There is no comfortable way to read or appreciate this vast book without the benefit of a lectern. How many households now possess such a thing? I certainly don’t, and the frustration that this immediately caused — it’s hard enough to pick the book up in one hand, let alone hold it balanced to peruse — almost turned me against what is in fact a well-written and sumptuously illustrated account of one of the best 20th-century British artists.

Disagree with half of it, enjoy reading all of it
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