Book Reviews

Our reviews of the latest in literature

To be topp at lat., throw your Cambridge Latin Course away

The wisest words about learning Latin were said by that gifted prep-school boy, Nigel Molesworth: ‘Actually, it is quite easy to be topp in lat. You just have to work.’ But things have changed since Molesworth learnt Latin at St Custard’s in the 1950s. Over the last half-century, the work has been extracted from Latin learning and, without the work, the whole point of the language disappears. As Gwynne’s Latin — an uplifting throwback to the good old days — reveals, many schools now don’t teach the vocative case. In the Cambridge Latin Course, used in 85 per cent of schools, you learn the nominative, accusative and dative cases in

Tales of the inconsequential

My cache of conversational titbits has been considerably boosted by the most recent challenge that I threw down to Spectator readers. I asked for an extract from either a gripping thriller or a bodice-ripping romance containing half a dozen pieces of inconsequential information, and I now know that Zanzibar is the world’s largest clove producer, and that 99 per cent of Estonians have blue eyes. Thanks, for those morsels of trivia, to J. Seery and Nicholas Hodgson, both of whom submitted fine entries. Patrick Tyson-Cain, Sergio Michael Petro, Albert Black, Walter Ancarrow and Charles Curran also narrowly missed the cut. Basil Ransome-Davies, who is on stellar form at the moment,

An escape from New South Wales

Thomas Keneally has constructed his latest novel around a framework of true events: the mass break-out of Japanese PoWs from a camp in New South Wales. This intrinsically thrilling incident, triggered by a fascinating clash between mutually uncomprehending cultures, is an obvious gift to a writer. There may be some who claim that any novelist could therefore have produced an interesting fictional version of it; but this is like saying that anyone could have made a landscape out of the fine park at Blenheim. Keneally spotted both the tale and its possibilities, which in itself is a truly enviable talent. His imagination is fired by the incongruities of the camp

Recent crime fiction | 24 April 2014

Louise Welsh rarely repeats herself, a quality to celebrate in a crime novelist. Her latest novel, A Lovely Way to Burn (John Murray, £12.99, Spectator Bookshop, £10.99) is a dystopian thriller set in an all-too-plausible version of contemporary London. Three members of the establishment have shot dead innocent bystanders. The weather is broiling. A plague-like virus known as ‘the sweats’ spreads, bringing panic in its train. Stevie Flint, a cynical TV presenter on a shopping channel, is one of the few survivors. She contracts the disease shortly after stumbling on her boyfriend’s body. The boyfriend, a surgeon who apparently died of natural causes, had concealed a laptop in her loft

The gambler’s daily grind

Lord Doyle is a shrivelled English gambler frittering away his money and destroying his liver in the casinos of Macau. Aptly, since he is in a place filled with mock-Venetian canals and poor reproduction paintings, he himself is a fake: the man is not a real lord, and the money is not his own. He is a disgraced solicitor of modest origin, who ran off with a client’s savings after befriending her. Lawrence Osborne’s novel is a bleak and enjoyable account of someone who, perhaps through unacknowledged guilt, finds bitter solace in losing and in driving himself towards extinction. Narrated in an urbane, knowing, faintly old-fashioned tone, the story moves

What most imperilled country houses in the 20th century was taxes and death duties, not requisition

Servicemen used paintings as dartboards.   Schoolchildren dismantled banisters and paneling for firewood. Architects from the Ministry of Works acted like pocket Stalins. Sarcophagi were dumped in gardens beside beheaded statues. And overhead, Luftwaffe Dorniers droned with menace. Such hazards ravaged requisitioned country houses during the last war. Yet nothing imperilled them more, in the 20th century, than super-taxes and the rattle of death duties. When the country houses were handed back, the majority were defiled as well as decaying from leaking roofs and dry rot. Cash-poor owners, already penalised by towering taxation, could not afford to carry out major repairs to their caves of ice — to borrow from Coleridge

Up close and personal | 24 April 2014

What should a writer write about? The question, so conducive to writer’s block, is made more acute when the writer is evidently well-balanced, free of trauma and historically secure. It is made still more urgent when that writer is solipsistic in tendency and keen to write, not about the world, but about perceptions of the world. Two American authors of the same period arrived at different solutions to the problem. Sylvia Plath, in her husband Ted Hughes’s assessment, first found nothing worth writing about, and then deliberately encouraged demons and hitherto controlled minor difficulties until they flared up and killed her. John Updike, on the other hand, had an immensely

Beauty in beastly surroundings

The vast majority of books written about British gardens and their histories are concerned with large ones, made and maintained, sometimes over several centuries, by people with money. ’Twas ever thus. In this country, recognisable gardens began in monasteries, as well as the surroundings of palaces and noblemen’s houses, and it is only in the last couple of centuries that the middle classes have got into the act. As for the poor and dispossessed, theirs has been a very different story, too rarely told. Which is why Margaret Willes’s The Gardens of the British Working Class is so welcome, since the author brings together much scattered and hard-to-find information on,

I’ve finally found a point for St George’s Day

We (the English that is) share our patron saint’s day with the Catalans. On Sant Jordi’s day Barcelona fills up with bookstalls and flower sellers. The men give their women flowers and the women their men books. I lived in Barcelona a few years ago and found the whole thing charming but also a bit sexist. How typically Latin, I thought, that the men would receive something cerebral whereas the women would get something decorative. Recently though, I’ve revised my opinion. Far from being an example of old-fashioned chauvinism, the Catalans are actually indulging in some progressive social engineering. A report by the Reading Agency commissioned for World Book Night states

