Tanya Harrod

Where’s the fun, Barbican? 

Pop Art Design, Barbican Gallery — review

Installationat ‘Pop Art Design’exhibition, showing Roy Lichtenstein’s ‘Yellow Brushstroke II’, 1965, plates by Eduardo Paolozzi (c.1972) and Ettore Sottsass (1958) and ‘Marshmallow’ sofa, 1956, by George Nelson Associates. Credit: © Gar Powell-Evans 2013, courtesy Barbican Art Gallery

  • Pop Art Design

    Barbican Gallery, until 9 February 2014

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Lukas Degutis

The lost America of Palm Springs

From Spectator Life
California was once home to a certain vision of the American dream; Mamas & the Papas records, grinning surfers, chrome bumpers. Now LA and San Francisco are full of glass and steel and petty criminals. Escape their sketchy downtowns and you’ll find huge copy-and-paste estates of identical homes. Urban sprawl has choked off California’s charm

Because you read about barbican

Also by Tanya Harrod

Latest

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in