Just as Gustav Mahler wove a bugle fanfare into his symphonies, so Joseph Roth wove martial music into his novels. In Roth’s case, it was invariably Johann Strauss’s ‘Radetzky March’, a signature tune which tum-te-tums through his earlier fiction and then becomes the title of this, his 1932 masterpiece.
For Roth, like Mahler, military tunes were the very symbol of Austria-Hungary.
Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in