Book Reviews

Our reviews of the latest in literature

Thursday

Ariane Bankes

Dizzying swirls of impasto

With a career of more than 60 years so far, Frank Auerbach is undoubtedly one of the big beasts of the British art world. His personal reticence, however, and the condensed, impacted idiom of his painting have contributed to his enigmatic, somewhat opaque reputation. Catherine Lampert, who has sat regularly and patiently for him since 1978, is uniquely qualified to throw light both on the man and his art, but the tactics she employs here are very different from those of Martin Gayford in Man with a Blue Scarf, his intimate, engrossing account of sitting for Lucian Freud. Matching Auerbach’s reticence with her own, she keeps herself largely out of

Simon Bradley

Something sensational to read on the train

Readers who have put in some time on the railways may remember the neat, brush-painted graffiti that appeared in 1974 on a wall facing the line just outside Paddington station: FAR AWAY IS CLOSE AT HAND IN IMAGES OF ELSEWHERE. Not until Banksy took up his spraycan did a piece of London graffiti make such a stir. The Telegraph’s Peter Simple column attributed the long-lasting inscription to the shadowy ‘Master of Paddington’ and the Oxford commuter-poet Roger Green mused on the hauntingly unspecific slogan in his journal Notes From Overground, a minor publishing hit of 1984. Another 20 years passed before the perpetrators were outed; it turned out that their

Robert Collins

A triumphant failure

I must be an idiot for pointing out the failings of a novel that’s so screamingly, self-denouncingly about failure. Steve Toltz’s Quicksand is a nutty, occasionally hilarious, flaccid carrier bag of a comic romp, all dazzling one-liners and no comic paydirt. Like his debut novel, A Fraction of the Whole (about a misfit philosopher and his troubled son), it is narrated by a pair of human catastrophes: a New South Wales police constable, Liam Wilder, who’s a failed novelist; and his best friend, Aldo Benjamin, who’s a failed husband, entrepreneur, everything. Toltz probably intended this novel to be a failure. It’s that difficult beast, his second book, after all (his

Justin Cartwright

Lost in the telling

This is a thriller, a novel of betrayal and separation, and a reverie on death and grieving. The only key fact I can provide without giving away the plot is that Caroline, the film-making wife of Michael, the novel’s main protagonist, is killed in the badlands of Pakistan by a drone controlled from a facility near Las Vegas. Caroline is filming Taleban leaders when they and Caroline are killed. Michael, who is ‘an immersive journalist’, has spent some years on a project with gangs in the Upper West Side of Manhattan. It is dangerous but rewarding work, and after a few years his findings are published to some acclaim under

Philip Hensher

When we were very young

Few monarchs could become novelists. They wouldn’t be able to develop the practice, or possess the necessary temperament. No monarch could sit in the corner of a room observing, or walk the streets unnoticed. They don’t have much of a chance of a long morning working quietly, without interruption, or of seeing what ordinary people are like at their most natural and unselfconscious. (Imagine what changes would have had to take place in Edward VII’s life before he could have thought of writing fiction.) If they are never going to have the chance to observe and to write, they are also unlikely to have the disposition to do so. The

Wednesday

Lpwordpress

Craig Raine should ignore the angry feminists – they’re just jealous

I don’t know much about poetry, but I know this: whoever Craig Raine’s poem is about, she will be chuffed. When you are 22, you are, probably, nobody. Not many 22 year olds are somebody. So to be immortalised in a poem that’s been published in the LRB will be pleasing. It may even be the defining moment in her life. No doubt some hack is currently trying to track down this girl. The doorstepping will begin. She met a poet at the airport and he wrote about her. Of course, she may not wish to tell this to the hack but: being immortalised in art, playing the muse, is many a young girl’s wish.

