James Walton

The road to the final snow-gazing scene is tortuous: Sky Max’s The Heist Before Christmas reviewed

Plus: Mark Gatiss happily plays things dead straight in his latest Ghost Story for Christmas

Timothy Spall as Santa Claus and the brilliant Bamber Todd as Mikey in Sky's The Heist before Christmas. Image: Peter Marley / ©Sky UK Ltd  
issue 16 December 2023

When it comes to one-off family dramas for Christmas, two things are pretty much guaranteed. They’ll begin with credits announcing a starry cast, and they’ll end with a redeemed character gazing at some falling snow as the music swells.

The only tricky bit, then, is what should happen in-between. Should the redemption take place against a backdrop of vaguely gritty realism? Should plausibility be a consideration, or can the writers just rely on the magic of Christmas to get them out of any plot-related trouble? If Santa’s involved – as he so often is – should the show believe in Father...

GIF Image

Disagree with half of it, enjoy reading all of it

TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in