Book Reviews

Our reviews of the latest in literature

Thursday

Jonathan Boff

Spitfires of the sea: the secret exploits of the Royal Navy’s 15th Motor Gun Boat Flotilla

Fast boats and fast women have been the ruin of many a poor boy. But they can also prove a triumphant mix, as the wartime exploits of the Royal Navy’s 15th Motor Gun Boat Flotilla, described in Tim Spicer’s highly enjoyable book, show. An under-cover unit run during the second world war by the Secret Intelligence Service, it used sleek 110ft motor launches to ferry agents and supplies between England and France. Leaving Dartmouth in the late afternoon, their mission was to race across 100 miles of Channel, evade German patrol boats, navigate the rocks and tidal races of the Brittany coast to a pinpoint spot under the noses of

Mark Cocker

Beavers, not concrete barriers, can save Britain from floods

As the start date of COP26 draws closer, and just when we are assailed by daily proof of climate chaos, it is easy to think that this is the only threat to the global environment. It is not. Systemic biological loss assails the world and, while it is closely related to the issues of climate, it is a standalone matter with many separate antecedents. The English in particular should know all about it. On what is called the Biological Intactness Index we are judged to be the seventh most degraded national environment on Earth. Species loss here originates from many causes, but primarily from 80 years of intensive agriculture. This

Mia Levitin

Only time will tell if there’ll be a Great Pandemic Novel

We had been dreading it like (forgive me) the plague: the inevitable onslaught of corona-lit. Fortunately, the first few titles out of the gate have been in capable hands. Zadie Smith reflected on lockdown in Intimations, a slim volume of personal essays; the virus featured in Ali Smith’s Orwell Prize-winning Summer; and Sarah Moss imagines a lockdown hike gone awry in her forthcoming novel The Fell. The twice Booker-nominated novelist and short story writer Sarah Hall also felt compelled to address the calamity, rising in the dark to write before home schooling her daughter during lockdown. ‘I’m not saying I was particularly equipped,’ Hall explained in a press release. ‘But

Kathleen Stock

As feminists fall out, it’s not just the patriarchy that’s under fire

UK grassroots feminism is flourishing at the moment, with the journalist Julie Bindel leading from the front as troublemaker-in-chief. In a long history of activism that began in the 1980s, campaigning against male violence in Leeds while Peter Sutcliffe stalked the streets, Bindel has always been straight to the point, full of heart and un-interested in placating middle-class sensibilities. Her new book is no different. Feminism for Women is an impassioned manifesto for the kind of feminism she favours — indeed, the only kind she’s willing to acknowledge as worthy of the name. Bindel’s feminism is unashamedly focused on women and girls of the old-fashioned female kind, and what tends

Stephen Bayley

The country house is dead: that’s why we love it so

The true English disease is Downton Syndrome. Symptoms include a yearning for a past of chivalry, grandeur and unambiguously stratified social order, where Johnny Foreigner had no place unless perhaps as butler in the pantry or mistress in the bedroom. And the focus of the disease is the country house, Britain’s best contribution to the world history of architecture. Except often the architect was Johnny Foreigner. The typologies are well understood: from great halls with their Tudor feasts to Italianate palazzi, with Alexander Pope scribbling in the garden; thence to disturbing Victorian horrors corrupting their inhabitants (q.v. Balmoral), lovable Arts & Crafts by Lutyens and, latterly, the wince-making middle-brow pastiches

Wednesday

Sam Leith Sam Leith

Kate Lister: Harlots, Whores and Hackabouts

35 min listen

In this week’s book club podcast, I’m joined by Kate Lister to talk about her new book Harlots, Whores and Hackabouts: A History of Sex for Sale. Kate tells me about some of the most celebrated sex-workers in history (and pre-history), the attempts that have been made to regulate the ‘oldest profession’ – and where she stands on an issue that still bitterly divides modern feminists…

Thursday

Chloë Ashby

Wrapped up in satire, a serious lesson about the fine line between success and scandal

Have you heard of champing? Neither had I. Turns out it’s camping in a field beside a deserted church. When it rains, you abandon your flimsy tent and instead bed down in the hushed aisles. At the beginning of Ferdinand Mount’s new novel, Making Nice, Dickie Pentecost and his wife Jane, together with their daughters Flo and Lucy, are doing just that. In the morning they meet fellow champer Ethel, short for Ethelbert, a bewitching man with stony eyes and sticking-up hair. ‘Ethel,’ says Dickie. ‘I suppose they could have shortened it to Bert instead.’ After losing his job as the diplomatic editor of a national newspaper (‘Who needs diplomatic

