A. E. Stallings

The greatest anti-war poem of all

Will Caroline Alexander’s translation of the Iliad — the first in English by a woman — prove the definitive one?

issue 09 April 2016

The Iliad begins with a grudge and ends with a funeral. In between are passages, if not necessarily of boredom, to alter the war adage, of lists, pathos, sex, humour, fairytale strangeness (golden fembots, a talking horse) and lyric images, punctuated by moments of pure terror (eyes popped out of heads, a spear throbbing in a beating heart, a man cradling his intestines in his hands).

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