Book Reviews

Our reviews of the latest in literature

How cartomania captivated even Queen Victoria

The wife of the Victorian photography pioneer Henry Fox Talbot called his first cameras ‘mousetraps’: little wooden boxes that were designed to capture anything placed before them. Yet most of Fox Talbot’s earliest photographs do not show living bodies at all. Long exposure times meant that the faintest twitch on a sitter’s face would dissolve it into a foggy blur, so instead he trained his lens on objects like shells and books, creating whole new collections he could reproduce in ghostly black and white. Preserving the images of dead children in an album, like dried flowers, meant that they could remain little forever Within a few years numerous other photography

Notes on the natural world: an exquisite collection from Kathleen Jamie

‘Let me leave Cairn here as a trail marker, a moment noted, a view from the strange here-and-now,’ Kathleen Jamie states towards the end of the prologue to her exquisite new collection of writings. In more than 40 micro-essays and poems, her keen-eyed view encompasses both an uninhabited island far out at sea and a piece of flint in her hand; it accommodates surfacing memories and also peers into the uncertain future awaiting the next generation. A balanced tower of ultra-short pieces is a new form for Jamie, the Scottish makar (or national poet), who also pens longer pieces of nature writing, collected into the genre-expanding works: Findings, Sightlines and

Why state bureaucracy is crucial to our happiness

Most days, outside the local courtroom where I live in Finchley Central, a man holds up a placard that says in big black capitals: ALL OUR BRAINS ARE MICROCHIPPED BY THE SECURITY SERVICES. It’s a foolish conspiracy theory, of course, but it’s also a symptom of the fear and loathing of the state which has grown in recent years and which, according to this lucid and persuasive book, threatens to return us to a time when we were governed by the whims of a monarch whose wishes were implemented arbitrarily by his family, friends and flatterers. The problem, say Stephen E. Hanson and Jeffrey S. Kopstein, is not that this

Could anyone be trusted in Tudor and Stuart England?

‘Spies, you are lights in state, but of base stuff,/ Who, when you’ve burnt yourselves down to the snuff,/ Stink, and are thrown away.’ Ben Jonson likened his fellow secret agents to a tallow candle: a grotty necessity, to be discarded without regret. Who now remembers Arthur Gregory, and his ‘admirable art of forcing the seal of a letter; yet so invisibly, that it still appeared a virgin to the exactest beholder’? Or the scrivener Peter Bales, so dainty with his quill that he could forge any handwriting, and who touted at Elizabeth I’s court the Renaissance equivalent of microfilm, a script so minuscule that he could fit the Lord’s

At last, a private education that wasn’t unmitigated misery

There has been a spate of books recently about private education, ranging from academic denouncements of their malign effects on society, such as Francis Green and David Kynaston’s Engines of Privilege, to Charles Spencer’s grim chronicle of neglect and abuse, A Very Private School. Though technically falling within this genre, 1967, the singer-songwriter Robyn Hitchcock’s diverting account of his formative spell at Winchester College, seems to hail from a rosier era. It is one where matron’s buttered crumpets rather than bullying were the chief topics of Billy Bunter-esque reminiscences that proclaimed schooldays the happiest of one’s life. Indeed Hitchcock even wonders whether his parents got their ‘money’s worth’, since, contrary

A haunting apparition: Bonehead, by Mo Hayder, reviewed

It is well established that women are happy to read novels written by men but that male readers rarely extend a reciprocal courtesy. The late Mo Hayder is a case in point, since despite the extraordinary sales of the novels she wrote before her premature death in 2021, her fan base remains overwhelmingly female. It may be that the extreme violence often found in her books (‘lurid’ would not be unfair) strikes men as a trespass on what has traditionally been a male preserve. Whatever the reason, male reviewers tended to shy away – I know that, since I was one of them. Yet just ten pages into Bonehead, her

Richard Flanagan rails against wrongs ‘too vast to have a name’

‘Is it because we see our world only darkly that we surround ourselves with lies we call time, history, reality, memory, detail, facts?’ Richard Flanagan’s memoir opens at the Ohama coal mine in Japan, once home to his father and a host of other POW slave labourers. It then spirals outwards via his childhood (in a remote Tasmanian settlement), his much-put-upon mother (who hoped Richard would become a plumber), his semi-present, kindly, traumatised father Archie (enshrined in The Narrow Road to the Deep North) and on through all the now-familiar Flanagan themes. These include the horror of drowning; the Dickensian characters of 19th-century Van Diemen’s Land; the mighty Huon pine;

The rewards of being the ‘asylum capital of the world’

They came on a small, crowded, leaky boat from Calais towards Dover in seas that could turn from placid to treacherous in an instant, around 30 people seeking sanctuary from persecution, unsure of the welcome they would receive. ‘We were seized by horrible vomitings and most of the party became so dreadfully ill they thought they were dying,’ one of the group, a young mother accompanied by her two children, wrote later. The year was 1620 and quite possibly among the refugees might have been a forebear of Nigel Farage. This small boat, one of many hundreds that crossed the Channel in the late 16th and early 17th centuries, was

Dedicated to debauchery: the life of Thom Gunn

In 1876, writing to his friend Gertrude Tennant, Gustave Flaubert set down a principle that artists and writers should live by: Soyez réglé dans votre vie et ordinaire comme un bourgeois, afin d’être violent et original dans vos œuvres. (Be regular in your life and ordinary as a bourgeois, in order to be violent and original in your work.) The life of the English poet Thom Gunn had its disciplined aspect (he managed to hold down a job at least), but, overall, it was so dedicated to debauchery and excess that it’sa wonder it lasted as long as it did. The story, told in detail by Michael Nott, makes even

