Book Reviews

Our reviews of the latest in literature

Thursday

Emma Beddington

Not just a trolley dolly: the demanding life of an air hostess

Come Fly the World is not the book I thought I was getting. The slightly (surely deliberately) pulpy cover — a glamazonian stewardess, her mirrored cat-eye sunglasses reflecting a runway — promised a Mad Men-era history of silver service and highballs at 30,000 feet, glamour, frocks and sexual shenanigans. Admittedly, deprived of the quixotic delights of a Ryanair snack pack shared with a fractious toddler on a delayed 5 a.m. flight to Alicante at the moment, I ignored the subtitle: ‘The Women of Pan Am at War and Peace.’ That sets the tone more accurately. This is a fairly serious-minded social and geopolitical history of Pan Am, 1966-1975, which takes

Francesca Steele

A meditation on everyday life: Early Morning Riser, by Katherine Heiny, reviewed

There were many moments in Early Morning Riser that made me laugh out loud in recognition. An episode where the main character, Jane, coaxes a wailing child to the car with marshmallows and milk after ‘a temper tantrum so severe that it might have qualified as a psychotic break’ so precisely pinpoints the absurdity of life with small children that it is hard to know whether to laugh or wince. ‘Patrice took a sip and yelled, Kalt! Apparently she had returned from psychosis speaking German.’ Yet Katherine Heiny’s new novel isn’t so much about parenting or marriage (a common target of her merciless yet affectionate wit) as it is a

Nigel Jones

Stalin as puppet master: how Uncle Joe manipulated the West

Of the two dictators who began the second world war as allied partners in crime but ended it in combat to the death, there is no doubt who has received more attention from historians and in the popular imagination. So much so, indeed, that the conflict is often labelled ‘Hitler’s War’. In this unashamedly revisionist account, the American academic historian Sean McMeekin asserts that we have been looking at the war through the wrong end of the telescope. The tyrant who, while not launching the conflict, took advantage of the circumstances that it presented at every turn, and certainly ended up by winning it, he says, was the man he

Wednesday

Sam Leith Sam Leith

Richard Dawkins: Books Do Furnish A Life

44 min listen

In this week’s Book Club podcast, I’m joined by Richard Dawkins to talk about his new book Books Do Furnish A Life: Reading and Writing Science. Richard tells me – among much else – what makes science writing (and science fiction) exciting; the questions science can (and can’t) answer; why he felt it necessary to invest so much of his time arguing against religion; and why the left recurrent laryngeal nerve of the giraffe is such an odd shape.

Friday

Sam Leith Sam Leith

Maria Dahvana Headley: Beowulf

45 min listen

Hwaet! My guest in this week’s Book Club Podcast is Maria Dahvana Headley, whose new book is a translation of the Anglo-Saxon classic Beowulf. She talks to me about how she has produced what she bills as a “feminist translation” of this most macho of poems; about the poem’s braided history and complex language; and about what it tells us of the Anglo-Saxon worldview.

Thursday

Mika Ross-Southall

Beware the woke misogynist

The #MeToo movement isn’t all it seems. More than three years after countless sexual abuse allegations shook the world, the relationship between men and women has mutated into something ‘subtle and insidious’, writes Sam Mills. Her new book — an intriguing blend of feminist theory, memoir, psychological sleuthing and self-help — investigates the rise of what she calls ‘chauvo-feminists’: men who champion women’s rights in public to appear woke while in private their ‘shadowy doppelgänger’ is misogynistic. ‘If sexual harassment is not just about desire but about power,’ Mills says, then ‘the means will no longer be a hand on a knee as a way of implying threat’. Threaded throughout

Hugh Thomson

The jab that saved countless lives 300 years ago

This timely book celebrates one of the most remarkable women of the 18th century. Lady Mary Wortley Montagu was so impressed by the Turkish technique of ‘engraftment’ to prevent smallpox that in 1721, exactly 300 years ago, she arranged for the first such inoculation in England — and, even more controversially, had it carried out on her own three-year-old daughter. Smallpox pus from a sufferer was carried in a walnut shell and applied to a cut made in her daughter’s arm. She discovered the technique too late to use it on herself. As a young woman and court beauty, she had contracted smallpox during one of the frequent epidemics that

