Book Reviews

Our reviews of the latest in literature

Thursday

Houman Barekat

Soft dystopias

Science fiction, as any enthusiast will tell you, is not just about gazing into the future but also about illuminating the present. In a new collection of short stories by the veteran sf author M. John Harrison, lurid visions of aliens and spaceships play second fiddle to melancholic snapshots of plodding suburbia. Many of the tales in You Should Come With Me Now (Comma Press, £9.99) are set in leafy south-west London, amid the banality of modest affluence: from Putney to Chiswick, Twickenham and St Margarets, and along ‘the endless heartbreaking sweep of the A3 to the sea’. In ‘Cicisbeo’, a husband ensconces himself in his loft, and will only

Andrew Roberts

With Europe, but not of it

Dr Felix Klos is an extremely personable, highly intelligent American-Dutch historian who has undertaken much archival research, worked extremely hard and is an excellent writer. In trying to persuade us that Churchill favoured Britain joining a federal Europe, however, he comes up against several immovable obstacles. The most serious of these is that in the four years that Churchill was prime minister, between 1951 and 1955, he personally, regularly and decisively blocked all movement towards Britain joining any of the European federal institutions that existed. However engaging Klos may be, and however well written his book, he is utterly wrong in his central thesis. At the time of the European

Alice O’Keeffe

Accentuate the positive | 15 February 2018

A good, solid life-threatening illness can be the making of a writer. This has certainly been the case for Genevieve Fox, a long-serving journalist, whose delightful and moving first book Milkshakes and Morphine was inspired by a diagnosis of head and neck cancer. The illness, though treatable, is just as grim as it sounds: she pulls no punches in describing the horror of breaking the news to her husband and teenage sons, of losing the ability to eat, talk or swallow, and of radiotherapy, which sounds like torture. Despite all that, Fox’s writing brims with joie de vivre. She is a person with a healthy appreciation of nice things; she

Michela Wrong

Pleading with the emperor

Yetemegn was barely eight years old when her parents married her off to a man in his thirties. Before she could become a spouse, he first had to raise her. Her education involved beatings when she left the house, even if it was only to borrow shallots from a neighbour. At 14, she gave birth for the first time. Successive pregnancies came like waves. Some of the children died or succumbed to diseases for which the only known treatment was prayer; most survived. She was a grandmother by her early thirties. In Ethiopia, it’s a story that ranks as utterly banal. Millions of women have lived it and millions will

Taki

Unlucky at cards, unlucky in love

A Moment in Time reminded me of the sort of British expatriate women I used to meet in the south of France more than 50 years ago. They were very proud of their nationality, rather broke and talked down to most people. Colonel so-and-so and Lord so-and-so were distant relations or acquaintances. It also reminded me of Separate Tables, Terence Rattigan’s brilliant play about snobbish souls living out their desperate lives in a grubby seaside hotel back in the 1950s. Except that poor old Veronica Lucan, now dead by her own hand, does not in any way write like Rattigan. Instead, she details her everyday disasters methodically, listing all the

Philip Marsden

Dreams of the green room

Surfing has come of age. Like rock and roll, it was once strictly for young people, edgy and alternative and physically way too demanding for anyone over the age of 27. But those young people grew up and they’re still at it. For millennials it’s hard to maintain a sense of cool when your parents are heaving their boards into the same breaks and when, according to the marketing people, there are upwards of 35 million surfers worldwide, in a sector that’s worth at least $10 billion per year. Now comes the season of the surfing memoir. The 2016 Pulitzer Prize for Biography was won by the very brilliant Barbarian

Allan Mallinson

Fighting other people’s battles

What’s the point of a cover if not to judge a book by? One look at the image on the dustjacket of From Byron to Bin Laden, one of my favourite statues in Rome — Anita Garibaldi, pistol in one hand, babe in the other, galloping side-saddle to escape an ambush — and I said ‘yes please’. This was clearly going to be an invigorating read. But the index proved to have just a single reference to Anita. And the text is not light on PhD-speak: ‘The shared characteristics and commonalities across the generations discussed here clearly illustrate that foreign war volunteering constitutes a distinct diachronic phenomenon.’ I sighed, and

