Laura Gascoigne

The frisky side of a classical master: National Gallery’s Poussin and the Dance reviewed

The real delight of this show is how it draws back the curtain on the artist’s ingenious compositional process

Choreographed orgies: ‘The Triumph of Bacchus’, 1635–6, by Nicolas Poussin. Credit: © Image courtesy of The Nelson-Atkins Museum of Art, Media Services / Photo: John Lamberton

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