Book Reviews

Our reviews of the latest in literature

Mach the Knife

The business of banking (from the Italian word banco, meaning ‘counter’) was essentially Italian in origin. The Medici bank, founded in Florence in 1397, operated like a prototype mafia consortium: it rubbed out rivals and spread tentacles into what Niccolò Machiavelli called the alti luoghi (‘high places’) of local power interests. Undoubtedly, Medici money was at its most arrogant under the dictatorship of the merchant-poet Lorenzo de’ Medici, whose supremacy was dramatically challenged in the Pazzi conspiracy of 1478. Amid a fury of dagger blows in Florence’s cathedral (of all places) Lorenzo narrowly escaped assassination by bravos in the pay of the rival Pazzi family. In retribution, 70 presumed conspirators

The road to independence

Alone with her father’s dead body, Olive Piper says, ‘I don’t know anything, except what I feel, and how can anyone know more?’ In Susan Hill’s new novel, Olive’s acceptance of the primacy of feeling represents a coming of age. Her maturity is achieved at a cost. As in a number of her recent novels — Black Sheep and A Kind Man — Hill explores with great economy an idea of the ubiquity of differentness. Olive, her very name suggestive of something drab and unobtrusive, is a girl of conventional background: in appearance and, apparently, outlook and ability, she is unremarkable. Her life seems predestined for ordinariness. As a schoolgirl

Prophesying doom

Boualem Sansal’s prophetic novel very clearly derives its lineage from George Orwell’s Nineteen Eighty-Four. A totalitarian surveillance state, a fundamentalist religious autocracy, is portrayed as being totally intolerant of free-thinkers. This is a powerful satire on an Islamist dictatorship. It is unsurprising that Sansal’s writings are censored in his native Algeria. The religious structure of the political state is familiar. The one true god is Yolah and his prophet or ‘Delegate’ is Abi. Abi’s book, the Gkabul, is the foundation of the religion; it is sacrosanct and immutable. Places of worship are mockbas and the nation is named Abistan after the true disciple. There are nine calls to prayer each

A genial green guide to 2000 AD

I can recall exactly where I was 40 years ago when I didn’t buy the first issue — or ‘prog’ —of 2000 AD. The just-launched sci-fi comic, featuring ‘space-age dinosaurs’, ‘the new Dan Dare’ and a ‘FREE SPACE SPINNER’, i.e. a mini frisbee, looked quite exciting and, at 8p, good value for pocket money; but, as a regular nine-year old consumer of Whizzer and Chips etc., I stuck with my usual comedy fare and opted for a copy of Buster instead. It was a decision I soon came to regret (eh readers?) I can also recall exactly where I was when I bought the most recent issue of 2000 AD

Forbidden love and the beautiful game

Nowadays, most of us living in the liberal West agree that there can never be anything morally wrong with love between consenting adults. This is good for society but bad for novelists. The tale of the grand passion that runs foul of societal mores is a staple of literature. What is Madame Bovary if Emma can slam divorce papers on Charles’s desk after her first few sexts with Rodolphe? Writers who want to do the love versus society theme have to get creative. Ross Raisin has hit on the sterling idea of heading for the world of professional football. Not a single one of Britain’s 5,000 full-time players is openly

According to Luke

This is an odd one, not least because it claims to be a novel, which it isn’t. Emmanuel Carrère, writer and film-maker, looks back on an earlier self when, as a young man, he had a phase of being a devout Catholic, going to Mass daily, making his confession, the whole caboodle. He decides to marry his girlfriend, who is called Anne. We do not hear much about her. He later marries Hélène Devynck. Like the ‘real’ Carrère, the narrator has a house on the island of Patmos, where much of this book was written — appropriately, since it is a (sort of) commentary on the New Testament. As Carrère

The mysteries of colour

When Australia imposed generic packaging in its war on cigarettes, there was consumer research into the most deterrent colour. Pantone 448 was chosen, a sort of sludgy green-brown. When it was described as ‘olive’, Oz’s federation of olive growers formally complained. Certainly, colours move us. Interior designers know that yellow makes people angry, while in the US Naval Correctional Center in Seattle, what’s known as Baker-Miller Pink (after the officers who created it) has been found to pacify stroppy recidivists. Additionally, as Diana Vreeland averred, pink is the navy blue of India. Racing drivers think green unlucky, even if it is the British national colour in motorsport. We sometimes see

Melanie McDonagh

Reason and faith

Roy Hattersley would never have been born had it not been that his mother ran away with the parish priest who instructed her in the Catholic faith before her marriage to a collier — the priest conducted the wedding; a fortnight later they eloped. This deplorable episode had one happy consequence: the birth of Roy, who never knew the reason for his father’s ease with Latin until after he died. So Roy is in a way a small part of his latest book, The Catholics, a history of the church and its people in Britain since the Reformation. He is an atheist but says, ‘Religion in general — belief in

Secrets of the secretaries

The minister’s private secretary wrote to another cabinet minister about the previous day’s cabinet meeting: They cannot agree about what occurred. There must have been some decision, as Bright’s resignation shows. My chief has told me to ask you what the devil was decided, for he be damned if he knows. Will you ask Mr G. [Gladstone] in more conventional and less pungent terms? That was in 1882. Twenty years later, the fog still reigned. Sir Robert Morant, the driving force behind Balfour’s 1902 Education Act, wrote: Impossible to find out after a cabinet meeting what has actually been the decision. Salisbury does not seem to know or care, and

