Book Reviews

Our reviews of the latest in literature

Sam Leith

Books Podcast: The art of the first novel

In this week’s Books Podcast, we’re turning our eye on an area of literary endeavour that is too often neglected: the first novel. Dozens are published every month; few are ever noticed. The late literary agent Desmond Elliott founded a prize to ensure that more of them were — and that the best would be publicly celebrated. Ahead of next week’s Desmond Elliott Prize announcement on Wednesday 21st, then, I talk to each of the three writers on this year’s shortlist: Rowan Hisayo Buchanan is the author of the moving and artful story of a Japanese-American girl’s growth into a woman and an artist, Harmless Like You; Kit De Waal

Hornet highballs anyone?

After school last Wednesday, I watched my five-year-old daughter pop a dead cricket on to her tongue and proclaim it: ‘Like fishy popcorn!’ ‘MMMm, delicious!’ squealed her friend, reaching for more as a third little girl spat hers, discreetly, back into her palm. ‘I’m getting pistachio,’ said the spitter’s mum, picking up the packet for closer scrutiny. I popped one into my own mouth and got stale, mealy, chewy: like a morsel of dusty, old crab-paste sandwich. I bought the edible Acheta domesticus at my local farm shop. They were stacked, like a drinking bet, above the local gins under a sign reading: ‘Sharing for the Daring.’ Mealworms with Sesame

Sink or swim | 15 June 2017

I used to worry that I would never be a good writer because my childhood wasn’t interesting enough. I now think there must be some other explanation. Because the truth is that, when I was still pretty young, my parents banished me to an isolated community where for years on end I was compelled to dress in heritage costume, endure the uncanny absence of women and participate in ritualistic group activities, often of a physical or religious nature. That’s right. I am an Old Harrovian. On the face of it, this seems like an odd choice for my parents to have made for me — although it isn’t as bat-cave

Sheen of authenticity

In 2006, after five decades, Shaun Greenhalgh lost his enthusiasm for the British Museum. From a very early age, he had been inspired by its contents to a profitable and diverse career in art forgery from his Bolton garden shed. A teenage talent for faking Victoriana had led him on to make an array of millennia-traversing art works, in all media, which he sold with the help of his ageing parents and which came to rest in eminent quarters both private and public. His work was taken by one American president to be that of the distinguished neoclassical sculptor Horatio Greenough. Others took him for Leonardo, Lowry, Gauguin, Moran or

Nazis and the dark arts

When he came to power Hitler had a dowser scour the Reich Chancellery for cancerous ‘death rays’. Before flying to Scotland Rudolf Hess had his horoscope drawn up by a personal astrologer. Himmler backed research on the Holy Grail and medieval devil worship (‘Luciferism’) and sent an SS expedition by the explorer Dr Ernst Schafer to Tibet in 1938 to investigate the ancient Indo-German ‘Aryan’ origins of Buddhism. Himmler also founded the SS Witches Division, which collected evidence in eastern Europe in the second world war that Teutonic ‘wise women’ had been persecuted and burnt in a Jewish-Catholic Inquisition plot against volkisch German culture and blood. In 1939 Goebbles sat

Sisters in scandal

In our age of elasticated leisurewear, ready meals and box sets on telly, it is exhilarating to read about people who would come down to dinner in peacock-feather head-dresses, swathed in large snakes and dripping ornamental chicken blood. The Marchesa Casati has a loyal cult following and her bizarre style still influences fashion designers; but by placing her alongside two sisters in scandal in this triple biography, Judith Mackrell has done something very clever and entertaining. The author, the Guardian’s dance critic, has already championed controversial women in her multiple biography Flappers and in Bloomsbury Ballerina, about Lydia Lopokova. Now she recounts the lives of three wildly ambitious yet vulnerable

Sam Leith

In praise of neigh-sayers

Wallace Stevens gave us ‘Thirteen Ways of Looking at a Blackbird’. The German scholar Ulrich Raulff, in this meaty book about the history of man’s partnership with horses, gives us many more than 13 ways of looking at a horse. Horses have had ‘more meanings than bones’, he writes. And those meanings have been central to the human experience since pre-history. Evidence from the abraded teeth of horse skeletons indicates that man first slipped a rope into a horse’s mouth as long ago as 3,700 BCE. Horses are what Raulff calls ‘converters’: they can unlock the energy in plants and make it available for man’s use. As draught animals they

Days of frantic strumming

‘It was easy, it was cheap, go and do it,’ sang the Desperate Bicycles on their self-funded debut single in 1977, summing up the punk belief that you didn’t have to be the world’s best musician before getting up on stage or making a record. Twenty years earlier, a previous generation learned a similar message from the skiffle explosion, which put guitars in the hands of many future members of the key British rock groups of the Sixties. It therefore seems appropriate that a musician first inspired by seeing The Clash has eventually written a book about skiffle. Billy Bragg has a long-standing interest in the genre, and his passion

Gilded prostitution

‘An English peer of very old title is desirous of marrying at once a very wealthy lady, her age and looks are immaterial…’ This desperate advertisement in the Daily Telegraph in 1901 was a barometer of the impoverishment of many British aristocrats following the Long Depression of 1873–80; dependent on agriculture, the landed gentry continued to reel from those seven consecutive failed harvests. Meanwhile, America’s prairies and railroads had never produced so much wheat, cattle, oil or wealth. Not only that, there was a sizeable number of extremely rich, sassy girls, whose mothers, several of them ex-chambermaids, viewed a European title as a path out of social ostracism in New

