Frieze and its ever-multiplying layers – some fantastically rich, others disappointingly dry – has expanded into a millefeuille so dense that you wonder whether organisers Matthew Slotover and Amanda Sharp have ever heard of museum fatigue. Today, 30 to 45 minutes is apparently the concentration cap – the point at which you can no longer bring yourself to give a shit yet keep walking past the frames. Knowing this, the majority of London’s public might feel they had been spared the ordeal of entering the tents in Regent’s Park, where half an hour will get you through almost nothing of the fair. By some freak of programming the best of the works curated to accompany this giant selling spree could be seen for free by anyone outside the fair this year.
Down the road in Euston, Dance Umbrella put on Disabled Theater by choreography’s French bad boy Jérôme Bel. Bel worked with Theater HORA, a Swiss troupe of professional actors with learning and mental disabilities.
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