Book Reviews

Our reviews of the latest in literature

Sam Leith

The game of life

In the introduction to his new book Steven Johnson starts out by describing the ninth-century Book of Ingenious Devices and its successor, the 13th-century Book of the Knowledge of Ingenious Mechanisms by the Arab engineer al-Jazari. Here were books of extraordinarily advanced technology. The latter contained sketches of float valves that prefigure the design of modern toilets, flow regulators that would eventually be used in hydroelectric dams and internal combustion engines, water clocks more accurate than anything Europe would see for 400 years… But in both books, Johnson says, ‘the overwhelming majority of the mechanisms […] are objects of amusement and mimicry’: they are toys. A point to conjure with.

Righter of wrongs

I used to work for Ludo, as we all knew him on BBC2’s Did You See?, and was once thought to be his illegitimate son. In 1963, on a visit to Phnom Penh, he danced with my mother in a nightclub under the stars, but I was already six years old and, according to her, nothing happened, except that he made her laugh. ‘That’s always dangerous.’ A pioneer of the interviewing art, without whom there would have been no Jeremy Paxman, Ludo once told me: ‘There are two types of people who work for the BBC. Those who use it, and those who are used by it. Make sure you’re

Thirtysomething blues

If ever there was a book for our uncaring, unsharing times, it is Gwendoline Riley’s First Love, in which Neve, a woman in her mid-thirties, struggles with a truly awful family and with the men in her life, while trying to make a career as a writer. That latter point might suggest some kind of bildungsroman approach, but in fact the meat of First Love is in its rich character depictions, from which Riley teases out a series of painful but exquisitely comedic episodes. Neve’s father is a crude, self-styled ‘socialist’, full of class resentment and personal bitterness, while her pretentious mother, now remarried to a condescending Sunday painter, is

Cheating death

2016 was probably the year even the most optimistic of us — those who can genuinely square the new populist politics with a bright future for truth-seekers, scientists and rational thinkers — gave up on the possibility of time travel. Surely, on every rally stage there should have been at least one white man from the future (it’s generally a white man for the simple statistical reason that if you’re a woman or a non-white man and go travelling in time, there’s only about 0.2 per cent of recorded history where you won’t materialise to immediate shouts of, ‘Quick, Paw, fetch the best whupping switch — and a cage’), wild-eyed,

Sam Leith

Books podcast: Rory Stewart’s The Marches

In this week’s podcast, I sit down with the Conservative MP, sometime diplomat and writer Rory Stewart to talk about his remarkable new book The Marches. Rory’s first book The Places In Between described a huge journey he took on foot across Afghanistan in the early noughties. His latest work sees him lace on his hiking boots again. This is at once an account of the meandering journey he made along the Anglo-Scottish border around the time of the Scottish independence referendum (Rory is MP for Penrith and the Borders), and a tender account of his relationship with his father Brian. Soldier, spy, adventurer and haggis-eater, Brian, then in his

Intimations of mortality | 9 February 2017

In Deaths of the Poets two living examples of the species, Paul Farley and Michael Symmons Roberts, retail the closing moments of close on 30 poetical lives, ranging from Thomas Chatterton to Robert Frost, Lord Byron to Rosemary Tonks, John Clare to Thom Gunn. Why? Because they feel the influence on ‘our’ generation (Farley was born in 1965 and Symmons Roberts in 1963) of the ‘confessional’ American poets, several of whom cast a solemn glamour over their calling by killing themselves — John Berryman, Sylvia Plath, Anne Sexton. Because they think that a shrinking appetite for poetry itself, and an unflagging curiosity about the most dramatic elements in poet’s biographies

Emily Hill

A disgrace to feminism

‘I was single, straight, and female,’ Emily Witt begins, with all the élan of an alcoholic stating her name and what’s wrong with her. Only there isn’t anything wrong with Emily Witt. (The book jacket tells us she has three degrees and won a Fulbright scholarship to Mozambique.) Unless you count not having a fella in your fourth decade. Which she does. And doesn’t. Future Sex is a collection of essays about sex and society, originally published in magazines including N+1, GQ and the London Review of Books, packaged into book form. In America, it enjoyed rave reviews. Here, it’s had a sexy reprint by Faber. I got very excited

Bad behaviour

Molly Keane achieved fame and critical acclaim in 1981 aged 75, when she published the novel Good Behaviour, a razor-sharp social comedy about the Anglo-Irish in the 1930s. Her success was the more sensational because it was unexpected. Twenty years previously her play Dazzling Prospect had flopped disastrously at the box office. A drawing-room farce in the era of the kitchen sink, it seemed so dated that Kenneth Tynan remarked that he could hear horses whinnying in the audience. Convinced that her writing career was finished, Keane had published nothing since. She wrote Good Behaviour in secret, for herself. When her friend the publisher Billy Collins turned it down as

The Baron is back

Sigizmund Krzhizhanovsky was born in the wrong place at the wrong time. Had his Polish ancestor not been exiled to Siberia, he might have become a figure in European literature; living in Soviet Russia he was, in his own words, ‘known for being unknown’. His fiction and plays, written in the 1920s–1930s, remained mostly unpublished — unpublishable — till 1989. That he can now be read in English is thanks to the translator Joanne Turnbull, who in collaboration with Nikolai Formozov has brought him out of obscurity. What Krzhizhanovsky lacks in popularity he makes up for in the fame of his hero, Baron Munchausen, an incorrigible fantasist created by the