Lara Prendergast

The reckoning: it’s payback time for voters

39 min listen

This week: the reckoning. Our cover piece brings together the political turmoil facing the West this week: Rishi Sunak, Emmanuel Macron, and Joe Biden all face tough tests with their voters. But what’s driving this instability? The Spectator’s economics editor Kate Andrews argues it is less to do with left and right, and more a problem of incumbency, but how did this situation arise? Kate joined the podcast to discuss her argument, alongside former Cambridge Professor, John Keiger, who writes in the magazine about the consequences that France’s election could have on geopolitics (2:32).  Next: what role does faith play in politics? Senior editor at the religious journal First Things Dan Hitchens explores

Sam Leith

Kathleen Jamie: Cairn

24 min listen

In her new book Cairn, the Scots poet Kathleen Jamie sets a capstone of sorts on her trilogy of short prose collections Findings, Surfacing and Sightlines. She joins me on this week’s Book Club podcast to talk about why she hesitates to call herself a nature writer, how prose found her late in life, and why whale-watching isn’t what it used to be. Produced by Patrick Gibbons.

The clue to Shakespeare’s sexuality lies in the sonnets

The question ‘Was Shakespeare gay?’ is not very rational. It might be a little like asking ‘Was Shakespeare a Tory?’. Some of his scenarios might coincide with later developments – Jaques trying to pick up Ganymede in As You Like It (gay), or Ulysses’s speech on degree in Troilus and Cressida (Tory). But the historical conditions are not there. No doubt there have been people keen on same-sex relations since the dawn of time. But the possibilities of a social identity embedded in the word ‘gay’ didn’t exist in the 16th century, nor the medical diagnosis from which the word ‘homosexual’ arose. Nor will ‘sodomite’ do. That describes some very

Echoes of Tom Brown’s School Days: Rabbits, by Hugo Rifkind, reviewed

The year is 1993 and 16-year-old Tommo has been moved from a day state school of 2,000 pupils in brown blazers that ‘when it rained… smelled of shit’ to Eskmount, an elite Scottish boarding school, where boys wear kilts and put their ‘cocks on your shoulder’ when you’re working in the library (easier in a kilt) and routinely hang ‘smaller kids in duvets… out the window’. The horseshoe effect in schooling terms: the more expensive, the more savage. Hugo Rifkind’s Rabbits opens with a bang: ‘When the shotgun went off under Johnnie Burchill’s brother’s chin, word had it, the top of his head came off like the top of a

The important business of idle loafing

In our godless, post-industrial, hyper-competitive world, rest is seen merely as recuperation: it’s when we man-machines ‘recharge our batteries’, as the cliché goes, before dashing back to the factory or work-station. It’s a negative concept. You rest for a reason, which is to avoid burnout. All you should really do to be happy is read light novels or self-help books, advises Montaigne But as this charming and subtle meditation on the subject from a grand French historian shows, rest used to be far more than just taking time off. It is a religious concept. Take the rest enjoyed by Adam and Eve in Milton’s Paradise Lost. In the Garden of

Nothing rivals a traditional Chinese banquet for opulence

In February 1985 I had the good fortune to be a guest in Hong Kong at the Mandarin hotel’s 21st birthday celebration, a lavish three-day reconstruction of the sort of imperial banquet given during the Qing dynasty by the Kangxi emperor (1654-1722) and his grandson the Qianlong emperor (1711-1799). Kangxi started the custom of banqueting during his tours of southern China – he made six between 1684 and 1707. These provincial feasts were relatively informal affairs, often held in a tent, quite different to the stifling protocol of the imperial court at Beijing, and combined some aspects of the ruling Manchu ‘Man banquet’ with the native Han Chinese ‘Han banquet.’

Why would anyone choose to live in Puerto Rico?

From the eastern Atlantic, the US looks boringly uniform. Yet Alaska is almost as different from Alabama as Turku is from Turkey. If you travel the length of the Mississippi, food, laws, customs and lingo change as surprisingly as along the Danube. Particularism is rife. In two counties in Vermont, there are warrants for the arrest of George W. Bush. In some parts of the South, you must step across a county line to evade laws against alcohol. In Indiana, where I live, every county sets its own time zone and you have to keep adjusting your watch on your way to Chicago. In this land of anomalies, nowhere is

The Karakachan sheepdog is a match for any bear – but not for modern society

Kapka Kassabova is celebrated for her poetic accounts of rural communities dwelling at the margins of modernity, but also along a border zone in the southern extremity of her native Bulgaria. In her previous book, Elixir, her chosen people were the Muslim Pomaks of the Rhodope Mountains, with their ancient herbalist traditions. In Anima, she explores the world of transhumance pastoralists, known in Bulgarian as the Karakachan and in Greek as the Sarakatsani. It is not so long ago that the Greek component of this extraordinary sheep-herding tribe acquired cultural cachet in this country. American and English anthropologists hurried off to study and write about them (notably J.K. Campbell in

The assassination of Georgi Markov bore all the hallmarks of a Russian wet job

In September 1978 Georgi Markov, a Bulgarian émigré writer, waited at a bus stop on Waterloo Bridge on his way to work at the BBC World Service. Feeling a sting in his right thigh, he looked round to see the man behind him picking up his apparently fallen umbrella. The man apologised in a foreign accent and hastily crossed the road where he hailed a taxi. Markov felt feverish that night, was admitted to hospital and within four days was dead. ‘The bastards poisoned me,’ he told doctors, as they struggled to identify what was wrong with him. ‘The bastards poisoned me,’ Markov told doctors, as they struggled to identify