Sara Veale

Rambert’s latest uses the migrant crisis for superficial intrigue: Aisha and Abhaya reviewed

Plus: deeply felt hip hop, frisky and furious tango and endearing acrobatics at Sadler's Wells

issue 08 February 2020

The January dance stage can be a site of naked contrition. Like a tippler grasping at green juice after a December of prosecco pukes (#NewYearNewMe), companies slap Swan Lakes and Giselles on the roster, eager to atone for the indulgences of Nutcracker season. It’s back to business at your opera houses and concert halls.

GIF Image

Disagree with half of it, enjoy reading all of it

TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in