Tapestry, papal and princely, never quite went away. Today it satisfies a need for conspicuous displays of skill of the kind celebrated in the V&A’s recent show Power of Making. The surprise hit of last year’s Venice Biennale was Penelope’s Labour: Weaving Words and Images, an exhibition of weavings and tapestries old and new, while the reception of Grayson Perry’s six narrative hangings, ‘The Vanity of Small Differences’, confirms our current fascination with crafted art.
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