A.N. Wilson

Paradise and paradox: an inner pilgrimage into John Milton

When E. Nesbit published Wet Magic in 1913 (a charming novel in which the children encounter a mermaid), she took it for granted that her young readers would immediately pick up the references to ‘Sabrina Fair’ from Milton’s Comus. Phrases from Milton were part of the language — ‘Tomorrow to fresh woods’; ‘Better to reign in hell than serve in heaven’. Milton was central to the shared experience of life itself for those who spoke English. Throughout the 18th and 19th centuries Milton was inside every literate anglophone head. If Harold Bloom is to be believed, which I think he is in this respect, the English romantic movement grew out

Leyla Sanai

Mind games: the blurred line between fact and fiction

Readers of Case Study unfamiliar with its author’s previous work might believe they have stumbled on a great psychotherapy scandal. We’ve all heard of past psychiatric controversies — forced lobotomies, the incarceration of single mothers, false memory syndrome — and of R.D. Laing, whose unconventional techniques were not always beneficial to the patient. Well, here is Graeme Macrae Burnet, a Scottish writer whose His Bloody Project was shortlisted for the Booker in 2015, disclosing that after he wrote a blog piece about the once notorious, now largely forgotten, 1960s psychotherapist A. Collins Braithwaite, he was sent previously unseen notebooks written by a young woman who had been his patient. Burnet

Simon Winchester

How 19th-century gold rushes led to a distrust of China

For a brief moment three summers ago it seemed that the clear Idaho air wafting through the Sun Valley Literary Festival had become tainted with the smoke and soot of Nuremberg. Here was Thomas Friedman, bloviator-in-chief to America’s chattering classes, standing before a rally of thousands, delivering a powerful philippic about the ascent of the Asiatic East. As he warmed to his theme, he decided for some messianic reason to demand that his audience chant the phrase that he suggested now dominated the American economic landscape. Come on, he urged like a latter-day Elmer Gantry, yell out with me the words: ‘Everything. Is. Made. In. CHINA!’ And, as one, the

Jonathan Sumption

The magic of manuscripts

Manuscripts have something of the appeal of drawings. They bring you closer to the creative process. Even a copy adds something special to the text: an editorial twist, a decorated initial, a margin full of beasts or just a beautiful script in which every letter is fashioned by hand like no other. Manuscripts do more than convey information. Their creation calls for imagination, physical effort, a love of meaning and beauty. They are works of art in their own right. I specialise in the most unpoetic kind of manuscript: administrative records of military and political history. But even they speak to us directly. ‘You fool — Norwich is inland’ is

Stuart Evers

Unkindly light: The Morning Star, by Karl Ove Knausgaard, reviewed

Karl Ove Knausgaard’s My Struggle sequence is one of this century’s great projects: an intimate epic in which the overriding obsessions of our times — identity, gender, the meaning of truth — play out through six maddeningly detailed, curiously compelling autofictions. It’s the kind of work that casts a long shadow; any fiction that follows, the author knows, is in communion, and competition, with that momentous work. Which is why The Morning Star, Knausgaard’s return to the novel after an almost decade-long break, is both fascinating and frustrating. With its biblical allusion title and occult MacGuffin (a new star has mysteriously appeared in the night sky over Norway), the book

Frances Wilson

How does David Sedaris get away with saying the unsayable?

These aren’t diaries in the sense that Chips Channon kept diaries, or Samuel Pepys. They aren’t diaries at all, beyond the fact that each entry records an event and has a date and place attached. If a diary is a conversation with yourself, A Carnival of Snackery is a conversation with a crowd, because the observations it contains were written as material for David Sedaris’s shows. The entries, which begin in 2003 and continue to Christmas 2020, are therefore, as Sedaris admits, over-polished, and what we hear on the page is a spoken rather than a written voice. There are many other voices besides, because the book is a record

Wednesday

Sam Leith Sam Leith

Chuck Palahniuk: Greener Pastures

25 min listen

Chuck Palahniuk — best known as the author of Fight Club — has just announced that he’s publishing his next novel not with a mainstream publisher but through the online subscription service Substack. He joins me on this week’s Book Club podcast to tell me why; and to talk about how 9/11 changed literature, why he never tires of making his audience feel sick, and how he thinks David Foster Wallace might be alive today if he’d taken some time out to write a few Spider-Man comics.

