Laura Freeman Laura Freeman

The art of the Christmas card

A new show at Pallant House Gallery suggests the demise of the Christmas card has been greatly exaggerated

A hand-coloured winter thrush rings the round robin changes: 'Fieldfare', 2020, by Mark Hearld. Image: © Mark Hearld

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in