Tom Williams

Apostle of modernism: Clive Bell’s reputation repaired

Clive Bell is the perennial supporting character in the biographies of the Bloomsbury group. The husband of Vanessa Bell, brother-in-law of Virginia Woolf and friend of Maynard Keynes and Lytton Strachey, he is often depicted as a witness to historical events rather than a participant in them, a sort of modernist Forrest Gump. At best he is a dilettante with good taste who didn’t quite belong with the intellectuals of Bloomsbury; at worst he is a womaniser with Nazi sympathies who took advantage of Virginia Woolf. In this useful book Mark Hussey lets him take centre stage and delivers a far more nuanced portrait. Bell liked to play up to

Tim Butcher

The problem of the Benin Bronzes will never go away

A book about the looted African art known as the Benin Bronzes begins by clarifying that most of them are not actually bronze, and none of them comes from the country of Benin. Yet as this gripping work of live history makes clear, such name ambiguity feels entirely appropriate for art so sophisticated in creation yet so controversial in acquisition. Little about the Benin Bronzes is black and white. The exact age is unknown for the cache of carved ivory, coral and metal plaques, heads, statuary, swords and other ceremonial objects, the best guess emphasising the circa in ‘circa 16th century’. Who the heads represent is also not settled —

Salma Shah

Alan Duncan rants about ‘idiot’ parliamentary colleagues and Britain’s waning influence

As a budding political apparatchik, my first job out of university was as a junior parliamentary assistant to Alan Duncan MP. Working for him was never taxing because it was never boring. Nicknamed ‘Hunky Dunky’, he was well known in the Tory fraternity. Too young to be a grandee and too old to be a rising star, he occupied a special space in the parliamentary party, never part of a clique yet consistently present during his 27 years in parliament. We’d often remark — to his annoyance — that he was the Chips Channon of his generation, since both often ended up on the wrong side of the winning team.

Susie Mesure

A study in vulnerability: The Coming Bad Days, by Sarah Bernstein, reviewed

When the unnamed narrator of Sarah Bernstein’s The Coming Bad Days leaves the man with whom she has been living because she can’t bear the sight of the tidy line of his shirt collars hanging in the wardrobe, she triggers an existential crisis that dominates this debut novel: ‘The notion that I was free in theory but also in practice to do whatever I liked with my life was terrifying: it was nothing short of a nightmare.’ She moves to a cottage, where she lives alone, worrying variously about the plight of women and the state of a world that is on fire or under water depending on the season.

Anthony Sattin

Marina Warner becomes her mother’s ‘shabti’

There comes a time after the death of parents when grief subsides, the sense of loss eases, and you, the child, are left wondering who those people were. What were they like? Not as you knew them as parents, but as people? For most of us, as the cliché goes, time is a healer, and these questions, thoughts, urges and memories lose their urgency. For others, and Marina Warner is clearly one, there is a more active, urgent, passionate and, yes, Proustian process at work — a need to bear witness — and it does not leave you alone until the questions are answered. For Warner, the questions relate in

Andrew Motion

Two of a kind: Monica Jones proved Philip Larkin’s equal for racism and misogyny

By the time Philip Larkin died in 1985, he’d long since achieved national treasure status: his poems were critically admired as well as widely read; his reticence (‘the Hermit of Hull’) was a matter of affectionate respect; and his cantankerous published remarks about ‘difficulties with girls’, children, left-wing politics, and ‘abroad’ were generally embraced as proof of valiant individualism — or possibly a grouchy kind of joke. Thirty-five years later, after the publication of biographies and his previously private correspondence, his reputation is not so much changed as turned on its head: the outbursts of racism and misogyny that are splattered through his letters have for many readers cast a

Thursday

Mark Bostridge

Dark days for Britain: London, Burning, by Anthony Quinn, reviewed

Not long ago, a group of psychologists analysing data about national happiness discovered that the British were at their unhappiest in 1978. Reading Anthony Quinn’s enjoyable novel set in that year and early 1979, it’s not difficult to see why. In case you’ve forgotten, strikes were spreading like wildfire. The National Front were reaching a peak of popularity. Most alarming of all, the Provisional IRA were expanding their bomb attacks on mainland Britain. There were compensations. Kate Bush’s whiny lament ‘Wuthering Heights’ was released in 1978, and there was a new Pinter at the National Theatre (Betrayal). Punk rock was going commercial. One of the characters in London, Burning turns

