Book Reviews

Our reviews of the latest in literature

Wednesday

Nigel Jones

The poet who welcomed war

Today, 23 April, the world celebrates the 450th anniversary of William Shakespeare’s presumed birth (and marks with less joy the date of the Bard’s death in 1616). That double date obscures another: the 99th anniversary of the death of a less celebrated Warwickshire-born literary lad, the poet Rupert Brooke. Brooke, like many of his friends and contemporaries, died in the First World War. But unlike most of them, he perished not in action, but as a result of septicaemia from an infected insect bite to his upper lip. En route to the bloody beaches of Gallipoli, he fell ill in Egypt, died on a French hospital ship moored off the

Wednesday

Richard Walker

Sudan was always an invented country. Maybe we should invent it again

Sudan — a country that ceased to exist in 2011 — is or was one of the last untouristed wildernesses on earth. And for good reason: while it still existed it was the biggest country in Africa, a mainly flat and uninhabitable wasteland, mostly brown, with barely a mountain or a bosky valley to its name, unbearably hot, unhealthy, poor, and full of every sort of trouble. And yet … The author of this new book on what are now the two Sudans — the country has voluntarily split into two lesser states — says that this is one of the world’s most interesting places. That is true. As anyone

Molly Guinness

From Göring to Hemingway, via Coco Chanel – the dark glamour of the Paris Ritz at war

In Midnight in Paris, Woody Allen did a good job of showing how foolish it is to be obsessed by previous generations who’ve passed through Paris. Going back through the years, each group of geniuses turns out to be just as drunk and silly as the next, albeit with longer cigarette holders. Tilar Mazzeo, who has written biographies of Coco Chanel and the woman behind Veuve Clicquot, has done a similar service with this history of the Ritz. Focusing on the hotel is partly a device to write about the German occupation, but it’s mainly a way of gathering all the old Paris icons under one roof. Marcel Proust, Ernest

Nicky Haslam

Tea with Greta Garbo’s decorator

Many people write, or at least used to write, fan letters to their film favourites. Usually all they received in acknowledgement was a 10 x 8 glossy with a mimeographed signature. A little persistence sometimes resulted in another, with a brief ‘personal’ message written by the ladies toiling in the fan-club HQs. Not so for the two authors of this riveting book. The Mutti-Mewse twins, early on, became obsessed with all things Hollywood, firing off missives not just to the major stars but to every man Jill they saw or heard was connected to that once fabulous industry. They must have had a magic formula in their letters. Replies flowed

Lee Langley

A Mughal Disneyland and a ripping yarn

Mysore, once the capital of a princely kingdom in South India, has lost its lustre. In Mahesh Rao’s darkly comic novel, grandiose futuristic visions are being floated: in a city desperate to reinvent itself for today’s brave new world, ancient temples and palaces are no longer enough. With India’s space programme about to send a man to the moon, Mysore must make its own giant leap. All hopes are pinned on what is destined to be a global tourist attraction: HeritageLand, planned as Asia’s largest theme park (think Mughal Waterworld — the Disneyland of south India!) And Mysore needs a new marketing slogan — ‘The Geneva of the East?’  suggests

Marcus Berkmann

Roger Mortimer writes again

After Dear Lupin and Dear Lumpy, here’s a slightly more prosaically titled collection of letters from Roger Mortimer, longtime racing correspondent of the Sunday Times and frequent purchaser of stamps. Who would have thought that one man could write so many letters that, 20 years after his death, so many people would still want to read? But that’s the beauty of publishing: the oddest books can find a readership. And this encourages enterprising publishers to look out for even odder books, which benefits us all: writers, readers, even reviewers. So, well played to Constable, and to Mortimer’s three children (none of them children any longer, of course), for between them

Charlotte Moore

Start with a torpedo, and see where you go from there

Sebastian Barry’s new novel opens with a bang, as a German torpedo hits a supply ship bound for the Gold Coast. We experience everything through the senses of ‘temporary gentleman’ Jack McNulty — an Irish officer in the British army with a short-term commission. Brimful of whiskey, his racing winnings jingling cheerily in his pocket, McNulty stands on deck ‘somewhat in love with an unknown coastline’, and the reader is, instantly, somewhat in love, and completely bound up with, this red-haired chancer. In the seconds that follow the torpedo, McNulty, almost a medieval Everyman, experiences a vision of heaven and hell and all stages between. One moment ‘a winged man

