
Ruination begins with an ironic prologue in which a choric figure warns the audience that what follows makes unlikely matter for the festive season: look elsewhere if you’re after light entertainment, he says, because this is going to shake you up a bit. And it does. This is genre-defying physical theatre, ‘devised’ by Ben Duke, in which spoken text is combined with episodes of dance and interludes of song, playfully satirical in tone and uprooted from any boundaries of realism or historical period.
Although it is somewhat pretentious, I pretty much loved it
The choric figure is Hades, and his realm of...

Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in