Lloyd Evans Lloyd Evans

Two hours of kitsch tomfoolery: Amélie at the Criterion reviewed

Plus: a humourless debut play at the Harold Pinter Theatre about the colonisation of Mars

If you want to disengage your brain for two hours, Amélie is your perfect night out. Image: Pamela Raith Photography 
issue 12 June 2021

The latest movie to turn into a musical is Amélie, from 2001, about a Parisian do-gooder or ‘godmother of the unloved’. Some rate Amélie as the worst film ever made in France. Some consider it the worst film ever made. Our heroine is a 20-year-old waitress, a sort of proto-Greta, who plays truant from her restaurant job and wanders around Paris doing nice things to random strangers.

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