Andrew Taylor

A thriller that breaks down the publishing office door

Like teenage children and their parents, authors and publishers have a symbiotic relationship characterised by well-justified irritation on both sides. Judith Flanders’s career bridges this divide. She is now best known as an author of innovatory and formidably detailed books on Britain’s social history in the 19th century. But she also has worked as a publisher, which gives her an insider’s knowledge of the murkier byways of literary London. Hence the setting for her first novel, Writers’ Block, an entertaining thriller whose narrator, Samantha, is ‘a middle-aged, middlingly successful editor’ in a publisher’s Bloomsbury offices. One of her authors delivers a biography of a recently deceased fashion designer. Unfortunately, the

Martin Gayford

Ladies’ hats were his waterlillies – the obsessive brilliance of Edgar Degas

Lucian Freud once said that ‘being able to draw well is the hardest thing — far harder than painting, as one can easily see from the fact that there are so few great draughtsmen compared to the number of great painters — Ingres, Degas, Van Gogh, Rembrandt, just a few.’ Christopher Lloyd’s new study of Degas’s drawings and pastels, with over 200 beautifully reproduced illustrations, demonstrates that Edgar Degas (1834–1917) deserves his place on that list. And more than that, it shows that for him there was no distinction between painting and drawing. In his art these categories so blur together that it is hard to say whether certain pictures

Sam Leith Sam Leith

Churchill was as mad as a badger. We should all be thankful

Land sakes! Another book about Winston Churchill? Really? Give us a break, the average reader may think. Actually though, as title and subtitle suggest, this isn’t just another biographical study. It’s at once odder and more conventional than that. More conventional because, in some ways, it is just another biographical study. Odder because — instead of being a straightforward discussion of Churchill’s literary work — it sees literature as the key to his biography. More than that, its author seems to think he has hit on a ‘new methodology’ in which ‘we can write political history as literary history’. Well, perhaps. At one end of that notion is the banality

Honor Clerk

Wonders written on the wall

‘Take away, utterly extinct and destroy all shrines … pictures, paintings and all other monuments of feigned miracles, pilgrimages, idolatry and superstition so that there remain no memory of the same in walls, glass windows…’. These were the instructions handed down to churches in the reign of Edward VI, the death-knell for medieval church wall paintings following the wholesale destruction of the monasteries in his father’s time. That any church art survived this state-sponsored barbarism some five centuries ago seems extraordinary, and its rarity makes it all the more precious. This is no more than a pocket guide to the shadowy and often elusive fragments of secular and scared art

Monday

Fleur Macdonald

Half of a Yellow Sun: only Freddie Forsyth and the Bodenesque tribalwear rescue this snoozefest

I’m not one of those who automatically think the book’s better than the film. Efficiency is a good thing and if a film can successfully cram 500 pages into two hours, it’s to be applauded. We all have things to do. So, I was looking forward to watching Thandie Newton and Chiwetel Ejiofor in a refresher course on Chimamanda Ngozi Adichie’s Orange Prize winner, Half of a Yellow Sun. The film, set in the late 1960s in Nigeria during the civil war, follows two twin sisters from a wealthy Igbo family. Olanna is headstrong and principled (a suitably brittle Newton) while Kainene is sassy and practical (a sexy Anika Noni

Saturday

Lucy Vickery

Six books to leave unread when you die

The recent challenge to compose the most off-putting book blurb imaginable elicited an avalanche of entries. This was one of those competitions that is both a pleasure and a pain to judge: a delight to read through but devilishly difficult to whittle down to just half a dozen winners. Virginia Price Evans’s entry was a masterclass in impenetrable jargon: ‘Policy Initiatives is an essential tool for civil servants responsible for driving effective public policy. Disdaining Ernest Gowers’ simplistic bourgeois maxims, the authors show how the use of prolix and abstruse circumlocution will facilitate meaningful dialogue and incentivize empowerment mechanisms, eventuating in sustainable outcomes for holistic governance.’ And I don’t think I’ll be

Thursday

Chris Radmann

I hope and pray that bookshops will survive – somehow

When writing a novel, there comes a time, in the process of gestation and planning, when other books are required. It is almost as though, Middlemarch-like, your little attempt at writing cannot be separated from what others have written. The world is a great web. Books speak to books. They cry out, call, whisper. I find it very strange. When writing a novel, when so much is held in your heart and your head, certain books quietly announce themselves. Usually, I have found, that happens in bookshops – those rapidly-diminishing repositories of paper and card and ink. It is not the same online, on the electronic web. Yes, I know that

Oliver Letwin

Why don’t we have statues of Michael Oakeshott?