Mad matrons and horrid housemistresses

It’s not often that books make me laugh aloud. Even books I’m officially finding funny often do no more than make me smile, or emit a sharp soundless puff of breath from the nostrils. But this book made me guffaw. Normally, only P. G. Wodehouse has that effect. It’s tragicomedy, really. Julie Welch’s subject is a ripe one for tragicomedy, as I should know, having written on it myself: life inside girls’ boarding schools — or in this case, life inside Felixstowe College (founded 1929, closed down 1994) to which Welch went in the early 1960s, and which shaped her whole being to such an extent that she’s convinced her

Rescuing an Irish gem

This large and splendid book is more in the nature of a grand illustrated guidebook than a historical monograph. Hundreds of photographs cover every aspect of Abbeyleix today, the magnificent Georgian house 60 miles south-west of Dublin — its contents, the garden and demesne, not to mention the owner’s family and friends. It makes a fascinating insight into the revival of the Irish country house in recent decades, as bankers, lawyers and entrepreneurs have taken on Irish estates and shaken them out of their 20th- century slumberous (or violent) decline. William Laffan has produced a well written overview of one of the more spectacular contemporary resurrections. Abbeyleix is of a

The bridge of size

Before Brooklyn exceeded it in cool, Manhattanites spoke dismissively of BNTs. These were the Bridge ‘n’ Tunnel folk, the out-of-towners who needed civil engineering to help them reach social nirvana. The ambitious critic Norman Podhoretz, a master of self-invention, was one such. His notorious Making It (1967) begins: ‘One of the longest journeys in the world is… from Brooklyn to Manhattan.’ But since 1883 the journey over the East River has only been 5,989 feet, although physical distance was not the measure that pained Podhoretz. That’s the total length of Washington Roebling’s Brooklyn Bridge, the first connection between the outer boroughs and the elite ‘New York’. It was, and remains,

A man with an agenda

What’s this? An autobiography by Stuart Hall? Wasn’t he one of the guys who put the Eng. Lit. departments out to grass by arguing that it was senseless to talk about fictional characters as if they were real people when the truth was that real people were fictional constructs? Indeed he was; but don’t go thinking that just because Hall embarked, shortly before his death in 2014, on writing his life story, that he’d given up on the decentred subject. As he remarks early on in Familiar Stranger, despite our need to grasp our inner being, ‘we’ll never be ourselves’. It’s a nice line. It’s also a rare moment of

First signs of thaw

The Twentieth Congress of the Communist Party in February 1956 passed off entirely without incident. Speeches on the next five-year plan were applauded and Stalin’s pet agronomist Lysenko made his customary appearance to denounce bourgeois genetics. A visiting communist from Trieste, Vittorio Vidali, noted his envy of two Uzbek party members who sat reading short stories throughout the proceedings. By late on Friday, the Congress was over, except for the announcement of one additional closed session the following morning. How many delegates skipped this dreary-sounding extra session? Any that did missed the single pivotal moment in the history of the Soviet Union. Without preamble, Nikita Khrushchev stood up and delivered

Spectator competition winners: ‘To be or not to be’: an answer to this and other famous literary questions

‘Do androids dream of electric sheep?’; ‘What porridge had John Keats?’; ‘And is there honey still for tea?’ Your answers to these, and a host of other literary questions, were skilful and ingenious, so congratulations all round. Two admirably pithy responses to Hamlet’s famous dilemma came courtesy of Carolyn Beckingham: ‘To be, or not to be: that is the question.’ ‘If you’re not certain, wait,’ is my suggestion. The choice to live can be reversed at will; You can’t say that about the choice to kill. And Dr Bob Turvey: When Hamlet first posed his old question, Suicide was not worth a suggestion. Because, at the time, ’Twas considered a

Pirates and puritans

In The Growing Pains of Adrian Mole, Sue Townsend’s hapless teenage diarist, reeling from the news that Argentina has just occupied the Falkland Islands, fails to locate the archipelago on his world map. Eventually, his mother comes to the rescue and discovers it ‘hidden under a crumb of fruitcake’. If general awareness of the Falklands before 1982 was somewhat limited, as Townsend slyly implied, it pales into complete insignificance in comparison with the all-but-forgotten former British territory of Providence. This is a place I have to confess to never having heard of before picking up The Island that Disappeared. My ignorance is one thing and, according to Tom Feiling, common

Sam Leith

Books Podcast: Will Self

In this week’s Books Podcast, I’m joined by the novelist, broadcaster and serial user of arcane words Will Self. He has just published Phone, the third and final volume of the difficult but brilliant trilogy he began five years ago with the Man Booker shortlisted Umbrella. He talks to me about recurring characters, modernism, hating Tony Blair before it was fashionable, and how there’s more psychosis about than you think… You can listen to our conversation here: And if you enjoyed that, please do subscribe on iTunes for a new podcast every Thursday.

Immaculate conceptions

Some 30 summers ago we were staying at a famously beautiful villa outside Turin; our hostess was — indeed is — renowned for her superb taste and distilled perfection of every aspect of douceur de vivre. Each night we dined in a different sylvan setting — under inky trees, in flower-filled gardens and in 18th-century rococo salons, amid porcelain bouquets of those selfsame flowers. Another room, with candles lighting the chinoiserie panelling, is forever incised in my mind, not only for the decor but for the last course. In what appeared to be a vast rock-crystal bowl (in fact simply ice) was a fruit salad made solely of white fruit