Book Reviews

Our reviews of the latest in literature

Looking for the meaning of life? Come to Constantine Phipps’ poetic theme park

A favourite game of mine is to imagine Virgil and Homer today, plying their trade among the supermarkets and office blocks. What would they sing? Can modern life aspire to the epic, and can such a form still be understandable, even useful? C.S. Lewis, though he did translate the Aeneid beautifully, didn’t quite manage a similar feat with his bizarre modern epic, Dymer. It’s not a field many wish to enter. And yet Constantine Phipps, in his third book, What You Want, has made not only an epic, but a didactic epic, accessible, relevant and involving. In precise, lucidly flowing iambic pentameters, the poem is a meditation on the nature

For Roger Bannister, the four-minute mile was just the start

The title of this reflective and readable memoir refers to the author’s lifetime interests in sport and medicine — tracks which advanced not in parallel but with intersections. Few will be unaware that Roger Bannister was the first man to run a mile in under four minutes. The image of him breasting the tape scarcely needed reproducing on both the front and back cover of his book; even 60 years on, this moment is firmly imprinted on the country’s psyche. But how many will also be aware of his contribution to the study of the autonomic nervous system — or even what that system is, unless tempted to turn to

A truth too tender for memoir

It has been 14 years since Akhil Sharma published his first, widely acclaimed novel, An Obedient Father. Though its subject matter is very different, Family Life more than fulfils the expectations raised by that grim but compelling story of financial, political and moral corruption in India. Growing up in Delhi in the 1970s, the eight-year-old Ajay Mishra believed that his father ‘had been assigned to us by the government. This was because he appeared to serve no purpose.’ Everything changes when Mr Mishra leaves for America in 1978, followed a year later by Ajay, his 12-year-old brother Birju, and their mother. What starts out as a beautifully observed story about

Talking to the ghosts of Tiananmen Square

Twenty-five years ago, Rowena Xiaoqing He, then a schoolgirl, was participating in the Tiananmen-supporting demonstrations in Canton. Far from the capital, this was one of several hundred cities that rose up during that Chinese spring. Following the Tiananmen killings on 3–4 June 1989, she was warned by her teacher to remove the black mourning band she wore on her sleeve. After some years working in Canton she moved to Canada, where she secured advanced degrees; she now teaches an undergraduate course on Tiananmen at Harvard. Tiananmen Exiles is a brave book. It concentrates on the testimonies of three of the student leaders in Beijing and Canton, two of whom are

A Colder War, by Charles Cumming – review

The title of Charles Cumming’s seventh novel is both a nod to the comfortable polarities of Cold War and also a reminder that our modern world is in some ways even chillier and less stable than the one it replaced. Once again, the central character is Thomas Kell, the MI6 agent who was trying to claw his way back from unmerited disgrace in Cumming’s previous novel, A Foreign Country. Even now, Kell is still on unpaid leave — which, though tiresome for him, is convenient for Amelia, the current ‘C’. They are old colleagues and, up to a point, friends, and she knows him for what he is: a fine

From Anthony Trollope to Meryl Streep: the theatre of politics on stage and screen

On 1 October 1950 the BBC broadcast a seemingly innocuous little play by Val Gielgud. A light-hearted and critically unremarkable political comedy, Party Manners carried a number of pointed criticisms of Labour policy, taking pot shots at egalitarianism, tax-and-spend and big government. With Clement Attlee’s party enjoying only the slimmest of parliamentary majorities and a fresh election in the offing, some BBC executives feared that Party Manners might swing the balance in the Tories’ favour. Lord Simon of Wythenshawe, chair of the BBC governors and a Labour party member, cancelled a planned repeat showing, unleashing a storm in the House of Lords. The controversy evoked memories of 1906, when Harley

Why is ‘loo’ slang? Because Simon Heffer says so!

Did Simon Heffer’s new book come out on St George’s Day? If not, it probably should have done. If we ever needed someone to defend what’s left of our national culture from the massed armies of lefties, foreigners, proles, riff-raff, illiterates, young people, thin people and David Cameron, he would be our man. For three decades he has fought the good fight, a squat colossus of unquenchable fury, his red hair forever threatening to burst into flames, just because it can. He is one of the marvels of the age and, I now discover to my shock, exactly four days younger then me. We Cancerians have to stick together —

Patrick Leigh Fermor and the long, daft tradition of Brits trying to save Greece

Twenty-odd years ago, while on holiday in the deep Mani at the foot of the Peloponnese, I got into conversation with an old and only partially reconstructed Greek communist shop-owner. I had been showing him a bit of pottery I had found on the sea bed at Asomati, and he wanted to know what had brought me to the Mani in the first place and was it Patrick Leigh Fermor? I said no — not strictly true — and he seemed pleased.  Leigh Fermor, he said — and he was not prepared to elaborate — had not been good for Greece. It came as something of a surprise, as in

Baghdad’s rise, fall – and rise again

The history of Baghdad more than any other city mirrors the ebb and flow that has marked Islamic history and civilisation. The rise and fall of empires and dynasties, the splendours of Islam’s high culture and its decline, the periodic tensions and ease that affected relations between nations and peoples, sects and faiths have all been played out in the teeming neighbourhoods, palace precincts, market areas, great mosques, educational centres and military compounds of this remarkable city. Unlike its rival Damascus, the capital of the first Muslim empire, the Umayyads, which had been established for centuries before the arrival of Islam into Syria, Baghdad was pre-eminently a city of the

