Arts Reviews

The Twittersphere never fails to surprise but it’s still hard to believe that last week #WorldBalletDay actually beat #HongKong and #Windows10 in the Twitter popularity stakes, on a day of barricades in the Chinese territory and Microsoft’s announcement of a new operating system. Twitter is a solid barometer of a vast and assertively ‘engaged’ segment of society whose demand to be noticed can sometimes be quite serious (see #HongKong). At other times, it’s merely incredible, as it was last Wednesday when some 5,000,000 tweets were sent by viewers of an internet love-in by the Royal Ballet, Bolshoi Ballet, Canadian, Australian and San Francisco ballet companies, who mustered with phenomenal geopolitical

It’s official: Europe’s least visited country is unloved little Liechtenstein. Last year, a mere 60,000 tourists travelled to this absurd Alpine principality. For discerning Spectator readers, this is great news. Liechtenstein is charming, its absurdities are enchanting, and it boasts one of the most stylish (and least crowded) modern art museums in Europe. Nothing spoils a sightseeing trip so much as lots of other sightseers. Spend a weekend in Liechtenstein – only two hours by train from Zurich – and you and your significant other should have the entire country (virtually) to yourselves. Liechtenstein is utterly ridiculous, but that’s a big part of its appeal. One of the smallest countries

Those of us who were never destined to be great young poets can probably remember the attempts. I kept my verses from when I was 14 in a pillowcase, which was mercifully put in the wash. Writing poetry is like learning an instrument. You need a disproportionate amount of know-how simply not to sound terrible. But when I spent National Poetry Day at the South Bank Centre for the Foyle Young Poets Awards, there were no bum notes. You could hear a universal page-turning from the audience at certain points, as they all followed the readers on stage in booklet form. Here were a group of young poets who’d discovered the value of art and, what’s

I can’t wait to watch Tom and Jerry, The Complete Second Volume, on Amazon Prime, to which, as luck would have it, I belong. Obviously I’ve seen the cartoons before – I got them in years ago for my children when they were at an age at which everyone else was looking the hellish ‘In the Night Garden’ – but this time it’ll be for the subversive thrill of the warning: ‘Tom and Jerry shorts may depict some ethnic and racial prejudices that were once commonplace in American society. Such depictions were wrong then and are wrong today.’ It reminds me of the sense of subversiveness I got when I bought Tintin in the

When people ask why I’m obsessed with the Apollo moon missions, I always want to reply using the same phrase: ‘Because they were out of this world.’ I never do, because it happens to sound like a very bad joke. But it’s the truth. For the first time ever, mankind left its home turf and discovered somewhere new. It was qualitatively the greatest journey in human history. Not — and this is the point — that it was mankind rejecting that home turf; leaving the Earth made us value it all the more. That’s where the greatness lay. It’s also the charm of a new exhibition in London. Encountering the

Everyone knows about architecture being frozen music. The source of that conceit may be debated, but its validity is timeless and certain. For all its weightiness, architecture plays with ethereal proportion, harmony, resonance and delight: the stuff of music. But architecture is more fundamentally about the management of light and space. Or, at least, that’s how architects see it. So photography makes better sense of architecture than any other medium does: there is something congruent between the fixed optical geometry of a camera and the way we perceive buildings. And because images are more readily accessible than travel to remote sites, everyone’s experience of world architecture is, at least initially,