Lloyd Evans Lloyd Evans

Strong performances in a slightly wonky production: Uncle Vanya reviewed

Plus: the glory of the Lyttelton’s new play The Welkin lies in the beautiful short final sequences

issue 01 February 2020

Uncle Vanya opens with a puzzle. Is the action set in the early 20th century or right now? The furnishings might be modern purchases or inherited antiques, and the costumes are also styled ambiguously. It soon becomes clear from Conor McPherson’s script, which uses colloquialisms like ‘wanging on’, that this is a contemporary version.

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