According to an old ballet commonplace, no one can beat the Russians when it comes to Swan Lake. Biased and historically inaccurate as this may be, the generalisation has a grain of truth. Russian ballerinas have always looked at ease with the popular classic. It matters little that it was created for an Italian star and partly choreographed by a French ballet master; Swan Lake is as Russian as vodka and comes magically to life when left in the hands — and legs — of Russian interpreters.
Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in