Book Reviews

Our reviews of the latest in literature

Robin Williams in London

In 2001 I wrote a book called The Comedy Store (still available in some good bookshops – and quite a lot of bad ones) about the London comedy club that kick-started modern British comedy. The book was a bit of a mixed bag, but the best bits were where I shut up and let these comics talk about each other. And the comic they talked about most of all was Robin Williams. Their tales of seeing him perform for the sheer love of it, in front a few hundred tipsy punters, show what a great comic we’ve all lost. Robin Williams first played the Comedy Store in 1980, on a

Siberia beyond the Gulag Archipelago

Larger than Europe and the United States combined, Siberia is an enormous swathe of Russia, spanning seven time zones and occuping 77 per cent of the country’s land mass. Ryszard Kapuscinski describes the gulags which were placed there as being amongst the greatest nightmares of the 20th century — and that image of suffering has tarnished the region irrevocably. In her masterful study of Siberia’s people, Janet M. Hartley, professor of international history at the London School of Economics and Political Science, argues that this has not only been a place of torture and starvation. While it has certainly endured miserable times, and is likely to suffer many more, it

Nation-builders on a sticky wicket: the farce and heroism of Pakistani cricket

There is farce in Peter Oborne’s history of cricket in Pakistan. An impossible umpire is abducted by drunken English tourists and imprisoned in their hotel. Political uncertainty leads to the selection of rival captains and players for the same match against New Zealand. An ageing Pakistan cricketer is ruled out of a one-day international after eating a surfeit of spinach. There is tragedy, too. England toured Pakistan in 1968–69, during the strife which ultimately led to the bloody separation of West and East Pakistan (modern day Bangladesh). The players landed in Karachi, in West Pakistan, which was under a curfew. The tension was such that they were billeted in a

The hooligan and the psychopath

A Season with Verona (2002), Tim Parks’s account of a year on tour with the Italian football club Hellas Verona’s notorious travelling fans (motto ‘we have a dream in our heads, to burn the south’), contains a memorable scene in which Parks spots a teenage boy screaming abuse at some rival supporters before returning to the mobile to assure his mother that, no, they don’t have much homework that weekend. Here, doubtless, was the raw material for 17-year-old Hellas fan Mauro Duckworth, whose absence from his father’s investiture with the honorary freedom of the city is explained by his confinement in a Brescia police cell after a pitched battle with

Chris Barber should let someone meaner tell his story

Chris Barber, still going strong with his big band, was born in 1930. He heard jazz as a schoolboy on the radio programme Music While You Work and tried to find out more about this wonderful music. He soon discovered that, in his words, ‘black music was the real thing, although some white people managed it pretty well’. By the time I became a secondary schoolboy in the 1950s, Chris Barber’s band was the sensation of the age. Chris played the trombone, sometimes switching to harmonica on blues numbers. He and his glamorous Northern Irish wife, Ottilie Patterson, seemed a golden couple. Ottilie had a superb voice for the blues,

The Zone of Interest is grubby, creepy – and Martin Amis’s best for 25 years

‘Everybody could see that this man was not a “monster”, but it was difficult indeed not to suspect that he was a clown,’ wrote Hannah Arendt of Adolf Eichmann, in Eichmann in Jerusalem. Indeed, Eichmann was certified as ‘normal’ by half a dozen psychiatrists. On more than one occasion in Martin Amis’s troubling new novel one of its main characters, the fictionalised commandant of a thinly disguised Auschwitz, declares himself ‘completely normal’. He also happens to be an oaf, a clown. We are dealing, then, with the banality of evil. Set in the months from August 1942 to April 1943, when it became clear that the Germans were going to

The lost Victorian who sculpted Churchill

Ivor Roberts-Jones was in many ways the right artist at the wrong time. Had the sculptor been born a few decades earlier and worked in the Victorian age, when statues of the builders and defenders of empire were erected proudly and prolifically across the land, he’d surely have received no end of garlands. As it is, Roberts-Jones (1913–96) found himself constantly battling against artistic fashions and today is barely even talked about. Born in the Welsh border town of Oswestry, he moved to London to study at the Royal Academy Schools and Goldsmiths College (the latter’s fame as a breeding ground for conceptual excess still a long way into the

Sam Leith

Soldier, poet, lover, spy: just the man to translate Proust

Charles Kenneth Scott Moncrieff’s Englishing of Proust — widely and immediately agreed to be one of the greatest literary translations of all time — very nearly didn’t happen. Scott Moncrieff only suggested the project to his publisher after they rejected a collection of satirical squibs in verse (sample: ‘Sir Philip Sassoon is the Member for Hythe;/ He is opulent, generous, swarthy and lithe.’). Like any good hack, he had another suggestion up his sleeve: there was this character Proust just starting to be published — making a bit of noise in France. Constable didn’t immediately see the value: ‘They replied that they did not see much use in publishing a

What has Hezbollah’s Secretary General been reading this summer?