Patrick Flanery

Life in reverse

The publication of César Aira’s The Lime Tree in Chris Andrews’s assured translation is a reminder that much of the Argentinian writer’s massive literary output — now more than 70 books — remains inaccessible in English. In this novella, which teases readers with suggestions of the autobiographical, Aira has one eye on his country’s past and the social effects of Juan Perón’s regime, and the other on the literary legacies of Proust. For Aira’s unnamed narrator, it is not the taste of lime blossom tea that spurs his fluid reminiscences, but a particular tree itself, ‘grown to an enormous size’ and central to the small-town landscape of his childhood in

Helen R Brown

Stripped to the bone

Early on in Amy Tan’s 1989 bestseller, The Joy Luck Club, a Chinese concubine slices a chunk of flesh from her arm and drops it into the soup she has made for her dying mother. She spills another bowl of soup over her young daughter, seriously scalding the child’s neck. When that scarred little girl grows up and emigrates to America, she tells herself that to find her true identity, ‘You must peel off your skin, and that of your mother, and her mother before her. Until there is nothing. No scar, no skin, no flesh.’ Almost 30 years later, the author has finally found the courage to take her

Thursday

Johanna Thomas-Corr

The bread of life

Sourdough has all the ingredients of a truly despicable work of fiction. Novels about food are awful, aren’t they? Especially novels about baking; they’re the absolute worst. Sourdough is not only a kooky satire inspired by that bread they sell for £6.50 down the farmers’ market – it’s set in San Francisco, the smuggest city in the world, with a cast of Tesla-driving techies and Kimchi fetishists and anthropomorphic yeast. Oh, and the book’s author, Robin Sloan, is a former Twitter employee. But just as it would be churlish to deny that, mmm, £6.50 bread is kind of tasty, so it’s hard to deny that Sloan has an inventive way

Jeff Noon

Death at close quarters

Alex Jackson is buried alive inside his own body, a body which lies in a long-term coma following a climbing accident. He can’t see, he can’t move, he can’t speak. This is the terrifying fate of the protagonist of Emily Koch’s debut novel If I Die Before I Wake (Harvill Secker, £12.99). The doctors believe that Alex has no awareness of his surroundings, but he can still think and feel, and he can hear people speaking. His family debate withdrawing life support, and his friends talk about his girlfriend Bea moving on, finding someone new. And from these fragments of speech he starts to piece together a shocking truth: that

Christopher Bray

Wonder of Wenders

What know they of movies who only movies know? Wim Wenders’s latest collection of essays arrives at a time when the best-known film critic in England is unashamed to claim that tendentious tosh The Exorcist as the best picture ever made. Even though the slightest piece in The Pixels of Paul Cézanne is its title essay, it is good to know that there is still at least one film buff around who is alive to the first six arts. As a young man in Dusseldorf, Wenders fancied himself a painter — so much so that, before the movies lured him away, he was planning to further his studies in Paris.

Hugh Thomson

Raiders of the lost lands

Graham Robb, apart from being a distinguished historian, biographer and literary critic, is one of our most accomplished travel writers. His The Discovery of France remains a classic, made both engaging and accessible by his very francophile obsession with cycling. Indeed, his new book, The Debatable Land, opens with a declaration that ‘writing and cycling are inseparable pursuits’. The debatable land in question is the thin wedge of territory between England and Scotland on the west coast which, for a period in the late Middle Ages, was officially declared as lawless by the parliaments of each country. The resulting piece of English legislation contains a quite magnificent disclaimer: All Englishmen

Elisabeth Anderson

A stranger to oneself

Wendy Mitchell was diagnosed with dementia at the age of 58, three years ago. At the time, she was a non-clinical team leader in the NHS, managing rosters for hundreds of nurses and keeping much of the information stored in her head. She lived in York and had brought up two much-loved daughters on her own. She was clearly efficient, organised and independent. Mitchell realised something was wrong when, after a series of falls, she experienced a distinct lack of energy (she had been a keen runner and walker): a ‘fog’ in her head. The diagnosis was slow — her GP initially told this fit and able woman that ‘there

