Bridesmaids isn’t directed by Judd Apatow, the reigning champion of American comedy, but it might as well be.
Bridesmaids isn’t directed by Judd Apatow, the reigning champion of American comedy, but it might as well be. In addition to establishing himself as Hollywood’s leading comedy director — The 40-Year-Old Virgin, Knocked Up, Funny People — he is the industry’s most prolific auteur producer, having overseen a string of recent hits including Superbad, Forgetting Sarah Marshall and Get Him to the Greek.
Apatow’s films generally have a freewheeling, loosey-goosey atmosphere, as though we’re eavesdropping on a group of comedians riffing off each other rather than watching a bunch of actors reciting their lines, and some of the best scenes give the impression of having been made up on the spot. Yet, at the same time, they usually contain three or four comic set pieces that have been engineered with a Wodehousian precision.
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