Thursday

Kate Andrews Kate Andrews

China and the WHO are given an easy ride in the Covid blame game

Are you ready to relive 2020? That’s what Adam Tooze is offering as he tells the story of Covid-19 through the spectacular and terrifying economic consequences created by the global health crisis. For many, the answer will be a simple no. But for others looking to make sense of an utterly surreal year, Shutdown might seem an obvious place to start. Unfortunately, the book offers less analysis and more ranting than would normally be expected from an economic digest — especially one written about one of the most startling shocks to the economy the world has ever seen. Some readers may like the rant. If you’re of the opinion that

Lee Langley

A 21st-century Holden Caulfield: The Book of Form and Emptiness, by Ruth Ozeki, reviewed

The world Ruth Ozeki creates in The Book of Form & Emptiness resembles one of the snow globes that pop up throughout the novel: a whirling chaos of objects and people. The narration is shared between traumatised Benny, a 21st-century Holden Caulfield figure, and ‘The Book’ itself, opinionated, chatty. The author has fun with both wokery and its opposite. Look out for the gender-fluid pet ferret whose preferred pronoun is They. Benny’s father died when the boy was 12, run down by a truck full of chickens. Now going on 14, he hears voices in his head, objects speak to him (coffee cups, sneakers, windowpanes), bombarding him with conflicting advice.

Simon Heffer

The coal mining conundrum: why did the NUM fight so hard for its members’ right to suffer underground?

Anyone with a grasp of the history of Britain knows that its once considerable power, and much of its still considerable prosperity, was built on coal. The geological accident of these islands containing coal gave us the industrial revolution and the first railways, and consolidated British naval power. Implicit in that accident was the fact that a few landowners, under whose acres the coalfields spread, became astonishingly rich as a result — people such as the Butes, the Londonderrys and the Fitzwilliams, who lived self-indulgent lives in their stately homes while half a mile below semi-naked men crawled in coal dust five-and-a-half days a week to make them so wealthy.

Peter Pomerantsev

From salivating dogs to mass indoctrination: Pavlov’s sinister legacy

When two post-Soviet supermodels committed suicide in the noughties, both throwing themselves off high buildings in New York and Kiev, the trail into what made them so depressed led to a ‘personality development’ organisation in Moscow that offered ‘trainings’ that would help ‘find your truer self’. The moment you entered the dark Stalinist gothic theatre, filled with dozens of other ‘students’, you were under the control of the ‘life coach’. Drawing confusing pictures on a whiteboard, he would talk quickly and loudly about ‘transformation’. Then came days of non-stop psychiatric-style exercises. People went on stage and were instructed to recite their most traumatic past experiences. Some talked about rape, others

Tim Butcher

Flight into danger: Freight Dogs, by Giles Foden, reviewed

Flying has always attracted chancers and characters to Africa. Wilbur Smith’s father so loved aviation he named his son to honour the Wright Brothers. ‘I am forever grateful he didn’t go for Orville,’ the Zambian-born author once confided. Smith father and son may well have approved of Giles Foden’s romping novel, which has African bush pilots at its core, and a style not dissimilar to that of an airport thriller. School-age dreamer Emmanuel ‘Manu’ Kwizera comes from the implausibly beautiful hill country of eastern Congo. Green though the land is, its recent history is anything but pleasant: a plunge pool of horrific violence, backwash from the 1994 Rwandan genocide. Foden

Craig Raine

T.S. Eliot’s preoccupations in wartime Britain

In her essay ‘A House of One’s Own’, about Vanessa Bell, Janet Malcolm says memorably that Bloomsbury is a fiction, and that compared with letters and first-hand material, biography is like canned vegetables compared with fresh fruit. We read the letters of writers because they are informal, unguarded, unbuttoned, intimate and candid, revealing not only the secrets of composition but, we hope, glimpses of the writer in the flesh, with his trousers down. This is T.S. Eliot, on 26 December 1941, thanking the editor and critic John Hayward for a gift of toilet paper: BROMO is, as you know, and as the manufacturers state, so well known that lengthy description