Visiting this large (172 works) retrospective for Max Ernst (1891–1976) at the Metropolitan was in a way a sign of the times. Here was revealed, in all its witty and eccentric glory, the art of the most influential German Dadaist, born in Br

Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in