Andrew Petrie

The first lady of song

Folk legend Sandy Denny’s eminently coverable songs, direct of melody and opaque of lyric, have scarcely declined in popularity since the singer’s death in 1978 at the age of 31. A tribute concert at the Queen Elizabeth Hall in 2008 was such a hit that a similar event is being staged at the Barbican this month. Once again, a variety of vocalists will front a house band including members of contemporary folk stars Bellowhead and share the stage with Denny’s former Fairport Convention bandmates Jerry Donahue and Dave Swarbrick.

Insecure but blessed with a versatile voice free of phony mid-Atlantic inflections, Denny’s infusion of traditional material transformed Fairport from blokey college circuit regulars into the definitive English folk-rock band. She left to front the short-lived Fotheringay, but her crowning achievements were her solo albums for Island. At her best, Denny utterly transcended the ‘folk’ label: her string-laden second solo album, 1972’s Sandy, contains some of the finest music ever to be produced in these islands, regardless of genre.

Contemporary artist Thea Gilmore’s recent album based on unused Denny lyrics has helped elevate Sandy’s reputation to an all-time high. She is described with wearying regularity as ‘Britain’s greatest female singer-songwriter’, as though gender had something to do with it. Let’s call her the greatest, and leave it at that.

The Lady: A Homage to Sandy Denny is at the Barbican on 23 May.

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