Book Reviews

Our reviews of the latest in literature

Family fallout

Philip Hensher salutes ‘Freedom’, Jonathan Franzen’s latest great American novel Family is the engine that drives the novel. Relationships which are both fixed and constantly negotiated are what the novel, as a form, is about. We don’t choose our siblings, our parents, our children, but from day to day we choose, with the full volition of our existence, how those relationships will shape us. The interplay between our free will and the world which is wished upon us is the core, irreducible territory of the great novels. Perhaps now that family ties are growing more dependent on volition and goodwill (or bad) rather than on duty and obligation, family is

Sweeter than honey

The only thing I can remember about a Tesco advertisement on the television the other night is the line: ‘No rest for the wicked.’ It was meant ironically, of course. The only thing I can remember about a Tesco advertisement on the television the other night is the line: ‘No rest for the wicked.’ It was meant ironically, of course. The suggestion was not that wicked people alone shop at Tesco’s. Nor was the phrase intended as a pious invocation of the Bible, its source, Isaiah, 57:21. An anthropologist describing the clichés, or tropes, of Western cultures might form the idea that biblical religion played a lively part in daily

Systematic genocide

You don’t have to accept the definition of how to do things, and you don’t have to follow other people’s choices and paths, OK? It is about your choices and your path. It is a measure of people’s continuing admiration for Chairman Mao that last year the White House communications director, Anita Dunn, unashamedly described him as a ‘favourite political philosopher’ because, as she told an audience of American high- school graduates, Mao showed that You don’t have to accept the definition of how to do things, and you don’t have to follow other people’s choices and paths, OK? It is about your choices and your path. In a brilliant

Alternative reading | 25 September 2010

The cover of On Snooker shows the Queen Mother sizing up a shot, making a passable bridge but rather failing to get behind the cue. The book is by Mordecai Richler, the great Canadian novelist and essayist, author of The Apprenticeship of Duddy Kravitz and Barney’s Version, who died in 2001. On Snooker takes in all the major figures of the late-20th-century game, and is unafraid to bring out its juicier side, particularly the depredations of its bad boys: Alex Higgins trashing hotel rooms, urinating in plant-pots, whaling his cue at the spectators, ending up broke, drinking from left-over beer glasses; Ronnie O’Sullivan and his dad, Ronnie O’Sullivan Sr., who

A strict, controlling vision

Thoughtful Gardening, twice as long as the first two, beautifully produced in Germany, is a summation of the Lane Fox gardening doctrine, this time mixing more or less practical advice on particular plants — Later Clematis, Sociable Deutzias, Desirable Dahlias, the Etna Broom — with more discursive essays, recalling great gardeners, visiting gardens from Texas to Odessa, all these pieces, which are organised seasonally, being deftly linked to make an easy continuous read. Thoughtful Gardening, twice as long as the first two, beautifully produced in Germany, is a summation of the Lane Fox gardening doctrine, this time mixing more or less practical advice on particular plants — Later Clematis, Sociable

What lies beneath

There’s the pretty-much-mandatory South American setting, the gloomy reflections on the nature of reality and unreality, along with a clutch of wildly unreliable narrators. There’s the pretty-much-mandatory South American setting, the gloomy reflections on the nature of reality and unreality, along with a clutch of wildly unreliable narrators. It even has the added cachet of having been written in Spanish by a Canadian and then translated into English. If ever there was a book that demanded to be hurled across the room by anyone who’s not a regular user of the word ‘ludic’, this surely is it. It therefore comes as a considerable surprise to report that All Men Are

Oh Brother, where art thou?

Benjamin Franklin had this ambition for his body: that after his death it should be reissued ‘in a new and more beautiful edition, corrected and amended by the author’. Benjamin Franklin had this ambition for his body: that after his death it should be reissued ‘in a new and more beautiful edition, corrected and amended by the author’. That is roughly what has happened with The Buildings of England guide to Hampshire. The guides used to fit into an overcoat pocket; now you’d need the glove compartment of a car. High praise is due to the authors of this volume for careful scholarship, an outstanding array of colour illustrations, and

Cambridge and after

My dread was that someone would ask me my opinion of Lermontov or Superstring Theory or the Categorical Imperatives of Kant. I would be exposed as a dull-witted fake. Having left the year before he came up, I could have reassured him there was little danger. Everyone, as he puts it, was in the same punt. Cambridge in the late 1970s featured only the usual sprinkling of genuine intellectuals and egregious talents — of whom Fry was an outstanding example. His opinions were perfect for the time and place. He considered F. R. Leavis a ‘sanctimonious prick’, abstained from D. H. Lawrence and Hardy, wallowed in T. S. Eliot and

Bookends

Nigella Lawson is not sexy. She is the sort of woman who women think men think is sexy. No doubt some do: men who watch Top Gear and like all their pleasures to be equally obvious. But more men than you’d credit take one look at Nigella and hit an immediate problem: in spite of her physical charms, how can you fancy someone who so clearly fancies herself? Assessing any other author on these grounds would be unfair, but they’re the grounds Nigella has chosen. To distinguish herself from Sweary Gordon, Matey Jamie and Psycho Heston, Chesty Lawson plies not so much food porn as porn porn. Even by her

