Peter Jones

The Globe, Plato and the corrupting force of art

iStock 
issue 30 October 2021

The Globe theatre’s project to ‘decolonise’ Shakespeare, as if that would make plays like The Tempest ‘acceptable’ to them and their audience, would have met with no approval at all from Plato (c. 425-348 BC). For him, all poetry and the arts were corrupt, and in his Republic, a discussion of how an ideal state should be constituted, he called for them all to be banned.

GIF Image

Disagree with half of it, enjoy reading all of it

TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in