The cover image of Tessa Hadley’s fourth short story collection is Gerhard Richter’s ‘Betty’ (1988), a portrait of the artist’s daughter facing away from the viewer. It’s an apt choice for Hadley’s work, which turns on the fundamental unknowability of human beings.
The titular tale, about a widowed mother and her two daughters confronting reduced circumstances, is loosely inspired by Mavis Gallant’s story ‘1933’.
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