Julie Burchill Julie Burchill

The Saki of sex

How I love short stories! Long before the internet realised that we can’t sit still long enough to commit to the three-volume novels of yore, these little beauties were hitting the sweet spot repeatedly. I especially love female short story writers — Shena Mackay, Lorrie Moore, Grace Paley — as they often read quite gossipy and friendly-like, as opposed to men who have to go out and shoot something to make some depressing point, or at least try to prove they’re the strong and silent type. Strong and silent writers should be true to themselves and simply shut up. The young journalist Emily Hill is, on the strength of this

Sam Leith Sam Leith

Three concepts of freedom

There’s a tiny mistake in Zadie Smith’s new collection of essays. She describes Geoff Dyer’s unimprovably funny ‘trick while introducing an unsmiling J.M. Coetzee at a literary festival’. And it’s a suggestive mistake. The moment she refers to is Dyer, bashful, blurting that he wondered how his younger self would have reacted if he’d one day known he’d be sharing the stage with ‘a Booker prize-winning, South African, Nobel prize-winning novelist’… and then deciding that his younger self would have said: ‘That’s incredible, because Nadine Gordimer is my favourite writer.’ The joke is all the funnier because the camera pans to Coetzee, utterly stony of face as Geoff giggles. (It’s

David Edgerton

Now it can be told

Deployed in vastly exaggerated numbers, nuclear weapons were maintained in place not just by secrecy, but by banalities and lies. The atomic bomb has been, from the very beginning, both extraordinarily public and secret. Everyone knew about what was regarded as a momentous development in human history. It kept many clichés in circulation for decades — humanity as scientific giants and ethical infants; the desire for international control; the idea of moral scientists who did, or should, reject the sweet blandishments of the bomb. At the same time, insiders knew and did things which were the deepest and most troubling secrets of the deep state. For those few in the

Ian Thomson

Time to lighten up

In parts of Africa and the West Indies women are so anxious to ‘whiten up’ that they use skin-lightening creams. The British writer and broadcaster Afua Hirsch sees this as a regrettable consequence of the aristocracy of skin colour as instituted by British merchant-capitalists during slavery. (Skin must first be bleached before it can be considered beautiful.) Of mixed Jewish-African parentage, the 36-year-old Hirsch is proud to call herself black. In this much-hyped book she sets out to question lingering obeisance to the idea of colonial Britain and to that ghost of the British Empire, the Commonwealth. Why does it persist so? Affection for Britain remains surprisingly strong in Commonwealth

John McEwen

Wise old birds

Owls, frontally eyed and nose beaked, look the most human of birds. Accordingly, they have for millennia been prominent in mythology and literature and their image continues to be commercialised beyond compare. They offer an author rich pickings, but in a competitive market a strong personal subtext is helpful. That improbable bestseller H is for Hawk told of a bird consoling and inspiring a daughter grieving for her father.Owl Sense has a mother finding a healing source in owls for herself and her worryingly ill son Benji. His Non-Epileptic Seizure Disorder (NEAD) took a disconcerting time to diagnose and is frighteningly unpredictable. Just how frightening is illustrated by his collapse

Jane Ridley

Women on the warpath

When Westminster Council granted planning permission for a statue of Millicent Fawcett in Parliament Square to mark this year’s centenary of women getting the vote, many people were puzzled. Few had heard of this feminist campaigner, and even fewer knew about the suffragist movement which she led. The suffragette Emmeline Pankhurst seemed a far more appropriate candidate for a statue. Not only was she famous, but some feminist historians claimed that her role in gaining the vote was more important. These two books stand on different sides of the debate. Diane Atkinson has written a collective biography celebrating Mrs Pankhurst and the suffragettes, while Jane Robinson makes the case for