Book Reviews

Our reviews of the latest in literature

Exotic Cuban underworld

Before the revolución of 1959, Havana was, effectively, a mafia fleshpot and colony of Las Vegas. Before the revolución of 1959, Havana was, effectively, a mafia fleshpot and colony of Las Vegas. Graham Greene first visited in 1954, when the dancing girls wore spangled headdresses. The Batista regime was then at its height, and tourists flocked to the Cuban capital for its promise of tropical oblivion. George Greene, the ‘GG’ of the title of this novella, is an English holidaymaker on the prowl in pre-communist Havana. Castro’s revolution is less than four years away — it is the summer of 1955 — and George hurls himself promiscuously into Batista’s grimy

Beyond pretty

For the last 30 years John Lister-Kaye has lived at Aigas, in the valley of the River Beauly, seven or eight miles from the sea and half an hour west of Inverness. For the last 30 years John Lister-Kaye has lived at Aigas, in the valley of the River Beauly, seven or eight miles from the sea and half an hour west of Inverness. This is not Mongolia or Greenland and the personal quest for wildness which this book records is no tale of courage in the distant wastes. It is written at home, the gleanings from a daily stroll around his own heart-shaped loch, eight acres of water caught

Her own best invention

Lesley Blanch, who died in 2007 aged almost 103, did not want this book written. Having spent her whole life spinning a web of romantic tales around herself, the last thing she needed was a patient, dogged writer checking up on her, unpicking the fibs and the fantasies and unlocking the skeletons from their cupboards. Anne Boston, who admires her tricky subject and is well aware that fantasies can be as revealing as facts, nevertheless feels obliged, rightly in my view, to play the detective. It was not until she was 50 that Blanch (born in 1904) published her first and instantly successful book, The Wilder Shores of Love, in

Almost all against all

Early one morning in September 1986 three gunmen patrolling Beirut’s scarred Green Line came across what they believed would be easy pickings. Early one morning in September 1986 three gunmen patrolling Beirut’s scarred Green Line came across what they believed would be easy pickings. David Hirst the diminutive, silver-haired and donnish veteran correspondent was stranded by the side of the road in one of the most notorious areas of the city. Scores of Westerners had already been seized by militant groups allied to Iran and Hirst was pushed at gunpoint into the back of a BMW for what should have been the start of several miserable years handcuffed to a

Alex Massie

Problems with the Contemporary Political Novel (& Ian McEwan)

Following these ruminations on Iraq, Shakespeare and the contemporary political novel, I came across this post by Nick Cohen in which he discusses the provenance of some scenes in Ian McEwan’s new novel Solar. I’ve not read the book – which is, at least in part, about global warming – but McEwan’s publishers promise “a serious and darkly satirical novel, showing human frailty struggling with the most pressing and complex problem of our time. A story of one man’s greed and self-deception, it is a profound and stylish new work from one of the world’s great writers.” Of course they would say that, wouldn’t they? Anyway, Cohen relates that at

Sam Leith

A cosmic comedy

Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. ‘Talk about a bolt from the blue,’ she said. ‘McEwan does slapstick. I never saw that coming.’ She added (unfairly, I thought) that you might class On Chesil Beach as slapstick of an unintentional sort, but her point holds. Here, in a book around a scientific theme of considerable seriousness — global warming and renewable energy — McEwan has written the closest thing he’s ever done to a farce. Told in three

Street eloquence

The title of Jon McGregor’s third novel derives from an anecdote told by one of the many vivid, dispossessed characters whose voices burst from its pages: Steve is a homeless ex-soldier who agrees to help deliver a lorry-load of aid to a Bosnian town, but is turned back on the grounds that ‘even the dogs’ there are dead. The title of Jon McGregor’s third novel derives from an anecdote told by one of the many vivid, dispossessed characters whose voices burst from its pages: Steve is a homeless ex-soldier who agrees to help deliver a lorry-load of aid to a Bosnian town, but is turned back on the grounds that

Not as bad as the French

This is a long book, but its argument can be shortly stated. Anthony Julius believes that anti-Semitism is a persistent and influential theme in English history, which is all the more dangerous for being unacknowledged by most anti-Semites and concealed behind a facade of complex, subtle and hypocritical social convention. He sustains the argument over nearly 600 pages of densely annotated text, in a book which is in equal measure wonderful and infuriating. It is immensely learned. It is thorough. Its patient accumulation of detail challenges conventional English images of their own society. Much of the analysis is observant and shrewd. But much of it is also laboured, sanctimonious and

Brutal and brutalising

In this book, Jonathan Safran Foer, the American novelist, tries to make us think about eating meat. He ate meat, then became a vegetarian, then ate meat again, then got a dog, then started to worry about eating animals, and didn’t stop worrying. This book is the result of what happens if you start to worry about eating animals, which is what most of us do, but then carry on worrying, which is what most of us don’t do. It’s horrifying. He starts off by thinking about why we don’t eat dogs. Well, we’d hate to do that, wouldn’t we? They’re dogs, for God’s sake. They are ‘companion animals’. We