A diamond set in sapphires

I was a young, aspiring writer when I decided to leave everything behind and move to Istanbul more than two decades ago. I rented a tiny, dingy flat at the bottom of the Street of Cauldron Makers not far from Taksim Square, the heart of the modern city. That first night, I sat by the window under the anaemic light from a streetlamp, and wondered what this urban sprawl held for me. At midnight, I heard a loud voice from outside, full of anger and emotion. A transvestite was walking down the street, her miniskirt glittering in stark contrast to her raven hair. She was limping furiously, holding in one

Recent crime fiction | 9 February 2017

There isn’t a clear line separating crime and literary fiction, but a border zone where ideas are passed from one genre to another. Flynn Berry’s debut Under the Harrow (Weidenfeld, £12.99) is set well to the literary side of this border, but doesn’t shirk on the thrills of a psychological mystery. Nora Lawrence expects to spend a few peaceful days in the countryside, staying at her sister Rachel’s house. Instead she finds Rachel dead, the victim of a brutal murder. A previous, unsolved attack on her sister has left Nora with very little faith in the police, and she is forced to undertake her own investigation. But is she driven

Flights of fancy | 9 February 2017

Michael Chabon’s back. He’d never gone away, of course — more than a dozen books in all — but it’s been a long time since The Amazing Adventures of Kavalier & Clay (2000), a book entirely true to its title, so amazing and adventurous, indeed, so full of pizzazz, that it seems to have taken the poor chap the best part of two decades to recover from it. Moonglow is a return to form. Nonetheless, some readers will doubtless find it easy to resist the book’s obvious charms. Chabon has described it in interviews as a ‘faux-memoir novel’. In his acknowledgements he calls it a ‘pack of lies’. And in

Tara Palmer-Tomkinson, 1971 – 2017: ‘a broad with a broad mind’

Tara Palmer-Tomkinson, the socialite and reality TV star, has died at the age of 45 from a brain tumour. In the 27 July 1996 issue of The Spectator, she advised people not to believe all that we read about her in the papers: It is agreeable to wake in the morning and find a national newspaper praising one’s beauty. It is far less agreeable to discover that this praise has been set in the sour old mould of ‘beauty rather than brains’. The Times diary recently printed two stories suggesting — not to put too fine a point on it — that I am stupid. In the first, I had apparently been

Trump’s greatest legacy could be his power to reshape the Supreme Court

James D. Zirin is an experienced litigator as well as the host of a popular television talkshow. In this provocative polemic he uses skills developed both from behind the bar and in front of the camera to mount the charge that the US Supreme Court is a political court. How far does his evidence support his claim? In 1803 Chief Justice Marshall invented the doctrine of judicial review, by which the Supreme Court had the right to strike down Acts of Congress and executive action as inconsistent with the constitution. Inevitably, it then became involved in issues that were heavily political. In 1857 the court upheld the property rights of

The great Norse soap opera

Norse myths are having a moment. Or should I say another moment; one of a long chain of moments, in fact, beginning in the primordial soup of the oral tradition of storytelling in Iceland and Scandinavia. This mythology is old; old and very tenacious. First chronicled by scholars and historians some centuries after the Christianisation of Scandinavia, it tells of the creation of the world from the flesh of a slaughtered giant; of the rise of Asgard, the stronghold of the gods, and of their struggle against the forces of evil; and it predicts the eventual death of the gods in a final battle, Ragnarók, in which all of creation

Riding the storm

Clover Stroud opens her memoir with the crippling bout of post-natal depression that hit after the birth of her fourth child. ‘I felt like a fist. Dash was always naked, plastered bare to my breast, sucking from me as my body dripped milk and tears.’ She even contemplates harming the baby then killing herself, guilelessly telling the health visitor: ‘But isn’t that normal?’ We spiral back in time to the cataclysmic events that spurred Stroud’s distress. Stroud’s life was idyllic up to the age of 16. Home was a rambling country house in the village of Minety, Wiltshire, filled with adorable siblings and presided over by her father Rick, a

The lure of the desert

The great deserts of the world hold a compelling attraction for a rare breed of men who are ‘unwise and curiously planned’. Once under the spell of that seemingly infinite arena of sand and stone, many are helplessly hooked. It is an arena where the sun burns down relentlessly during the day, to be replaced at night by a hauntingly beautiful backdrop of brilliant stars. Where the moon shines with a light which softens the austere outline of rocks and hills and casts a diffused greyness over the desert sands. This well-organised and beautifully produced book lists many of the men and women who have been hopelessly seduced by the

Whited sepulchre

‘How often’, wrote Sigmund Freud in 1914, ‘have I mounted the steep steps from the unlovely Corso Cavour to the lonely piazza where the church stands, and have essayed to support the angry scorn of the heroic glance.’ The gaze that the founder of psychoanalysis struggled to withstand belonged to Michelangelo’s Moses, centrepiece of the tomb of Julius II in the basilica of San Pietro in Vincoli. Michelangelo’s Moses has indeed a look of formidable authority. The prophet possesses, in addition, the physique of a body-builder, a beard that cascades like Niagara Falls and a pair of knees for which the best adjective is also ‘heroic’. Yet, despite its power,