Book Reviews

Our reviews of the latest in literature

Thursday

Guy Stagg

The difficulty of building heaven on Earth: why utopias usually fail

The years after the first world war were a boom time for utopian communities. As the survivors of the conflict began to recover, many were drawn towards experimental ways of living. Anna Neima looks at six of these communities, asking what brought them together, what kept them going and what legacy, if any, they left behind. In doing so, she offers an original perspective on the entire period and a new way of navigating its artistic and ideological upheaval. She begins with Santiniketan Sriniketan, the community founded by the Nobel Prize-winning poet Rabindranath Tagore in West Bengal. Part ashram, part school, part agricultural college, it promoted the twin causes of

Ian Birrell

The scandal of OxyContin, the painkiller that caused untold pain

Last week I was staying in a cool hotel in the middle of San Francisco. When I walked out to find coffee in the morning, I came across a man with his trousers lowered as he injected himself in the groin. An older fellow nearby used the street as a toilet, adding to the human excrement on the pavement. A woman lay crashed out, hair matted over her face in the heat. Returning later in the day, passing the clusters of tents and people chasing dragons from foil, I was asked: ‘Do you want anything?’ These disturbing scenes of human despair were beside a smart shopping mall in the city

Christopher Hawtree

Journey to the Moon: The Things We’ve Seen, by Agustín Fernández Mallo, reviewed

‘Peace — slept for 14 hours. The roar of the sea slashing the rocks — is there any more soothing sound in the solar system?’ Although this observation was made by Chips Channon at Sandwich after the rigours of electioneering in 1935 it could be aptly cited in this novel by the radiation physicist Agustín Fernández Mallo. These past 15 years he has evolved a method in which, owing something to Borges and perhaps early Nicholson Baker, troubled narrators’ outlandish events draw seamlessly upon everything around them; on the page, advertising hoardings, the screen or mind, these fragments are shored against their ruins, catching our world in its present flux.

Diana Hendry

Mothers and daughters: I Couldn’t Love You More, by Esther Freud, reviewed

A new novel by Esther Freud — her ninth — raises the perennial but always fascinating question about the use of autobiography in fiction. Since her first novel, Hideous Kinky, Freud has frequently used an underpinning of autobiography, but mostly it’s been discreet. You didn’t need to distinguish what was life, what fiction. But with I Couldn’t Love You More the auto-biographical element has become overt and somehow obtrusive. Freud’s previous novel, Mr Mac and Me, concerned with Charles Rennie Mackintosh’s stay in Suffolk at the start of the second world war, is on the cusp of being an historical novel. This one is close to autofiction. In the acknowledgements,

John Self

A smart take on literary London: Dead Souls, by Sam Riviere, reviewed

Sam Riviere has established himself as a seriously good poet who doesn’t take himself too seriously: his first collection, 81 Austerities, opened with an account of how he blew all the arts funding money awarded him, and his second, Kim Kardashian’s Marriage, is the only appearance of that august celebrity’s name in the distinguished Faber livery. Now we have his first ‘proper’ novel, following some experimental prose works. ‘Of course,’ as John Cheever wrote, ‘one never asks is it a novel? One asks is it interesting’, and Dead Souls is definitely interesting. It also fits the pattern of the poetry: this is a funny, even silly, but smart take on

Wednesday

Sam Leith Sam Leith

Lawrence Wright: The Plague Year

36 min listen

In this week’s Book Club podcast, my guest is one of America’s foremost magazine journalists, the New Yorker‘s Lawrence Wright. His new book is The Plague Year: America In The Time of Covid. He tells me what a book brings to recent history that week-to-week journalism can’t, about the extraordinary happenstance that put him in contact with one of the unsung heroes of the vaccine race, and the three reasons Covid was such a catastrophe for the US.

Saturday

Chris Daw KC

Chris Daw, Lionel Shriver and Sam Russell

21 min listen

On this episode: Chris Daw QC on the blame game that surrounds the Hillsborough disaster and why it’s time to move on (01:00); Lionel Shriver suggests we should just give Scottish nationalists what they want and watch the chaos unfold (07:40); and Sam Russell, the Spectator’s new broadcast producer, talks about how book lovers are turning TikTok into a book club (16:25).