Nick Lezard

Spectacular invective: Jonathan Meades lets rip about Boris and Brexit

The title alludes to Jonathan Meades’s first collection of criticism, Peter Knows What Dick Likes, and to the album by Peter Cook and Dudley Moore in their scabrous personae of Derek and Clive. Meades explains the title in his introduction: ‘It’s akin to “Two-Hour Dry Cleaners” where the operative, out of her head on perchloroethylene, tells you that’s just the name of the shop and it’ll be ready a week Tuesday.’ This does not exactly clear matters up but at least I found it funny. And there is much to find funny here. A critic or essayist who is incapable of humour should be discarded. That said, bear in mind

Anne de Courcy

Shock tactics: the flamboyant life of a Hanoverian maid of honour

At the masquerade celebrating the end of the War of Austrian Succession no one could take their eyes off the beautiful Elizabeth Chudleigh. She had come, she said, as ‘Iphigenia, ready for the sacrifice’, and it was what she was wearing — or to all appearances not wearing — that caused a sensation that lasted for months. In the candlelight, her clinging costume of flesh-coloured silk made her appear completely naked; ‘a perfect review of the unadorned mother of mankind’, said one account. The furore caused by this episode was only eclipsed when, 27 years later, Elizabeth, now the widowed Duchess of Kingston, was put on trial for bigamy. The

Benjamin Dreyer

The home life of Shirley Jackson, queen of horror

‘One of the nicest things about being a writer,’ Shirley Jackson once noted in a lecture titled ‘How I Write’, ‘is that nothing ever gets wasted. It’s a little like the frugal housewife who carefully tucks away all the odds and ends of string beans and cold bacon and serves them up magnificently in a fancy casserole dish.’ In Raising Demons, newly reissued as a Penguin Classic, Jackson, perhaps best known for her definitively macabre — and, on its publication in the New Yorker, riotously controversial — 1948 short story ‘The Lottery’ and for her 1959 novel The Haunting of Hill House, most recently wrenched (‘adapted’ would scarcely be the

Horatio Clare

A whale of a time with Albrecht Dürer

Great books make genres jump. It happened with W.G. Sebald’s The Rings of Saturn, which looked like a travelogue, claimed to be a novel and felt like neither. Albert and the Whale by Philip Hoare, which recalls and converses with Sebald, is such a work. An antic and original creation, it is not exactly a biography of the revolutionary Renaissance printmaker, painter and theorist of geometry and perspective. For the fuller story of Albrecht Dürer, turn to Erwin Panofsky’s mighty monograph, as Hoare does frequently. Instead, Hoare has made a book as much for Dürer as it is about him. Dürer’s life and art are thrillingly encountered. But imagine writing

John Maier

Yuri Gagarin – poster boy of manned space flight

To an observant outsider, the Soviets might have appeared to have developed an oddly intolerant attitude towards stray dogs. Every so often throughout the late 1950s, a fresh pack of homeless mongrel bitches was picked off the streets of Moscow and transported to a remote region of Kazakhstan, where they were promptly strapped into the nose of a ballistic missile and fired into space. If they survived till re-entry, they would likely be blown up by a remotely detonated on-board bomb designed to prevent their earthbound remains from falling into enemy territory. It was, as the phrase goes, a dog’s life. This elaborate and rather costly method of canine population

Lee Langley

Ghosts of the past: The Field, by Robert Seethaler, reviewed

Give dead bones a voice and they speak volumes: George Saunders’s Lincoln in the Bardo was clamorous with the departed having their say. Edgar Lee Masters, 100 years earlier, startled the American literary world with Spoon River Anthology, poems that were miniature autobiographies of the occupants of a small Illinois graveyard. Now, The Field by the Austrian novelist Robert Seethaler has the post-lifers of a German town delivering their own epitaphs. In a neglected corner of an old cemetery a man sits on a bench, listening to the people whose resting place this is. Who they were. The lives they led. Not damned souls from Dante’s circles, or creatures in