Book Reviews

Our reviews of the latest in literature

Pessimism keeps breaking in

State-of-criticism overviews and assessments almost always strike a bleak note —the critical mind naturally angles towards pessimism — so it can be worthwhile occasionally to announce that, against expectations, despite everything, literary criticism is still alive and in print. Recent technological and economic threats have not been as damaging as the so-called theory wars of the 1970s and 1980s, and while theory does colour some recent fiction (treated with ironic humour by Jeffrey Eugenides, say, or with cramped loyalty by Tom McCarthy), critics outside the academy now act as though it has been vanquished through institutional assimilation; the models are Edmund Wilson and Clive James, not Derrida and de Man.

Made in Chelski

It’s surprising there haven’t been more novels drawing on London’s fascination with Russian oligarchs. But how to write about them without it all seeming a bit Jackie Collins? Vesna Goldsworthy has hit on the perfect solution with her witty novel Gorsky. If you’re going to write about being nouveau riche, why not model your book on the classiest thing ever written on the subject, The Great Gatsby? Gorsky doesn’t advertise on the cover that this is a thinly veiled rewriting but it’s obvious from the first page (and explained at length in the acknowledgments). F. Scott Fitzgerald’s writer/narrator Nick Carraway becomes Nikola Kimovic, who grew up in poverty in Serbia

A neglected corner of Roman history

When Ovid was seeking ‘cures for love’, the most efficient remedy, he wrote, was for a young man to watch his girl on the toilet. The American author of The Archaeology of Sanitation in Roman Italy begins with this worrying poetic advice. The evacuation of the human body has had little previous attention from historians of Rome, she says, but ‘Ann Olga Koloski-Ostrow on the toilet’ should not become the citation attached by fellow scholars to her name. We might all be put off. Her fear is well-founded. The reason that there are dozens of books about the Romans’ baths and almost none about their latrines reveals much about us

Dangerously close to home

Mystery fans and writers are always looking for new locations in which murder can take place. Attica Locke has an absolute beauty in her latest thriller, Pleasantville. The eponymous district in Houston, Texas, was created in the aftermath of the second world war: ‘a planned community of new homes, spacious and modern in design, and built specifically for negro families of means and class’. However, many of the same fears and frustrations that affect poor black people are also prevalent here; racism, prejudice, the sense of being trapped in a social ghetto. And when a teenage girl is found dead, the town splits along the old faultlines of class, political

The nature of belonging

‘I nauseate walking; ’tis a country diversion. I loathe the country and everything that relates to it… Ah l’étourdie! I hate the town too.’ Millamant’s expostulation about the unresolved pull between rural and urban life has echoed down three centuries since The Way of the World. With Melissa Harrison’s second novel this quandary brings all the splendid, closely observed exposition that it did in her first, Clay. Set around a small London park over the course of a year, Clay featured several parallel, disparate lives which met some while before infinity, along with a telling eye for flora and fauna which created a metropolitan pastoral. At Hawthorn Time, too, comes

A mingling of blood and ink

Historical fiction is sometimes accused of being remote from modern concerns, a flight towards nostalgia and fantasy. It’s not an accusation you can reasonably level at M.J.Carter’s historical crime novels. The first, The Strangler Vine, was set in an unsettling version of colonial India. Its sequel, The Infidel Stain, takes place three years later in 1841, in a London that Dickens would have recognised. The story follows the subsequent careers of her two main characters — the louche and mysterious Jeremiah Blake and his far more respectable young friend Captain William Avery, now retired from the East India Company’s army. Blake is making his living as an inquiry agent. Viscount

Fighting fear with fear

‘Do it with scissors’ was Alfred Hitchcock’s advice for prospective murderers, though a glance at these two biographies reminds us that scissors are also the chosen implement of the silhouettist. Hitchcock’s profile —beaky nose, protuberant lips, conjoined chin and neck — is emblazoned on both dustjackets like a logo. A logo is what it was. You don’t get to be the most famous movie director in the world merely by directing movies. Hence the wordless walk-ons Hitchcock made in almost every one of his 53 pictures. Hence the city gent uniform (blue suit, white shirt, black tie) worn throughout even the most stifling Californian summers. Hence, one sometimes suspects, the

In a niche of their own

As words commonly used to write about the visual arts become increasingly useful to advertisers, ‘to curate’ is becoming the synonym du jour for ‘to choose’. For David Balzer however, this shift in language reflects a shift in behaviour. ‘Now that we “curate” even lunch, what happens to the role of the connoisseur in contemporary culture?’ Curationism asks. The answer, in a word, is relegation. Whereas connoisseurs know the best Rembrandts, wines and restaurants, curators promote an object to high status through their mere engagement with it, imbuing it with a new-found quality through their act of choosing. In the art world, this has resulted in superstar curators like Hans

Trailing clouds of glory

With Alpine wreckage still being sifted, this is either a very good or a very bad time to write about the mystery and beauty of aviation. I am a nervous flyer, always imagining the worst will happen, so when I hear that ‘the captain has turned off the seat-belt sign’ I feel a jolt of relief. Even more so when, halfway through the trip, the captain himself speaks to the passengers in a voice whose mellifluous calculation is as precise as the in-flight computers. You would always want the voice of the pilot to be Mark Vanhoenacker’s. He is an unusual hybrid: a BA 747 pilot and, now, an author

Too little, too late | 16 April 2015

For most of us, the centenary of the Great War means recalling the misery and sacrifices of the Western Front: Ypres, the Marne, Arras, Verdun, Passchendaele, the Somme. Few of us give as much thought to the Eastern Front and, apart from regular studies of the ever-popular, self-mythologising Lawrence of Arabia, fewer still dwell on the first world war in the Middle East. This was the theatre that hosted the Arab Revolt, famously dismissed by Lawrence as ‘a sideshow of a sideshow’. The Great War centenary brings renewed attention to another neglected tragedy of the conflict. Starting in 1915, the Turks embarked on a process that culminated in the systematic

What’s to become of Pedro Friedeberg’s letters?

