Book Reviews

Our reviews of the latest in literature

Rory Sutherland

The Wiki Man | 24 April 2010

This may be an extreme point of view, but I think novelists should learn to drive. I don’t know how exactly, but a reader can tell when an author has never gripped a steering wheel. Perhaps there are no descriptions of motoring in any of the books, or too many train journeys — or else the motoring passages simply don’t ring true. It’s a trivial detail, I agree, but somehow it seems only fair that a writer can plausibly describe an activity that might occupy many people for several hours a day. In the same vein I think politicians should make some use of the internet. To several million electors

The map turns red

Norman Stone forsook the chair of modern history at Oxford university for Ankara after realising that the ‘conversation at high tables would generally have made the exchanges in the bus- stop in the rain outside seem exhilarating’. Norman Stone forsook the chair of modern history at Oxford university for Ankara after realising that the ‘conversation at high tables would generally have made the exchanges in the bus- stop in the rain outside seem exhilarating’. Dur- ing an earlier incarnation at Cambridge, Stone taught a galaxy of historians. His protégés include David Blackbourn, Harald James and Richard Overy, followed by Niall Ferguson and Andrew Roberts, all bar two now working at

A bolt from the blue

The memoirs of the Grand Duchess Olga are an entertaining record for anyone interested in the imperial family’s home life during the last years of Russian autocracy. The memoirs of the Grand Duchess Olga are an entertaining record for anyone interested in the imperial family’s home life during the last years of Russian autocracy. Olga was the youngest of Alexander III’s six children; her mother was the Danish princess, Maria Fyodorovna. She was born just after her father’s accession, in 1882, when the throne was already in crisis. Her memoirs are suffused with a sort of distant innocence that has great charm, but one longs for a bit more: she

To strive, to seek, to find . . .

In 1931, a 23-year-old Englishman called Henry ‘Gino’ Watkins returned from an expedition to the white depths of the Greenlandic ice cap. In 1931, a 23-year-old Englishman called Henry ‘Gino’ Watkins returned from an expedition to the white depths of the Greenlandic ice cap. He was hailed as a precocious talent, even as a worthy successor to Fridtjof Nansen, who had recently died.  When Watkins died the following year, during another expedition to Greenland, King George remarked on the tragedy of his death, and Stanley Baldwin wrote that ‘If he had lived he might have ranked . . . among the greatest of polar explorers’. Yet Watkins had only just

Red faces in the galleries

Art fraudsters, especially forgers, have a popular appeal akin to Robin Hood. Their cock-a-snook cunning provides a twist on those money shots on the Antiques Roadshow when some dotty great aunt from Sidmouth discovers her umbrella stand is Ming Dynasty. ‘How much?’ cries Dotty. The forger levels the field from the other side of the pitch. When some shipping magnate finds his Monet ‘Nympheas’ is more pond scum than Giverny gold the public collapses into bouts of schadenfreude. Many books and films have covered this subject, and yet The Conman has a particularly interesting tale to tell. This is a true story not only of dubious oils but also the

Ghosts from the Soviet past

Above all, it is the inhuman scale of things which impresses the visitor to Moscow: the vastness of Red Square, the width of the uncrossable streets, the implacability of the traffic. The city’s history seems equally inhuman, haunted as it is by centuries of tyrants, millions of political prisoners, countless wars. Impossible to navigate and impossible to know, Moscow doesn’t exactly embrace the casual tourist. But Rachel Polonsky was not a casual tourist. A scholar of Russian literature who lived in Moscow for a decade, she knew better than to start looking for the essence of the city in Red Square. Instead, she began on a single street, inside a

Low dishonest dealings

The strange, unsettled decades between the wars form the backdrop of much of D. J. Taylor’s recent work, including his novel, Ask Alice, and his social history, Bright Young Things. At the Chime of a City Clock is set in 1931, with a financial crisis rumbling in the background. The strange, unsettled decades between the wars form the backdrop of much of D. J. Taylor’s recent work, including his novel, Ask Alice, and his social history, Bright Young Things. At the Chime of a City Clock is set in 1931, with a financial crisis rumbling in the background. James Ross, a struggling writer, tries to keep his landlady at bay

The ultimate price

Lesley Downer is one of the most unusual authors writing in English. Years ago, determined to become an expert on the Japanese geisha, ultra-sophisticated entertainers and hostesses who are neither prostitutes nor courtesans, she became a Kyoto geisha herself and wrote Geisha: The Secret History of a Vanishing World. Now she has written her second novel (the first being The Last Concubine), the story of Hana, a young samurai wife in the late 1860s. She lives in Edo, soon to become Tokyo, the capital of Japan. The country is being ripped apart by civil war — vividly narrated here — and, no longer isolated, is adopting enough Western ways to

Sam Leith

Scourge of the ancien régime

Voltaire’s was a long and amazing life. Voltaire’s was a long and amazing life. He was tragedian, satirist, mathematician, courtier, exile, jailbird, swindler, gardener, plutocrat, watchmaking entrepreneur, penal reform campaigner, celebrity, provocateur, useless loan-shark, serial feuder, coward, astronaut, niece-shagger, spy . . . Except ‘astronaut’, obviously. I made that up to check you were still paying attention. But he did shack up with his niece, the filthy old goat. It seems a shame, then, that for most of us nowadays that long and amazing life is compressed into a couple of quotes from Candide and a few apocryphal stories about his table talk. Ian Davidson’s biography is the corrective: here’s