Alex Massie

Obama vs Petraeus vs Bob Woodward

Bob Woodward is the best (and perhaps nastiest) blackmailer in Washington. Sure, you don’t have to co-operate with him but you know what will happen if you don’t. Those who talk to Woodward are always treated kindly by the great stenographer; those who decline his advances invariably become the villains. Each time this happens it becomes easier for Woodward to persuade people to talk to him for his next book. And since his slabby books (really, like Thomas Friedman’s works they merit being called “tomes”) have become some kind of quasi-official instant history it’s always necessary to work out who has been talking and who has not and read between

Welsh wizardry and venom

Paul Johnson reviews Roy Hattersley’s life of David Lloyd George No politician’s life is so difficult to write as Lloyd George’s. All who have tried have failed, and wise heavyweight historians have steered clear. I applaud Roy Hattersley’s courage in tackling this rebarbative subject and congratulate him on his success in making sense of Lloyd George’s early life up to his emergence as a major figure in parliament. Thereafter, however, he tends to lose his way in the trackless jungle of endless political crises during Lloyd George’s 16 years in office, festooned as they are with the undergrowth of his financial fecundity and the florid canopy of his love affairs.

The match that sparked the Civil War

There are turbulent marriages. And then there are turbulent marriages in which the husband ends up getting beheaded on a stage. This book describes the latter. One doesn’t normally need to encourage publishers to hyperbole, but in the case of Katie Whitaker’s subtitle, there might have been a case for giving it a bit more welly. The story begins with a prissy 15-year-old French princess being taken to England, to a husband whom she’d never seen. It ends with that husband losing his crown and his head to Oliver Cromwell’s Parliamentarian taleban. The sad coda is the princess living out her days back in France, estranged from most of her

Shop till you drop

Within the past month I have been to an 80th and a 90th birthday lunch, both of them highly festive occasions. And now here is an entertaining, erudite and thought-provoking meditation on the matter of age by Jane Miller (aged 78). The so-called twilight years are no longer quite that, for some of us. This book takes a look at the experience of age, and the perception of age, using the writer’s own engagement with it for the former, and for the latter the promptings of a well-stocked mind to demonstrate how literature has reflected life. Those called in range from Simone de Beauvoir through Bellow, Updike, Roth to Turgenev

This mortal coil

Among the most famous of all living poets, Nobel Laureate, highly educated, revered for his lectures and ideas as well as for his poetry, Seamus Heaney has a daunting reputation. He remains, however, enjoyed by a broad spectrum of readers, accessible, song-like, direct, concerned with everyday details and human relationships. Essentially, Heaney’s poetry strikes to the heart through its central metaphor — the very mechanics of being human. Human Chain, his latest collection, makes this familiar territory absolutely explicit, right from the title. Not only does the image of a ‘chain’ of being human concern itself with family loyalties, connections and inheritances, but it also represents the physical labour of

The witch in the machine

If one asks Albanians who is their greatest living writer, the immediate answer is Ismail Kadare, winner of the inaugural Man Booker International Prize in 2005. But the tone of any discussion that follows is all too often grudging or even hostile. The books themselves are hugely popular, their author far less so. The reason for this is that throughout a period when many Eastern European writers were suffering persecution for their opposition to Stalinist regimes, the worst that ever happened to Kadare was an embargo on his work for three years. A Marxist, he managed to remain on friendly terms with the Albanian dictatorship until two months before the

Learning to listen

How Music Works opens with a blizzard of reassurances. First, John Powell establishes his ordinary-bloke credentials by means of a slightly tortured analogy between many people’s attitude to music (‘pleasure without understanding’) and the time he went to the chip shop after the pub and realised he couldn’t tell the Chinese owner exactly what gravy was. He then lays out in some detail what prior knowledge of musical theory, maths and science we’ll need for what follows: absolutely none. The message, in other words, is a firm ‘Don’t panic’. This might be a book of musicology by a classically trained composer and physics professor, but it’s aimed squarely at the

The Hillicker Curse

By now, the crucial details of James Ellroy’s life, particularly the unsolved murder of his mother when he was ten years old, may be known better than his books. He emphasised the connection himself when The Black Dahlia, based on a more famous unsolved murder, became a bestseller, constructing a ‘demon dog’ persona to promote the novels which followed. Finally, in his memoir, My Dark Places, Ellroy investigated his mother’s death, and seemingly offered her a benediction, but as he said ‘closure is a preposterous concept’. He had rejected his mother before she met her end, preferring his slick but shallow father’s indulgence. This youthful cruelty is the root of

Innocents abroad

In John le Carré’s fiction, personal morality collides messily with the grimly cynical expediencies of global politics. In John le Carré’s fiction, personal morality collides messily with the grimly cynical expediencies of global politics. Loyalty is never something to take for granted. That is the issue at the heart of his new novel, his 22nd, as it is in so many of his other ones. The plot centres on a pair of innocents abroad, both literally and figuratively — Perry, a left-leaning Oxford don who yearns to replace the dreaming spires with what he thinks of as real life; and his girlfriend, Gail, a young barrister hesitating between her career