Who or what was Michael Oakeshott? How many of our fellow citizens — how many even of the readers of this journal — could confidently answer the question? I guess, not many. One of the paradoxes of Britain’s intellectual history is that a country which, alongside the Greeks and the Germans, has contributed more than any other to philosophical inquiry is extraordinarily uninterested in its own philosophers. A million people are said to have crowded the streets of Paris to see the funeral procession of Jean-Paul Sartre. In Scandanavia, Kierkegaard is a household name. In Germany, Heidegger is as well known as Thomas Mann. But in Britain no one has

Patrick Marnham

There was good art under Franco

Everyone knows about the Spanish civil war, first battlefield in the struggle that broke out in 1936 and ended nine years later in the ruins of Berlin. It has been immortalised in the work of Hemingway, Orwell and Koestler and commemorated in the heroic deeds of the International Brigades. This is how it is remembered by Camilo José Cela, the conservative novelist and Nobel Prize winner: To the conscripts of 1937, all of whom lost something: their life, their freedom, their dreams, their hope, their decency. And not to the adventurers from abroad, Fascists and Marxists, who had their fill of killing Spaniards like rabbits and whom no one had

Tom Holland

Pompeii’s greatest gifts are not all archeological

The first visitor to take a break on the Bay of Naples was Hercules. He had just defeated some rebellious giants and buried them beneath Mount Vesuvius. To celebrate, he staged a procession across the mountain’s slope — in Greek, a ‘pompe’. He also founded two cities: one named after the procession, the other after himself. To this day, visitors from across the world still beat a trail to Pompeii and Herculaneum. The popularity of the two cities as tourist destinations owes everything, of course, to the restless thrashing of the giants imprisoned beneath Vesuvius. In AD 79, a particularly violent spasm resulted in an eruption so devastating that both

Roger Lewis

Charlie Chaplin, monster

No actual birth certificate for Charles Spencer Chaplin has ever been found. The actor himself drew a blank when he went on a rummage in Somerset House. The latest research suggests that he was born ‘in a gypsy caravan in Smethwick, near Birmingham’. But surely the truth has been staring people in the face ever since the Little Tramp first popped on the screen: Chaplin is the lost twin of Adolf Hitler. Peter Ackroyd almost suggests as much. Both men first drew breath in April 1889. They had drunken fathers and nervous mothers. There were patterns of madness and illegitimacy in the family tree. They were short and sported an

Artemis Cooper

Go east – the people get nicer, even if their dogs get nastier

When Nick Hunt first read Patrick Leigh Fermor’s account of his youthful trudge across Europe in A Time of Gifts and Between the Woods and the Water, he knew ‘with absolute certainty’ that one day he would make that journey himself. When I embarked on Patrick Leigh Fermor’s biography, I made an equally firm resolve that I wouldn’t walk a step of it. Paddy’s books had left me with a vision of a timeless Europe suspended somewhere between memory and imagination, and I didn’t want that vision distorted by layers of personal impressions. But to Hunt the books posed a question. Eighty years on, was there anything left of the

Hugh Cecil

The diary that proves Anthony Seldon wrong about the first world war and the public schools

In March 1915 the 27th Earl of Crawford and Balcarres, with an already distinguished political career behind him, took the unorthodox step of enlisting, aged 43, as a private in the Royal Army Medical Corps. In 1916 he returned to England from France to take up important government duties, but for 14 months he had been a medical orderly on the Western Front, the only cabinet minister to serve in the ranks in the first world war. He was based at the casualty clearing station at Hazebrouck, close to the principal areas of British military activity in 1915. He kept a diary throughout this time — now admirably edited by