Casualties of war and peace

John Simpson quotes Humbert Wolfe’s mischievous lampoon but makes it clear that, in spite of the somewhat disobliging title of his book, he does not accept it as fair comment. You cannot hope to bribe or twist, Thank God! The British journalist. But seeing what the man will do Unbribed, there’s no occasion to. John Simpson quotes Humbert Wolfe’s mischiev- ous lampoon but makes it clear that, in spite of the somewhat disobliging title of his book, he does not accept it as fair comment. Himself one of the most resourceful and determined of journalists, he believes that most of his colleagues were and are hard-working and conscientious, anxious to

Anything for a laugh

A hundred years ago, when Britannia still ruled the waves, the Royal Navy fell victim to a humiliating hoax, reports of which kept the public amused for a few wintry days in February 1910. Disguised as ‘members of the Abyssinian Royal family’, with woolly wigs, fancy-dress robes and burnt-cork complexions, a gaggle of young people managed to trick naval leaders into receiving them on an official visit aboard the state-of-the-art battleship Dreadnought, Britain’s proudest national emblem. The ridiculous party, which included Virginia Stephen (the future novelist Virginia Woolf), were conducted solemnly round the wonders of the newest naval technology, jabbering in a nonsense language and escaping just as the spirit-gum

Thoroughly hooked

On the southern edge of Kensal Green cemetery, beneath the wall that separates the graves from the Grand Union Canal, is a memorial inscription that would stop a Duns Scotus in his tracks. At the top of the heart-shaped marble there is a fading photograph of a man in his middle years, and then beneath some touching messages of love and regret, a single, enigmatic line of inscrutable theological subtlety ‘FROM ODDS ON TO ODDS AGAINST.’ It is hard to know what to make of that — ‘From certainty to doubt?’ ‘From scant rewards to a last, triumphant pay-out?’ — but for any self-respecting angler still on the other side

Anything for a quiet life

Jim, Crace’s latest novel, All That Follows, marks a deliberate change from past form. Jim, Crace’s latest novel, All That Fol lows, marks a deliberate change from past form. Gone are the musical, metaphorical sentences and the fanciful narratives, and in come realism, character and dialogue. It’s not all completely new, in that the novel is set partly in 2024, and partly in Bush’s Texas in 2006; but then again the 2024 of this novel is merely the present day with even more governmental nannying and some unlikely-sounding ‘telescreens’ (which sound like a view of the future as conceived in the 1950s). The protagonist is Leonard Lessing — one cannot

Lloyd Evans

Our squandered national treasure

Torn with grief, Melvyn Bragg has produced a condolence book for the South Bank Show (born 1978, died of neglect, 2010). These 25 vignettes, based on the best of his interviews, are more than just the cosy clippety-cloppety sounds of an old cowboy trotting into the sunset. They offer intriguing comments on the film-making process and present valuable new insights into their subjects. Most have the shape and phrasing of short stories and his meetings with the gravest maestros read like mini-epics. We watch plucky little Melvyn as he approaches the armoured titan in his lair, tempts him forth and charms him into dropping his guard. He meets Francis Bacon

Home and dry

In the opening chapter of The Dead Republic, the last novel in The Final Roundup trilogy, the narrator, Henry Smart, gives us a handy summary of the story so far. With it comes a sharp reminder of just how improbable much of the plotting has been. ‘I found my wife again in Chicago,’ recalls Henry, ‘when I broke into a house with Louis Armstrong . . . I crawled into the desert to die. I died. I came back from the dead when Henry Fonda pissed on me.’ Roddy Doyle, of course, once specialised in more straightforward tales of working-class Dubliners, whether comic (The Van), tragic (The Woman Who Walked

E. M. Forster and Frank Kermode

Any follower of literary blood sports should take a look at a review in the Weekly Standard, a conservative American magazine. You can find it on a site called Arts & Letters, which my son obligingly bookmarked for me. The present edition — at least I suppose it is the present one, not that it matters, since I understand that you can use the internet to summon articles from the vasty deep of time past — features the review, by Joseph Epstein of Sir Frank Kermode’s 2007 Clark Lectures devoted to E. M. Forster. Forster’s own book, Aspects of the Novel, had its origins in the same Cambridge lectures. Epstein

The people and the place

Where to begin? Graham Robb, like all dedicated Francophiles, begins early, when his enlightened parents made him a present of a trip to Paris and sent him off with a map and a voucher for a free gift at the Galeries Lafayette. For a week, and then two weeks, and then six months, he did what all visitors do: he walked the length of the city, he bought books, he sat in cafés and listened to the conversations of strangers. This apprenticeship made him the historian and biographer he is today, and this book is a form of homage to Paris and to those who choose to see it as

A certain look

Just as there are people who are their own worst enemies, so there are books that are their own worst reviews. Mark Griffin’s A Hundred or More Hidden Things, a new biography of the Hollywood film-maker Vincente Minnelli, is one such. No review could possibly be as damning as a verbatim reproduction of its irresistibly putrid pages. Minnelli’s achievement certainly does merit attention. In fact, for the auteurist critics of Cahiers du Cinéma, who argued that a film’s distinction derived primarily, even exclusively, from the degree to which it reflected its director’s own personal visual and thematic preoccupations, his was practically an open-and-shut case. At least to the initiated, a