Salley Vickers

The discreet shape of tears

issue 25 February 2006

Mothers and memoirs are fashionable at the moment. We’ve had Edward St Aubyn’s novel Mother’s Milk and few respectable books’ pages appear without a brand-new set of tragic, comic or tragi- comic reminiscences, leaving us grateful, if apologetic, for our own drearily staid lives.

Yet it is a fact that a really good memoir usually owes less to life than to the author’s shaping imagination.

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