Richard Bratby

The kids are all right

At least, Birmingham Conservatoire’s production made it seem a masterpiece. Plus: we shouldn’t have to rely on students (however fine) to hear Rimsky-Korsakov’s delightful May Night

issue 02 April 2016

In a remote fishing village a lone figure confronts an unexplained death, standing tormented but unbroken against fate, the community and the elements of sea and wind that surge through every note of the score. No, not Peter Grimes: this is Vaughan Williams’s 1932 operatic setting of Synge’s Riders to the Sea.

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