Thursday

Boyd Tonkin

A Danubian Narnia: Nostalgia, by Mircea Cartarescu, reviewed

Mircea Cartarescu likens his native Romania to a Latin American country stranded in eastern Europe. Certainly, his writing delivers not the pared-down parables and ironies of his self-exiled compatriot (and Nobel laureate) Herta Müller, but a rainbow-hued riot of fantasy, imagination and invention. The gender-switching narrator of ‘The Twins’ — one of five linked tales that make up Nostalgia — urges his lover to remember that ‘under the obscene rococo of our world and flesh, our bones are gothic and our spirit is gothic’. That feels about right, although Cartarescu fills his grotesque and hallucinatory scenes with tropical warmth, colour and light on top of the sepulchral chills of old

Ian Thomson

It takes a trained ear fully to appreciate Indian music

At George Harrison’s 1971 concert for Bangladesh, awkwardly, the audience applauded after Ravi Shankar and his musicians had paused to tune their sitars and tablas. ‘If you appreciated the tuning so much,’ Shankar said, half in jest, ‘I hope you’ll enjoy the music even more.’ To the untrained ear, Indian music may sound unmelodious and directionless as it strays into apparent pre-concert tuning registers and monotony. Nonetheless, its transcendental Zen-like qualities impressed Richard Wagner, who was drawn to the spirituality and joss-stick mysticism (as he saw it) of the east. A devotional song performed by the Punjab Sufi vocalist Nusrat Fateh Ali Khan can soar as ecstatically as Parsifal. Indeed

Clare Mulley

The defiance of the ‘ghetto girls’ who resisted the Nazis

‘Jewish Resistance in Poland: Women Trample Nazi Soldiers,’ ran a New York headline in late 1942. That autumn, the Nazi occupying forces in the ancient town of Lubliniec, in southern Poland, had forced the Jewish community to assemble in the square. As men, women, the elderly and children were ordered to strip, a dozen women suddenly attacked their persecutors, scratching, biting and hurling stones. Stunned by this unexpected defiance, the Nazi soldiers fled. The influence of such courageous acts of resistance was tremendous. Galvanised by largely left-wing youth activists and connected by mainly female couriers, Jewish defence groups were soon staging armed attacks and operations across occupied Poland. Judy Batalion’s

Fraser Nelson Fraser Nelson

What happens next? Gauging the fallout from the pandemic

What just happened? Some 15 months after the pandemic first struck, it’s still horribly unclear, which is perhaps why there have been no decent books making sense of Covid-19. This is not just about a virus but a collision of politics, panic, digital media, human behaviour and incompetence. Niall Ferguson’s Doom looks at each of these aspects, putting them into historical perspective in a book of dazzling range and rigour. He offers several answers — and none of them is comforting. For most of human history, viruses were unexceptional — hard to research, because no one thought them remarkable. When plagues struck in the Middle Ages, we’d rush into quarantine,

Kate Chisholm

A mighty contest from trivial things — the quarrel between Alexander Pope and Edmund Curll

Rapid technological advance, a dark underworld of uncensored publishing, a threatened rupture with Scotland, even fears of a new outbreak of plague. Close scrutiny of the first few decades of the 18th century reveals some startling (and oddly reassuring) parallels with our own trying times. In his new book, Pat Rogers, an expert on the writings of Alexander Pope and much else, resurrects what you might think was an obscure battle over copyright between Pope and the Grub Street bookseller and printer Edmund Curll. Their quarrel, though, becomes a prism through which Rogers captures the upheavals, hubbub and stench but, above all, the wit of that period, when words could

Madeleine Feeny

And then there were five: The High House, by Jessie Greengrass, reviewed

In 2009 Margaret Atwood published The Year of the Flood, set in the aftermath of a waterless flood, a flu-like pandemic that almost extinguishes human life. Twelve years ago such apocalyptic visions still felt speculative. Today, Jessie Greengrass’s new novel, The High House, imagining a near future in which civilisation is engulfed by an actual watery flood, does not. It feels chillingly inevitable. The author of a prize-winning short story collection and Sight, a novel shortlisted for the Women’s Prize for Fiction 2018, Greengrass grew up partly in Devon and lives in Berwick-upon-Tweed. Her affinity with the countryside permeates this book, in which nature is both sublime and implacable. It