Saturday

Lucy Vickery

Spectator competition: Poems for Princess Charlotte of Cambridge (plus: the poetry of cricket)

The poet laureate Carol Ann Duffy’s failure to pen a poem commemorating the birth of Princess Charlotte of Cambridge prompted us to invite you to do it instead. You stepped into the breach with gusto: sonnets, odes and haikus poured in. The entry was diverse, full of charm and a pleasure to judge. I was particularly moved and impressed by the poems submitted by a group of seven- to eight-year-olds, which put some of the adult entrants to shame. Honourable mentions also go to Coco Hills and Marc Woodward. Sylvia Fairley’s entry, a neat riff on Duffy’s ‘22 Reasons for the Bedroom Tax’, was a winner. W.J. Webster’s sonnet earns

Thursday

Rose Prince

Romance of the old kitchen garden

Considerable areas of our memory are taken up with food: it might be the taste of Mother’s sponge, the melting texture of an aunt’s buttery pastry or something recent, like the flavour of the first spoonful of a sour and nutty south-east Asian dish. Especially good meals are recalled with the same clarity as revolting school dinners and the stench of stale fish — we can conjure aromatic memories with ease thanks to the olfactory nerve, the brain’s cache of stored eating experience that helps us to tell good from bad when choosing what to eat. Jennifer A. Jordan, an associate professor of sociology at the University of Wisconsin, believes

Pippa Goldschmidt

The strangest objects we know of

The idea of black holes sounds so quintessentially modern and 20th-century that it may come as a surprise to learn that it originated over 200 years ago; John Michell, a natural philosopher and clergyman, used Newtonian physics to conceive of a star massive enough to prevent even light from escaping its gravitational pull. Marcia Bartusiak’s lively and readable account of the history of black holes kicks off with an account of Michell’s 1784 paper. There’s a lull in the story after that, because a proper formulation of the physics had to wait until Einstein’s general theory of relativity in 1915. This date is significant; it’s the 100th anniversary of this

Jonathan Meades

A 50-year infatuation

The subject of the least characteristic essay in this engrossing collection of meditations on painters, painters’ lives, painting and reactions to painting is René Magritte — whose best work David Sylvester rather rashly claimed induces ‘the sort of awe felt in the presence of an eclipse’. Julian Barnes discusses what he calls the artist’s doctrine (doctrine?) of ‘elective affinities’, which proposes the antipodes of Lautréamont’s ‘chance encounter on a dissecting table of a sewing machine and an umbrella’. Thus in the painting of that name a birdcage is filled not with a random safety razor or knuckleduster but with a giant egg. Barnes then introduces an acquaintance who ‘can’t drive

Mark Mason

Funny things happen on the way to the Scillies

It’s a real skill, writing about a journey where nothing ever happens. We shouldn’t be surprised that Simon Armitage is so good at it: he’s a poet, and therefore used to reporting on nothing happening, or rather spotting the little things that are always happening but the rest of us are too busy to notice. His chosen route this time — the South West Coast Path through Somerset, Devon and Cornwall and on to the Scillies — is normally praised because it gets you away from everything. Yet while he’s there Armitage discovers … well, maybe not everything, but certainly a very entertaining book’s worth of stuff. His schtick is

Claire Lowdon

In the name of the father

‘People talk about their childhood and it’s so mundane. I don’t remember much about it, if I’m honest. I can’t even tell you what my father’s voice sounded like.’ In Stuart Evers’s story ‘Frequencies’, in this collection, a besotted new father hears this pronouncement coming from the baby monitor. The monitor is picking up a radio signal, so the sound of eight-month-old Jack’s precious snuffling is overlaid with hardheaded recollections of an anonymous speaker’s parents. ‘They were such dull people… I… pitied them even before I knew what the word meant.’ Eventually the juxtaposition grows too much for the father, and he smashes the baby monitor. Then he goes to

Peter Hoskin

Kultural icon

The almond eyes that rise towards their outer edges. The cheekbones that curve down to the corners of those upholstered lips. The dark strands of hair that fall wisplike on to her chest. The hourglass extremities that will exercise your ciliary muscles until they snap. Dear me! After looking at this book, you’ll be more familiar with the particulars of Kim Kardashian’s body than with your own lover’s. For this is her hardback collection of selfies. It contains almost 500 photographs of Kim, by Kim. Six of them include her daughter; 60 of them feature at least one of her siblings; 100 have Kim in a bikini, in her underwear

Andre Van Loon

The elite who tried to save Russia

The veteran Russian historian Dominic Lieven’s new study of Russia’s descent towards the first world war is deeply researched, highly valuable in its focus on Russia, and unfailingly well-written: more proof of Lieven’s profound knowledge of the Russian empire. One of his earlier works, Russia’s Rulers Under the Old Regime (1989), focused on the 150 men who ran Russia until 1917. Towards the Flame shares that work’s careful attention to a tiny elite of well-educated, cosmopolitan, mostly aristocratic men. With breathtaking directness, he says that fewer than 50 men (and it was all men) in Europe in 1914 took the decisions that led their countries into war. Towards the Flame