In Britain we seem to be obsessed by what our politicians are reading this summer. It tells us, so we think, about the way they’re thinking or perhaps just what they want us to think they’re thinking. Why don’t we study what other political leaders are interested in? Lebanon’s Daily Star offered us a revealing vision of one regional actor, Hezbollah’s Secretary General Sayyed Hassan Nasrallah. Sitting with Lebanon’s veteran Druze leader, Walid Jumblatt, in late July, Nasrallah has a copy of James Barr’s A Line in the Sand in front of him. The book, one of the best researched and most readable studies of the making of the modern

Interviews with the great, the good, the less great and the really quite bad

The TV chat show, if not actually dead, has been in intensive care for a while now, hooked up to machines that go bleep. But the long-form interview, as pioneered by John Freeman’s Face to Face in the 1960s, is a tougher customer. Laurie Taylor’s In Confidence series on Sky Arts has featured the great and the good, the less great and the really quite bad, all of them attracted by the professor’s gentle sociological probing and the show’s reliably modest viewing figures, which suggest that no one will notice if it all goes terribly wrong. This book is Taylor’s artful distillation of more than 60 interviews, shaped according to

Reynolds produced some of the finest portraits of the 18th century – and a few of the silliest

On Monday 21 April 1760 Joshua Reynolds had a busy day. Through the morning and the afternoon he had a series of sitters. Each of these stayed for an hour in the painter’s premises on St Martin’s Lane and was no doubt ‘greatly entertained’ — as another of Reynolds’s clients recorded — by watching the progress of their portraits in a large looking-glass strategically placed behind the easel so the subject could view the artist at work. However, Mark Hallett suggests in this masterly and pioneering new study of Reynolds at work, the most interesting hour of the day would have begun at one o’clock. That was the time at

The Jane Austen of Brazil

When the American poet Elizabeth Bishop arrived in Brazil in 1951, she expected to spend two weeks there and ended up staying 15 years, a time of emotional turbulence and creative productivity. Bishop wrote poetry and prose and translated Latin American writers, including Octavio Paz, but this project, suggested by friends as a way to improve her Portuguese, is something completely different. It’s a teenager’s diary, written between 1893 and 1895 in the remote mining town of Diamantina, the highest town in Brazil. It’s a delightful, funny and revealing memoir, a little bit of Austen in the Americas. Helena’s real name was Alice Dayrell, (the pseudonym came from her English

Falling in love with birds of prey

Is it the feathers that do the trick? The severely truculent expressions on their faces? Or is it their ancient origins? Or the places where they live? Whatever their secret, birds of prey have exercised an extraordinary hold on human beings for tens of thousands of years. In the bad old days, their fans ranged from ancient Teutonic kings to Hitler’s right-hand-man Hermann Göring. Today, it seems to be artistic types and country-lovers who keep the flag flying. Or, do I mean keep the tail feathers fluttering? In this exhilaratingly honest and passionately broadminded book, the poet and Cambridge academic Helen Macdonald combines her ‘sorry story’ of hawk addiction with

An invisibility cloak? You might just be able to see it on the horizon…

The best books by good writers — and Philip Ball is a very good writer indeed — are sometimes the ones that don’t quite work. This brilliant study of how occultists and scientists alike have attempted to see the invisible is very much that kind of fascinating failure. Its subject is just too large — and, well, it is just too hard to see its edges clearly. Ball begins with pseudo-medieval recipes for invisibility: Take a black cat and a new pot, a mirror, a lighter, coal and tinder. Gather water from a fountain at the strike of midnight… put the boiled cat on a new dish… then put the

Harry Chapman Pincher – ‘Fleet Street’s spy-hound’ (1914 – 2014)

Harry Chapman Pincher, the veteran investigative journalist, has died aged 100. He was renowned for unearthing military secrets and exposing spies. Earlier this year, The Spectator published a review of his book ‘Dangerous to Know’: Dangerous to Know Chapman Pincher Biteback Publishing, pp.386, £20, ISBN: 9781849546515 Anyone brought up as I was in a Daily Express household in the 1950s — there were approaching 11 million of us readers — knew the writings of Chapman Pincher. His frequent scoops, mostly defence- or intelligence-related, sometimes political, scientific or medical, were unusually well-sourced and headline-grabbing. Now, aged 100, he has written his autobiography. He writes as directly and vividly as ever. After

‘Tolerance’ is the last thing gays need

There I was flexing my defensive muscles, waiting for the tsunami of hatred to come my way once my new book hit the shelves, when I discovered that not only did I have some great reviews for Straight Expectations (which rails against the complacency and conservatism of today’s gay rights movement), but the book has an American sister. Perhaps the timid capitulation to straight folk is about to turn, both here and in the US, the birthplace – and now perhaps the graveyard – of the gay liberation movement? The Tolerance Trap, by US academic and political activist Suzanna Walters, has ‘disappointment’ running right the way through it. But Walters does not

How to ruin a country – the belligerent life of ‘Kaiser Bill’

Wilhelm II: Into the Abyss of War and Exile, 1900–1941 John C.G. Röhl, translated by Sheila de Bellaigue and Roy Bridge The role of personality in politics is the theme of this awe-inspiring biography. This is the third volume, 1,562 pages long, of John Röhl’s life of the Kaiser. It has been brilliantly translated — the labyrinth of imperial Germany navigated by many headed subdivisions in each chapter — by Sheila de Bellaigue. The fruit of what Röhl calls a ‘dark obsession’ with the Kaiser, it had its origin when, writing about Germany after the fall of Bismarck at the apogee of social and institutional history in the 1960s, he realised

Spectator competition: provide snippets of misleading advice for British tourists travelling abroad (plus Margaret Thatcher’s secret love poetry)

The recent challenge to unmask a secret poet among well-known figures from 20th-century history produced a postbag full of politician-bards, which included poignant lines from the pens of Edward Heath and Michael Foot. The real life poetic efforts of politicians such as Jimmy Carter have not gone down well with the critics. Harold Bloom branded him ‘in my judgment literally the worst poet in the United States’. I’m not sure that Bloom would have been any kinder to the winning entries below — or to Adrian Fry’s John Prescott. Here he is, just getting into his stride: ‘Don’t call me unsophisticated, I’ve been to Villanelle,/ I know me assonance from