On the morning of 15 October 1927, a dim, autumn day, a group of men foregathered at the Rosedale cemetery in New Jersey and picked their way through the headstones to the grave of one Amelia — ‘Mollie’ — Maggia. An employee of the United States Radium Corporation (USRC), she had died five years earlier, aged 24. To the dismay of her friends and family the cause of death had been recorded as syphilis, but, as her coffin was exhumed and its lid levered open, Mollie’s corpse was seen to be aglow with a ‘soft luminescence’. Everyone present knew what that meant.
‘My beautiful radium’, Marie Curie called the element she discovered in 1898. She was in thrall to it: it stirred her, she wrote, with ‘ever-new emotion and enchantment’. As she shared her discovery with scientists, and radium was found to be capable of destroying human tissue, it was enlisted in the battle against cancer — and not just cancer but fever, gout and constipation. Some claimed it could restore vitality in the elderly. Others took to drinking radium water, or visiting radium clinics and spas.
These treatments were strictly for the rich — gram for gram, radium was the most expensive substance on earth. But when radium-dial-painting ‘studios’ were set up in Newark, New Jersey, and Ottawa, Illinois, hordes of working-class girls, some as young as 14, applied for jobs painting luminous numerals on watchfaces. The work was congenial. They sat in rows, dipping fine camelhair brushes into a radium solution, then ‘pointed’ them between moistened lips before painting the numbers on the dials. After Congress voted America into the war in the spring of 1917, most of the dials were for military use, so the girls had the satisfaction of knowing they were serving their country.

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