
Six months before Vincent van Gogh’s death, the critic Albert Aurier, waxing poetical, wrote an article entitled Les Isolés on the then unknown painter. It raised to sainthood the solitary genius driven to insanity by an uncomprehending world. ‘Is he not one of the noble and immortal race which the common people call madmen but which men among us consider sort of saints?’ The man had already become myth.

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