The poet who welcomed war

Today, 23 April, the world celebrates the 450th anniversary of William Shakespeare’s presumed birth (and marks with less joy the date of the Bard’s death in 1616). That double date obscures another: the 99th anniversary of the death of a less celebrated Warwickshire-born literary lad, the poet Rupert Brooke. Brooke, like many of his friends and contemporaries, died in the First World War. But unlike most of them, he perished not in action, but as a result of septicaemia from an infected insect bite to his upper lip. En route to the bloody beaches of Gallipoli, he fell ill in Egypt, died on a French hospital ship moored off the

Sudan was always an invented country. Maybe we should invent it again

Sudan — a country that ceased to exist in 2011 — is or was one of the last untouristed wildernesses on earth. And for good reason: while it still existed it was the biggest country in Africa, a mainly flat and uninhabitable wasteland, mostly brown, with barely a mountain or a bosky valley to its name, unbearably hot, unhealthy, poor, and full of every sort of trouble. And yet … The author of this new book on what are now the two Sudans — the country has voluntarily split into two lesser states — says that this is one of the world’s most interesting places. That is true. As anyone

From Göring to Hemingway, via Coco Chanel – the dark glamour of the Paris Ritz at war

In Midnight in Paris, Woody Allen did a good job of showing how foolish it is to be obsessed by previous generations who’ve passed through Paris. Going back through the years, each group of geniuses turns out to be just as drunk and silly as the next, albeit with longer cigarette holders. Tilar Mazzeo, who has written biographies of Coco Chanel and the woman behind Veuve Clicquot, has done a similar service with this history of the Ritz. Focusing on the hotel is partly a device to write about the German occupation, but it’s mainly a way of gathering all the old Paris icons under one roof. Marcel Proust, Ernest

Tea with Greta Garbo’s decorator

Many people write, or at least used to write, fan letters to their film favourites. Usually all they received in acknowledgement was a 10 x 8 glossy with a mimeographed signature. A little persistence sometimes resulted in another, with a brief ‘personal’ message written by the ladies toiling in the fan-club HQs. Not so for the two authors of this riveting book. The Mutti-Mewse twins, early on, became obsessed with all things Hollywood, firing off missives not just to the major stars but to every man Jill they saw or heard was connected to that once fabulous industry. They must have had a magic formula in their letters. Replies flowed

A Mughal Disneyland and a ripping yarn

Mysore, once the capital of a princely kingdom in South India, has lost its lustre. In Mahesh Rao’s darkly comic novel, grandiose futuristic visions are being floated: in a city desperate to reinvent itself for today’s brave new world, ancient temples and palaces are no longer enough. With India’s space programme about to send a man to the moon, Mysore must make its own giant leap. All hopes are pinned on what is destined to be a global tourist attraction: HeritageLand, planned as Asia’s largest theme park (think Mughal Waterworld — the Disneyland of south India!) And Mysore needs a new marketing slogan — ‘The Geneva of the East?’  suggests

Start with a torpedo, and see where you go from there

Sebastian Barry’s new novel opens with a bang, as a German torpedo hits a supply ship bound for the Gold Coast. We experience everything through the senses of ‘temporary gentleman’ Jack McNulty — an Irish officer in the British army with a short-term commission. Brimful of whiskey, his racing winnings jingling cheerily in his pocket, McNulty stands on deck ‘somewhat in love with an unknown coastline’, and the reader is, instantly, somewhat in love, and completely bound up with, this red-haired chancer. In the seconds that follow the torpedo, McNulty, almost a medieval Everyman, experiences a vision of heaven and hell and all stages between. One moment ‘a winged man

A thriller that breaks down the publishing office door

Like teenage children and their parents, authors and publishers have a symbiotic relationship characterised by well-justified irritation on both sides. Judith Flanders’s career bridges this divide. She is now best known as an author of innovatory and formidably detailed books on Britain’s social history in the 19th century. But she also has worked as a publisher, which gives her an insider’s knowledge of the murkier byways of literary London. Hence the setting for her first novel, Writers’ Block, an entertaining thriller whose narrator, Samantha, is ‘a middle-aged, middlingly successful editor’ in a publisher’s Bloomsbury offices. One of her authors delivers a biography of a recently deceased fashion designer. Unfortunately, the

Ladies’ hats were his waterlillies – the obsessive brilliance of Edgar Degas

Lucian Freud once said that ‘being able to draw well is the hardest thing — far harder than painting, as one can easily see from the fact that there are so few great draughtsmen compared to the number of great painters — Ingres, Degas, Van Gogh, Rembrandt, just a few.’ Christopher Lloyd’s new study of Degas’s drawings and pastels, with over 200 beautifully reproduced illustrations, demonstrates that Edgar Degas (1834–1917) deserves his place on that list. And more than that, it shows that for him there was no distinction between painting and drawing. In his art these categories so blur together that it is hard to say whether certain pictures

Sam Leith

Churchill was as mad as a badger. We should all be thankful

Land sakes! Another book about Winston Churchill? Really? Give us a break, the average reader may think. Actually though, as title and subtitle suggest, this isn’t just another biographical study. It’s at once odder and more conventional than that. More conventional because, in some ways, it is just another biographical study. Odder because — instead of being a straightforward discussion of Churchill’s literary work — it sees literature as the key to his biography. More than that, its author seems to think he has hit on a ‘new methodology’ in which ‘we can write political history as literary history’. Well, perhaps. At one end of that notion is the banality