The spaced-out years

Barry Miles came to London in the Sixties to escape the horsey torpor of the Cotswolds in which he grew up. Known at first only as ‘Miles’, he worked at Indica and Better Books and was soon helping to organise the Albert Hall reading of 1965 which is supposed to have changed British poetry for ever, though whether it did, or for the better, is debatable (Alan Ginsberg thought none of the British poets were worthy to read with him). He then moved into journalism on the International Times and wrote biographies of both Beats and Beatles, as well as Zappa and The Clash. He seems to have been present

The reality behind the novels

‘I never knew peaceful times’, Irène Némirovsky once said, ‘I’ve always lived in anxiety and often in danger’. ‘I never knew peaceful times’, Irène Némirovsky once said, ‘I’ve always lived in anxiety and often in danger’. This comment was made during a radio interview in 1934, when the novelist, who would later write Suite Française, was in fact living through the only peaceful period of her life. She had survived the pogroms of her childhood in Kiev and the dangers of her family’s flight from St Petersburg during the October Revolution. In Paris she had gone through a difficult period of resettlement before achieving her childhood dream of becoming a

Alex Massie

Karl Rove’s Idea of the Special Relationship

Dave Weigel has an entertaining takedown of Karl Rove’s new memoir Courage and Consequence: My Life as a Conservative in the Fight (a title that, oddly, is simultaneously vainglorious and reeking of self-pity). Meanwhile, here’s a snippet of the Rovian style, as relayed by Andrew Rawnsley in his new book*. It’s December 2000 and George W Bush has just become President: [Sir Christopher] Meyer [then British ambassador to Washington] had done his best to cultivate relationships with the Bush team. Karl Rove, Bush’s senior political strategist sent both encouragement and a warning, via Meyer: “You’re going to start with a blank sheet of paper. By your works shall ye be

The frost giant awakes

For thousands of years, no one knew what lay in the ice around the North Pole. The blanks on the maps fuelled the imaginations of classical writers, who crafted stories of Hyperboreans living in a gaudy paradise, dancing with Apollo and generally misbehaving. As explorers from southern Europe travelled further north — revealing intransigent and not very Hyperborean locals, the Scrithofini, as Procopius called them, who liked to slide through forests with planks of wood stuck to their feet — everything got mixed up: myth and reality, fable and cartography. As late as 1893, when the Norwegian, Fridtjof Nansen, set off towards the North Pole, various eminent scholars — influenced

What’s in a date?

Felipe Fernández-Armesto has a grand idea. Felipe Fernández-Armesto has a grand idea. After the formation of separate continents about 150 million years ago, the world’s ‘cultures’ became progressively more ‘sundered’ and its ecosystems more divergent. Then, ‘with extraordinary suddenness’, in 1492 this long-standing pattern ‘went into reverse’: divergence ceased and ‘a new convergent era of the history of the planet began’.  Historians in the West have found it useful to break up the past into rough-and-ready segments — pre-history, followed by ancient, medieval and modern history — without jettisoning the understanding that history is seamless, a story of change and continuity whose events have both distant and immediate causes and

A canker on the rose

This is a very short book with large type. DeLillo has said that he no longer feels a compulsion to write long, compendious books. In his later years Saul Bellow said something similar. DeLillo, of course, has written very long in the past, notably with the 850-page Underworld (1997), and his story has been America. America is the big subject of the second half of the 20th century, tackled in one form or another by all the great American male writers. You could make a case for saying that it was the only game in town — from Bellow to Roth to Updike to Richard Ford — America was more

Shady people in the sun

The characters in Rose Tremain’s deft new novel are almost all remarkably unpleasant. The characters in Rose Tremain’s deft new novel are almost all remarkably unpleasant. Not just wicked or selfish, but strangely pathetic, too. In fact, their nastiness is so ingrained and so unignorable that one begins to suspect a degree of authorial malice. Of course, Tremain is too good to present caricatures: her characters are all amply supplied with motives, credible back stories and the appropriate quotient of human quiddity. But from start to finish, an acrid atmosphere hovers over her every description, and it permeates not just the characters but the main actions of the plot. Let’s

A race well run

More than 20 years ago I wrote an admiring article about Dick Francis. I made, if I recall, only one mild criticism: that he sometimes piled a bit too much misfortune on his damaged heroes. There was, for instance, the novel in which the narrator’s wife was in an iron lung and the villains put pressure on him to abandon his investigation by invading her bedroom and threatening to switch off the electric current that kept her alive. This was going a bit far, I suggested. A couple of weeks later I got a charming letter from Francis thanking me for all the nice things I had written, and then