Andrew Motion

Village voices

Max Porter’s second novel adds a social dimension lacking in his impressive first book

issue 02 March 2019

Max Porter’s first book, Grief is the Thing with Feathers (2015), got a lot of credit for finding original ways to talk about two of the oldest subjects under the sun: human love and human death. It’s hero is a young father writing a book about Ted Hughes, whose distress at the death of his wife, and whose efforts to look after their two children, are shaped by the appearance in his life of Hughes’s celebrated figure of the Crow, a real/metaphorical creature who is on the one hand disgusting, violent, abusive, anarchic and gloating, and on the other bracingly...

GIF Image

Disagree with half of it, enjoy reading all of it

TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.

Comments

Join the debate, free for a month

Be part of the conversation with other Spectator readers by getting your first month free.

Already a subscriber? Log in