Speckled Footman and Maiden’s Blush

Last year, I attempted to pass through security in an American airport carrying a small black box, containing eight batteries and a visible circuit board. If the switch was flipped, the display counted down in red flashing numbers. Unsuprisingly, the officer in Salt Lake City pulled it out of my hand baggage. ‘What’s this?’ ‘It’s to attract moths,’ I said; then, thinking this sounded feeble, added rather grandly, ‘I’m a lepidopterist.’ ‘Say that again.’ So I did, and a huge grin lit up the face of my interrogator. ‘Hey, y’all,’ he called out to his colleagues. ‘C’mon on over, listen to this… Say it again.’ I passed on with my

Descent into hell

In my work as a reviewer, a small, steady proportion of all the books publishers send me concern the Holocaust. With middle age has come a curious foreshortening of my perspective on modern history so that, paradoxically, the Nazis’ inhumanity has begun to seem less distant in time and, therefore, more horrible still. Fortunately I can reassure myself that, objectively, it happened long ago and that even the atrocities of eastern Europe and Rwanda are now a couple of decades safely in the past. Such consolations vanish when confronted by The Raqqa Diaries, which is shockingly of the present. It is a terrible reminder that we are unwise to impute

Light in the East | 9 March 2017

Christopher de Bellaigue, a journalist who has spent much of his working life in the Middle East, has grown tired of people throwing up their hands in horror at Isis, Erdogan and Islamic terror, and declaring that the region is backward and in need of a thorough western-style reformation. As he argues in this timely book, the Islamic world has been coming to terms with modernity in its own often turbulent way for more than two centuries. And we’d better understand it, because it’s an interesting story, and often a positive one — the way vast crowds streamed onto the streets of Cairo, Istanbul and Tehran in demonstrations against authoritarian

Night of the living dead

On 5 February 1862, the night Abraham Lincoln and his wife gave a lavish reception in the White House, with the civil war swelling outside and their 11-year-old son Willie dying of typhoid fever upstairs, what was the state of the moon? Was it a ‘fat green crescent’? Or was it ‘yellow-red, as if reflecting the light of some earthly fire’? According to George Saunders’s hugely ambitious Lincoln in the Bardo, his first novel after four peerless collections of short stories, neither of the above descriptions might be true, but when read in their tragic context, either can impart symbolic meaning. And meaning, as this novel so cleverly demonstrates, is

Father, son and holy ghost

No disrespect to any of the present incumbents, but Karl Miller (1931–2014) was a literary editor in an age when such jobs mattered. Between the late 1950s and the early 1970s he not only ran the books pages of two weekly magazines — The Spectator, and the Paul Johnson-era New Statesman — before moving on to edit the Listener, but did so with a conviction that their cultural stance was quite as important as the political material that crowded out the front end. The virus that had propelled him into literary journalism burned away for nearly 60 years, and his last book review appeared in these pages four days before

Comfort the suffering

If a single book could help you to be kinder and more compassionate, could expand and deepen your understanding of other people (and possibly yourself) and make you less afraid of dying in the process, you would surely be eager to acquire it at once. Well look no further, for Grief Works is that book. The King Lears among us — whose every third thought is the grave — will need no persuading that a collection of essays about surviving bereavement is an enthralling read. For those of a more timid or sunny disposition, ask yourself this: when someone you love dies, how will you manage? The odds of avoiding

Nothing matters very much

Nothing will come of nothing, said Lear, because he wasn’t familiar with quantum physics. According to our current best theories, a region of space that contains nothing at all is still seething with pairs of virtual particles popping in and out of existence for no good reason. Meanwhile, it is possible to be mathematically sure that an entire universe contains nothing whatsoever, but then if you go looking for stuff in a particular part of this same universe you could find a wheelbarrow. But what did I mean by ‘a region of space’? It turns out that all sorts of assumptions are baked into such a phrase depending on what

Back with a vengeance

One hour in No. 5 Cheyne Row, Virginia Woolf observed, will tell you more about the Carlyles than all the biographies. The house lived in by Thomas and Jane Carlyle from 1834 until their respective deaths, and now owned by the National Trust, was one of the great battlegrounds of domestic history. Here Jane warred against bedbugs and coal dust and her husband’s obsession with the vast and unstoppable Lady Harriet Ashburton (there were three people in her marriage), and Carlyle warred against the intrusions of the outside world. While next door’s rooster kept him awake at night, by day, as Jane wrote in one of her peerless letters, he

Spectator competition winners: famous authors on the art of seduction

The call for lessons in the art of seduction in the style of an author of your choice drew a large and stellar field. Henry James — whose labyrinthine sentences would surely bore the objects of his affection into submission — was a popular choice. Here he is, as expertly imagined by John Maddicott: ‘If her defences, imperfectly nurtured by an occasionally burnished but never entirely unshakeable conscience, were to be penetrated — and he allowed the delightful vulgarity of the thought to send a miniature frisson of undeniable pleasure through his diminutive frame — it must be by methods which, though crude in their essaying, combined the subtlety of