Book Reviews

Our reviews of the latest in literature

Thursday

Lee Langley

John Lennon’s desert island luxury

Beatlebone is an account of a journey, a psychedelic odyssey, its protagonist — at times its narrator — John Lennon, seen through the prism of Kevin Barry’s imagining. Barry’s first novel, The City of Bohane, was a dystopian nightmare of comic vernacular and violence, showered with praise and prizes. Think James Joyce and Flann O’Brien collaborating on a script for Tarantino. Beatlebone, his second novel (on the shortlist for the Goldsmiths prize for fiction) has Lennon fleeing New York in 1978 for a secret visit to Dorinish, the uninhabited island he bought 11 years earlier. Burned-out, creatively blocked, he craves a few days of solitude, to sit and stare at

Hermione Eyre

Would even Blair have put Felix Dennis in the Lords?

This is not only an authorised but a commissioned biography. Felix Dennis, the tiny, depraved, manipulative media mogul, was hardly going to let a free hand choose the adjectives that defined him. The author recalls his initial fright at being contacted: “Of course I’d be delighted to speak to Felix,” I said, my voice an octave higher than normal.’ And so Fergus Byrne, of Dorset’s Marshland Vale magazine, was Dennis’s chosen one, flown to Mustique so they could sit in his paradisal grounds together, wondering at Dennis’s publishing achievements (from MacUser to lads’ mag Maxim), discussing his business technique (‘“I fucking hate accountants,” he shouted’) and remembering the laughs along

Frances Wilson

What does it really mean to have a tyrannical father?

What was it like, asks Jay Nordlinger, to have Mao as your father, or Pol Pot, or Papa Doc? The answer is that while all happy families are alike, the children of monsters are unhappy in their own way. Some dictatorial offspring are fairly normal while others are psychos. Nicu Ceausescu, son of the rulers of Romania, was from the age of 14 a figure of ‘comic-book evil’ whose hobbies included raping women. His brother, Valentin, is bookish and quiet, has a close circle of decent friends and works at the Institute of Atomic Physics outside Bucharest. For Svetlana Alliluyeva, being Stalin’s daughter was like being, as she put it,

Patrick Flanery

David Mitchell is in a genre of his own

David Mitchell’s new book, Slade House, is not quite a novel and not really a collection of short stories. It is, rather, a puzzle and an amusement. A member of the same family as last year’s The Bone Clocks, it also has a slight connection to his 2010 novel, The Thousand Autumns of Jacob de Zoet. Mitchell has said in interviews that he thinks of his books being volumes in one mega work, or ‘übernovel’, and like his earlier fictions, Slade House meditates on varieties of predation, a theme explored to most moving effect in Cloud Atlas and Ghostwritten. The territory here is more straightforwardly supernatural, although the otherworldly high

Mark Bostridge

Charlotte Brontë: Cinderella or ugly sister?

Preparations for next year’s bicentennial celebrations of the birth of Charlotte Brontë haven’t exactly got off to a flying start. At Haworth Parsonage the Brontë Society is in disarray after Bonnie Greer, its resigning president, used one of her Jimmy Choo shoes as a gavel to try to bring the membership to order, and subsequently castigated some members as ‘malevolent lamebrains’. Three rounds of applause then for Claire Harman’s superb retelling of Charlotte’s story, which focuses anniversary attention where it should be: on the extraordinary creativity of the three sisters who spent most of their short lives in Haworth, that strange, windswept moorland village, and whose tragic destinies possessed all

Dominic Green Dominic Green

The swastika was always in plain sight

In 1940, when Stephen Spender heard a German bomber diving down towards London, he calmed himself by imagining that there were no houses, and that the bomber was ‘gyring and diving over an empty plain covered in darkness’. The image consoled Spender with his ‘smallness as a target, compared with the immensity of London’. But it also exposed the ‘submission of human beings to the mechanical forces that they had called into being’. It seemed to Spender that entire nations were gripped by the ‘magnetic force of power’. People ‘no longer had wills of their own’. As Tolstoy complained in the second epilogue to War and Peace, this sort of

Thursday

Diana Hendry

Is City on Fire just a box set masquerading as a novel?

