Philip Hensher

The age of the starving artist

A review of A Strange Business: Making Art and Money in Nineteenth-Century Britain, by James Hamilton. A brilliant account of learning, or failing, to survive in a market of extraordinary brutality

Who’s in, who’s out: George Bernard O’Neill’s ‘Public Opinion’ depicts a private view of the annual exhibition at the Royal Academy [Bridgeman]

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in