The American who dreamed of peace for the Arabs – but was murdered in their midst

‘Arabist’ is fast becoming an archaism. Perhaps it is already one. These days the word conjures up enchanting visions of racy manuscripts examined over sharbat in the great domed residences of sympathetic chargés d’affaires and lone camels bumping along like single-masted cutters on a sand-dune ocean. At the age of six I dreamed of becoming one after watching David Lean’s great film for the first time. (A few weeks later I saw Jurassic Park on video and decided that I fancied palaeontology instead.) It is tempting, even for those of us who take an Israeli line, to think that had the creation of a massive pan-Arab state followed the Paris

The yes-no-maybe world of Harrison Birtwistle

For better or worse, we live in the age of the talking composer. Some talk well, some badly, a few — the strong, silent types — keep their mouths shut, or have to have them prised open. Harrison Birtwistle belongs, by nature, to this last category. I once, a very long time ago, interviewed him for a radio programme, mercifully pre-recorded. Each tedious enquiry would be greeted by a long silence ending with a yes or a no or an ‘I don’t understand the question.’ Nothing would persuade him to contribute to my attempts at fitting him into some preconceived image of British music in the late 1960s. Fitting them

My desert island poet

If I had to be marooned on a desert island with a stranger, that stranger would be John Burnside. Not that he’s a literary Ray Mears: I rather doubt that catching fish with his bare hands or lighting a fire without matches are among his skills. Nor would he be an easy companion, since by his own account he is a brooder and an insomniac and a craver of solitude. He is the erstwhile resident of a mental institution. He also has complicated feelings about women. But he’d be my perfect companion, still. For one thing, the isle would be full of sounds and sweet airs that give delight, because

Why it’s time for a Cad of the Year Award

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_22_May_2014_v4.mp3″ title=”Harry Cole and Camilla Swift debate the return of the cad” startat=1527] Listen [/audioplayer]Plans are afoot to introduce the Flashman novels, those politically incorrect celebrations of cowardice, bad form and caddish behaviour, to a new generation of readers. But according to Sarah Montague on the Today programme, ‘Flashman is not typical of our times.’ Is she correct? I can think of quite a few latterday Flashmans off the top of my head, such as Fred ‘The Shred’ Goodwin, whose knighthood had to be prised from his cold Scottish fingers. Not only did Fred keep his pension millions when all about him were losing theirs, he also had an

The man who went to Hell and back – for a laugh

Since the passing of Auberon Waugh, there haven’t been many really successful right-wing comedians. The Mayor of London is one. Another is the American journalist and wit P.J. O’Rourke. The alliterative title of The Baby Boom, his 20th book, essentially sums up its author’s style, his childlike boisterousness, his resonant infantilism. Its scarcely less suitable subtitle — ‘How It Got That Way, And It Wasn’t My Fault, And I’ll Never Do It Again’— is almost as revealing, indicating a man engaged in a conversation with himself and determined to have the last word. Here his professed subject matter is the generation of Americans born between 1946 and 1964: the lucky

The fairytale life of Hans Christian Andersen

It has long been my habit, when approaching a new biography, to read the account of the subject’s childhood first, then jump to the deathbed, before settling down to the main narrative between. It was rather disconcerting, therefore, to find that Paul Binding’s life of Hans Christian Andersen eschews the deathbed and ends with the author’s last, not very cheering, written words rather than his last breath: The brewer is dead, Auntie is dead, the student is dead, him whose sparks of ideas ended up in the rubbish bin. Everything ends up in the rubbish bin. It is only in the chronology that we learn that Andersen’s 70th birthday was

Piketty’s decaff Marxism would be just as oppressive and intrusive as the old variety

If a title works once, the chances are it will work again. Half the punch of Marx’s masterwork is in its name. Better in German of course, with the kick of the K and the ominous echo of Kaput. But even in English when blocked out in red caps on a  fat spine, CAPITAL sends a thrill along any bookshelf. Its fond midwives at Harvard can scarcely have expected to sell 200,000 copies of a 600-page treatise by a French economist unknown in the English-speaking world, but that only shows we must never underestimate the beauty of telling the target audience what it wishes to hear — in this case,

The wit, wisdom and womanising of Constant Lambert

We owe Constant Lambert (1905–1951) a huge amount, and the flashes of brilliance that survive from his short life only suggest the energy with which he established the possibilities for English culture. What we remember about this extraordinary man are some delightful pieces of music, especially The Rio Grande; the funniest and most cultivated book about contemporary music ever written, Music Ho!; and a few surviving recordings of his work as a conductor. Before his death, aged 46, from chronic alcoholism and undiagnosed diabetes, he had established the Sadler’s Wells Ballet with Ninette de Valois and Frederick Ashton; in the trio, he was not only the conductor and musical expert,

The derring-do that created Flashman

I met George Macdonald Fraser when he was the features editor of the Glasgow Herald. He was a very good newspaperman on what was a fine daily paper. James Holburn was the editor, Reggie Byers his deputy, Chris Small the literary editor, all admirable and amiable journalists. When Holburn retired, Fraser was for a while acting editor and should have been made editor and would have been fair and fearless. Had he tired of the daily grind he might have become cantankerous; but his devoted readers and Hollywood would only have had to wait another 20 years for the flowering of his prodigious talents. When I left the Glasgow Herald,