Jay Elwes

It’s time the British faced some uncomfortable truths, says Matthew d’Ancona

As Britain starts its long Covid recovery, are deeper problems lurking beneath the surface? Matthew d’Ancona certainly thinks so, and in this brief, rather shrill polemic, he urges us to face some uncomfortable truths. Uppermost in his mind is the threat posed by the populist right, which he worries will try to blame Britain’s post-Covid economic hardship on immigrants. D’Ancona suggests that a message of intolerance would fall on fertile ground. Britain, he says, is already in a state of disarray: Public confidence in our institutions has plummeted, as has the belief in a widely honoured social contract; the notion of shared universal rights and responsibilities is mortally threatened in

Maggie Fergusson

Orcadian cadences: celebrating the reclusive poet George Mackay Brown

Few journalists can have conducted such a dismal interview as mine with George Mackay Brown in the summer of 1992. The Times had sent me to Orkney, and the night before we met I sat up in my B&B reading his poetry, spellbound. So much to ask him! But that first meeting was a disaster. Brown was so shy he answered my questions in monosyllables. After five minutes he sat back and rested his lantern jaw on long hands, silent. Seamus Heaney called Brown ‘the praise singer’. There was no singing that afternoon. But the next day I ran into Brown at Mass (he was that rare thing, an Orcadian

Keith Lowe

The road to firebombing Tokyo was paved with good intentions

In the 1930s, a group of American airmen had a dream. Air power, they believed, would do away with the need for armies and navies. The aeroplanes of the future would be able to drop bombs so accurately that there would be no need to kill soldiers in their millions: a handful of strikes on a few key factories would be enough to cripple an enemy’s economy and force them to sue for peace. It did not take long for this dream to turn sour. When the second world war broke out, the Americans soon discovered that their precision bombing was not nearly so precise when they were being shot

Wednesday

Sam Leith Sam Leith

Lauren Hough: Leaving Isn’t the Hardest Thing

29 min listen

In this week’s Book Club podcast my guest is Lauren Hough – author of an outstanding new collection of autobiographical essays called Leaving Isn’t The Hardest Thing which describe a life that took her from growing up in the Children Of God cult via being discharged from the US Air Force and jobs as a bouncer in a gay bar and a “cable guy” on the road to being a writer. She tells me about not writing a misery memoir, what elites don’t know about working class life, “lesbian drama”, and the benefits of revising your work on magic mushrooms.

Thursday

Simon Winchester

An orange or an egg? Determining the shape of the world

Thirty-two years ago the young Nicholas Crane, who would go on to become one of England’s most esteemed television geographers, set out to woo a young woman by spiriting her off to the unfailingly romantic landscape of Chimborazo and Cotopaxi. The couple spent their high-altitude idyll walking the hills in hobnail boots, making river passage in dugout canoes and boarding a Quito-bound steam train through the Andes, run by the estimable Empresa de Ferrocarriles Ecuatorianos. Their journey had its moments: at one stage both parties were to be found at 13,000 feet, crusted with ice and huddled overnight from the gales inside a pair of plastic rubbish bags; they then

André Van Loon

The sweet smell of success: the story behind Chanel No 5’s popularity

This is a curious book, by turns profound and whimsical. Karl Schlögel, a professor of Eastern European history at Frankfurt, begins by stating he didn’t know anything about his chosen subject of perfume beyond going into department stores and duty-free shops to encounter a ‘peculiar mélange of scents… the light and sparkle of crystal, the rainbow of colours, mirrors and glass’. Although he always felt this to be an alien environment, he was also repeatedly captivated. Then by chance he discovered a link between Chanel No. 5 and the Soviet perfume Red Moscow. Intrigued, he went on an intellectual journey to find out the shared and distinctive histories of France

Peter Pomerantsev

Russian memoirs are prone to a particular form of angst

Perhaps the secret to understanding Russian history lies in its grammar: it lacks a pluperfect tense. In Latin, English and German the pluperfect describes actions completely completed at a definite point in the past… Early Russian had such a tense, but it was erased. This grammatical lack costs its speakers dear. Russian history never becomes history. Like a stubborn page in a new book, it refuses to turn over. Thus wrote the Soviet dissident and writer Igor Pomerantsev, my father, during his exile in London in the 1980s. When I returned to Russia in the 2000s I had the sense that beneath the Potemkin democratic veneer, Putin’s Russia was actually