Ninety pages into the juggernaut that is City on Fire, I begin to think that this is really a box set masquerading as a novel. As such it will be great. A New York setting, a cast that’s a Noah’s Ark migrant mix (from Afro to Vietnamese), a gripping crime investigation and a historical and dramatic time-frame running from the New Year’s celebrations for the American bicentennial in 1976 to the nightmare of the 1977 New York blackout. A box set is a distinct possibility. Hallberg has already sold the film rights. The plot’s got everything: poverty versuswealth, power and corruption, racial tension, drugs, punk anarchy, sex and, above all,

Thomas W. Hodgkinson

Mary Beard minds her S, P, Q and R

Having rattled and routed Mark Antony and his bewitching Egyptian at the battle of Actium in 31 BC, Octavian was on his way home to Rome when he was confronted by some punter. The man produced a talking raven, which obligingly squawked, ‘Greetings, Caesar, our victorious commander!’ Octavian was delighted at this evidence of loyalty, and rewarded the bird-trainer accordingly. However, it later emerged that the man had had another raven in reserve, which he had taught to croak, ‘Greetings, Antony, our victorious commander!’ He hadn’t been taking any chances. Nor, in a sense, does Mary Beard in her ambidextrous history of Ancient Rome, whose title proclaims her bifurcated programme.

Alexandra Coghlan

The polyphonous Babel of global music

‘Following custom, when the Siamese conquered the Khmer they carried off much of the population, including most of their musicians, to be resettled in what is now Thailand.’ The history of music isn’t a story of chords and scores, instruments or their players. Music’s story is one of wars, invasions and revolutions, religion, monarchy and nationhood. Whether you look at the histories of Africa or Iran, Europe or Uzbekistan, the narratives are the same: colourful, bloody, complicated. Music is not an aesthetic response, an artistic translation of life; music and musicians are society itself. It’s a principle that acts as the guiding thread through the labyrinth of traditions and terminologies

Tim Butcher

The greatest surprise about Nigeria on its centenary is that it exists at all

A giant was born in 1914, an African giant. The same year European powers set about each other in the trenches a framework was laid out for a nation that over the next century would grow into Africa’s mightiest economy, one with a population so prodigious it will soon overtake every other barring China and India. The founding on 1 January that year of the colony of Nigeria was an act of extreme imperial chutzpah. Desert emirates in the north and coastal kingdoms in the south had for years been under nominal control as British protectorates, but for London to unite such diversity was to believe a mosaic has no

Matthew Walther

The best thing about Harry G. Frankfurt’s On Inequality is the paper it’s printed on

Ten years ago, a philosophy professor at Princeton wrote a book with a provocative, slightly indecent title. It was a surprise bestseller, reaching number one on the New York Times’s list, and university book shops in America still do a roaring trade in copies of Harry Frankfurt’s On Bullshit, along with the usual Vonnegut and Sartre. In 2014, something similar happened when Thomas Piketty’s Capital in the 21st Century sold 1.5 million copies in English, French, German, Mandarin, Urdu, Norwegian, Choctaw and so on. Not to be outdone, Princeton University Press has enlisted Frankfurt to produce a response to Piketty. On Inequality comprises two journal articles, ‘Equality as a Moral

Philip Hensher

Margaret Thatcher’s most surprising virtue: imagination

In almost every one of the many biographies of Margaret Thatcher that now exist, the story is told of her being congratulated for her good luck in winning a prize when she was nine — either for reciting poetry or for playing the piano. She indignantly replied, ‘I wasn’t lucky. I deserved it.’ Now, in Charles Moore’s biography, we reach the splendid zenith of Mrs Thatcher’s career in the form of her second administration of 1983–7. We have to ask the question again: was she lucky, or did she deserve it? Clearly, one of the chief reasons that she was re-elected in 1983 after a period of staggering unpopularity was

Kate Womersley

Beyond the call of duty: the kindness of strangers is a pleasing mystery

When I applied to medical school, an experienced doctor offered me some advice: ‘Don’t give them reason to think you’re a “wounded healer”. They’re suspicious of that.’ The term is Carl Jung’s, by which he meant that personal difficulty is a powerful spur for joining a caring profession, but the results of such motivations are not always constructive. If you appear too altruistic, questions may surface about whether you might, in some way, be damaged. So what about those people who don’t just do their job, but dedicate their lives to helping others? The New Yorker staff writer Larissa MacFarquhar examines our ambivalence about goodness in her brilliantly thoughtful new