The year 2015 has been designated one of Anglo-Mexican amity, with celebrations planned in both countries by both governments. But it looks as though one name will be missing from the list: Pedro Friedeberg’s. ‘Who?’ you may ask. Well, in 1982 I was in Mexico City to interview Gabriel García Márquez after he’d won the Nobel Prize for Literature. At a party given by a Mexican art-collector, I noticed several zany pictures on the wall. ‘They’re all by Pedro Friedeberg, my favourite Mexican artist,’ said the collector. I stared at one large framed square after another, at pictures in which the Old World and the New seemed conjoined in a

Just sign here…

This being the 800th anniversary of the signing of Magna Carta, it is not surprising that there should be two new biographies of King John; not surprising either that one should be billed as ‘The Making of a Tyrant’, the other as a story of ‘Treachery’ and ‘Tyranny’. King John has long been regarded as the worst English king: cruel, deceitful, avaricious, untrustworthy, incapable and cowardly. For some of us he remains indelibly the despicable younger brother of Richard the Lionheart, as so memorably portrayed by Claude Rains in the irresistible swashbuckling Errol Flynn movie The Adventures of Robin Hood. It doesn’t matter that John had no connection with the

The mask of death

Remember Ebola? It killed more than 8,000 people last year — before we were all Charlie — with a quarter as many again dying since January. Almost all the deaths have occurred in the war-weakened west African states of Guinea, Liberia and Sierra Leone; no licensed drug or vaccine yet exists for a virus that claimed its first victim almost 40 years ago in Zaire, now the Democratic Republic of Congo. The spread of that maiden epidemic northwards over the border with Sudan is the basis for Amir Tag Elsir’s punchy short novel, Ebola ’76, originally published three years ago and now translated with fluency and keen timing by two

Melanie McDonagh

Putting away the fear of childishness

Go to any bookshop — always supposing you’re fortunate enough to have any left in your neck of the woods — and chances are that lots of window space will be given over to two genres — children’s books and cookbooks. Step inside, and the children’s books are under your nose. Last year, children’s books were the fastest growing section of the books market. Yet the amount of space given over to children’s fiction and literature in the forums — newspapers and arts programmes — where we talk about books is remarkably small. We brood endlessly over Bookerish novels; when it comes to children’s, however, the genre is generally lumped

Even worms and vampire bats do it

I used to think we had five senses — sight, hearing, taste, smell and touch. And I used to think I knew how they worked. Using specialised instruments, such as eyes, ears and fingertips, they gave us information about the outside world. I imagined that the eye saw things, and then told the brain what those things looked like. I imagined that the fingertips touched things, and then told the brain what those things felt like. But now, every time I look at a book on neuroscience, I see that this nice cosy picture is absolutely wrong. Before I continue with this line of thought, let me say that this

The lure of fool’s gold

In 2008, the price of gold lofted above $1,000 an ounce for the first time in history, inspiring a rush of small-scale panners to head for the diggings with hope in their hearts. As the price of the metal fell and rose again — it nearly touched $2,000 an ounce in 2011 — journalist Steve Boggan contracted a touch of gold fever himself. He set off for California to find out who these chancers were. And to find some gold. I’ve taken Route 49 through inland California — Coloma to Sonora. The largely empty highway, which slices through heartbreaking landscape, is named of course after the fabled ‘Forty-niners’, and you

Scabrous lyricism

Irvine Welsh, I think it’s safe to say, is not a writer who’s mellowing with age. His latest book sees the return of ‘Juice’ Terry Lawson from the novel Glue and the short story ‘I Am Miami’ — now an Edinburgh taxi-driver in his mid-forties but still, in the face of some competition, possibly the most priapic character Welsh has ever created. With a penis he understandably nicknames ‘Auld Faithful’ and an unshakeable faith in the power of porridge (‘Complex carbs: set ye up fir a day’s shaggin’), Terry begins his latest adventures by pulling a grieving relative at a funeral — and, on the way home afterwards, two young

Charles Moore

Daring to be a Daniel

As I swink in the field of Thatcher studies, this book brings refreshment. It is a welcome and rare. Far too many writers attitudinise about Margaret Thatcher (for and against) rather than studying her. I doubt the author likes Thatcher much, but all the more credit to her that she makes a fair-minded effort to understand what she believed about God, and how she succeeded and failed in applying her beliefs. Not all who knew Mrs Thatcher agree that she was religious. In a way, they are right. She was not churchy or denominational, which is good. She was not sacramental (she once told me that her twins were baptised