish one, of course, you need to have written one, ideally some years ago, full of gossip and spleen and brutal judgments on your contemporaries, some of whom are now dead, and the rest of whom soon will be when they read it. It may not have the form or the contrivance of a memoir — it may, in truth, ramble a bit — but we will forgive this because, its writer will assure us, it was never written for publication. Raphael assures us in all these wonderful, scabrous volumes that they weren’t written for publication, and while I’m sure he’s telling the truth, I can never quite believe him either. As a good friend and contemporary of mine admitted to me recently, when he revealed that he had started writing a diary, ‘It’s my pension.’ It may also be your tilt at posterity, for as Simon Gray and Alan Clark have recently shown, your marginal writings may continue to be read and loved when your more substantial works are completely forgotten.

Frederic Raphael’s diaries do not have the same populist appeal as those of Gray or Clark. Indeed you really do need to be steeped in the era and the culture of which he writes to understand even a fraction of what he goes on about. This fourth volume covers the years 1976 to 1978. Raphael is in his mid-forties; his most enduring success, The Glittering Prizes, has just been televised; he has more than enough work, and nearly enough money, to be going on with.