Laura Freeman Laura Freeman

Pursuing the perfect scoop

Paradise City, Elizabeth Day’s third novel, comes with an accompanying essay on The Pool — an online magazine for the Instagram, iPhone woman. Day, a feature writer for the Observer, discusses the novel’s male protagonist (you couldn’t call him hero) Sir Howard Pink, an East End Jewish boy turned rag-trade multimillionaire. Day urges women to stop being so self-effacing, people-pleasing, and permanently apologetic and instead to ‘Be More Howard’. ‘He sprung on to the page as unashamedly male and blessed with a defiant sense of his own entitlement,’ she writes. ‘He saw money, sex and power as his due. He took what he could, where he could get it and

Will Nicoll

A nation in trauma

Albania is a small country of 2.7 million people, wedged within the Balkan peninsula. Separated from both Greece and Italy by mere kilometres of seascape and shoreline, it borders the European Union, and, with official candidate status as a member country, strongly hopes for closer ties. As Fred C. Abrahams describes it, the country’s transition from cultish Stalinist dictatorship to functioning democracy in only three decades should be a source of debate, intrigue and pride. The principal protagonists in the ‘drama’ of transition are ‘a paranoid dictator, an ambitious doctor, a scheming economist and an urban artist’. Observed by Abrahams himself — first as a media trainer, and next as

Anthony Sattin

Striking Middle Sea

With summer on its way, thoughts turn south to olive groves and manicured vineyards, to the warm water and hot beaches of the Mediterranean. But this sea that is a place of rest and beauty for some of us is the scene of drama and often despair for many others, among them people trying to cross from North Africa. So which is it, a place of calm and beauty, of refinement and culture, or one of drama and much tragedy, buffeted by the consequences of geo-political shifts? The Mediterranean has long been used to reconciling opposites, as two new books make abundantly clear. To ancient Greeks and Romans, the Mediterranean

Saturday

Lucy Vickery

Spectator competition: An update on Belloc’s kiddie delinquents (plus: write a poem celebrating a modern-day blot on the landscape)

The call for an update on one of the children in Cautionary Tales who lived to tell the tale attracted a large and excellent entry. Belloc’s gallery of kiddie delinquents suffered particularly unpleasant comeuppances — being eaten, feet upwards, by a lion, and so on. Of those who did escape with their lives, weepy Lord Lundy and Algernon (who narrowly missed killing his sister with a loaded gun) were the most popular subjects in this comp. Max Ross’s submission, in which Algernon grows up to be a jihadi, had a chilling topical twist: ‘Thus, in the best religious fashion,/ Al-gee indulged his boyhood passion’. Both Mae Scanlan and Chris O’Carroll

Friday

Stanley Wells

This ‘new image of Shakespeare’ is obviously not Shakespeare – but I’ll tell you who it might be

In its issue dated 20 May, Country Life has published a long article by the botanical historian Mark Griffiths claiming that a figure on the magnificent title page of John Gerard’s great and prodigally illustrated Herball, of 1587, represents Shakespeare. The magazine also promises, as a follow-up, what it calls a new play by Shakespeare along with fresh information about his early career. In fact the ‘play’, identified in the article, is a really rather boring speech of welcome delivered by a hermit along with a dialogue between a gardener and a molecatcher, both long known to scholars, and both of unknown authorship, which formed part of an entertainment given

Thursday

Matthew Dennison

It takes a thief…

In the words of one of his contemporaries ‘a man of down look, lean-faced and full of pock holes’, the 17th-century ne’er-do-well Thomas Blood sounds an unattractive proposition. His latest biographer, Robert Hutchinson, works hard to imbue him with the pantomime glamour of a lovable rogue. Hutchinson roots Blood’s rackety life firmly within the context of the equally rackety Restoration underworld, with its network of spies and spymasters, venial courtiers and religious fanatics. Appropriately he makes vivid use of the sort of rhetoric more often associated with old-fashioned adventure stories. His Blood is a forerunner of the Scarlet Pimpernel, ‘a man of action who would risk all to liberate his