Mark Cocker

Green is the colour of happiness

According to this wonderfully thought-provoking book, human attachment to plants was much more evident in the 19th century than it is now. In those days people showed genuine wonder at their ‘strange existences and unquantifiable powers’, especially the British, who fashioned the most ambitious glass building of the age —the Crystal Palace in Hyde Park — drawing on the weird architecture of the amazonica lily as a blueprint. Richard Mabey suggests that these are more prosaic times, where trees are invariably seen as primary producers, economic heavy-lifters or practical oxygen-supply operatives, or merely as a vegetative background to the planet’s real agents: ourselves and other animals. In short the green

Wednesday

Sam Leith Sam Leith

Ted Hughes’s estate squares up to poet’s unauthorised biographer

The row over Jonathan Bate’s unauthorised Life of Ted Hughes is hotting up. Professor Bate originally embarked on the book with the blessing of the Hughes estate, but that blessing – along with permission to quote from the poet’s writings – was withdrawn. Now the Hughes estate has issued a press release claiming to have identified a number of errors in the book – 18 in an 16 page sample – and requesting that the book be corrected and an apology made to Carol Hughes. You can read it below. The estate say that they have not yet had a response from Professor Bate or his publishers. I’ve emailed him

Louis Amis

Read our verdict on the Man Booker Prize winner: A Brief History of Seven Killings, by Marlon James

A Brief History of Seven Killings Marlon James One World, pp.686, £18.99, ISBN: 9781780745879 There are many more than seven killings in this ironically titled novel — in fact very long — that starts off set in the Kingston, Jamaica, of the 1970s, amid an efflorescence of political violence. The two major parties, the right-wing Jamaica Labour Party and the left-wing People’s National Party, were pouring guns into West Kingston’s slums to create loyal voting ‘garrisons’, controlled by neighbourhood dons — because ‘who-ever win Kingston win Jamaica and whoever win West Kingston win Kingston’, as one of Marlon James’s characters explains. The CIA was siding with the JLP, or, as

Thursday

Adam Nicolson

A Mile Down: David Vann’s memoir of a disastrous career at sea

When the novelist David Vann was 13, his father — a difficult, unhappy dreamer in his thirties, constantly in dread, as Vann puts it, ‘of becoming something other than what he had always imagined himself to be’, and who had failed first as a dentist and then as a commercial fisherman in Alaska — blew his head off while talking on the phone to his second wife. ‘She heard parts of his head dripping from the ceiling,’ Vann told the New York Times not long ago. ‘She still can’t use the phone with that ear.’ That history of grief, violence and trouble haunts every page of this memoir. When it

William Cook

Retracing The Thirty-Nine Steps in Buchan’s beloved Borders

Like Richard Hannay, I had to run to catch the early morning train from London to Edinburgh. Thankfully, unlike Hannay, I wasn’t wanted for murder — I’d merely overslept again. As the train pulled out of King’s Cross, I fished out my old Penguin edition of The Thirty-Nine Steps, Hannay’s first — and most famous —adventure. Each time I reread it, I marvel at what a brilliant book it is — how modern it still seems, how easily it draws you in. As we raced through England towards Buchan’s beloved Borders, I rejoined Hannay on his mad dash across the country, urging him on in his heroic quest to save

Alex Massie Alex Massie

Sport’s first celebrity: W.G. Grace

Should you wish to have a good copy of the 1916 edition of Wisden, cricket’s annual bible, you should be prepared to part with at least £5,000 and, quite possibly, much more than that. This reflects its rarity — the Great War ensured that the almanac had a limited print run — but also the significance of its contents. For the 1916 edition carries the obituaries of Victor Trumper, the wondrous Australian nonpareil and of course, the greatest Champion of them all: W.G. Grace. The summer game had never seen anything like Grace before and never will again. Other cricketers have scored more runs and taken more wickets than Grace

Henry Jeffreys

Allan Massie’s Bordeaux Quartet is truer to Occupied France than any history

In a recent book review, the historian Norman Stone wrote: ‘Maybe the second world war can now be left to novelists.’ Perhaps he was thinking of Allan Massie’s 1989 masterpiece A Question of Loyalties, an utterly convincing portrayal of a man making all the wrong choices for the noblest reasons in Vichy France. It’s such fertile territory that Massie has returned to it for a quartet of detective novels set in Occupied Bordeaux. The final part, End Games in Bordeaux, sees Superintendent Lannes suspended at the wishes of his German overlords. He is politically suspect but there isn’t much to do anyway: ‘Nobody’s been murdering anybody, except what they will