Book Reviews

Our reviews of the latest in literature

Saturday

Cressida Connolly

Growing old disgracefully

It is a mark of how various are Jane Gardam’s interests that this collection of short stories does not read as a collection at all, but more as a very agreeable hotch-potch. Only place unites them, for several take place in leafy London suburbs, Hampstead, perhaps, or Wimbledon. The stories are unalike in subject, length and form: there are ghost stories, tales of quiet revenge; what might, in heavier hands, be called social commentary. Inevitably, some are better than others. Flights of fancy, jokes and telling moments spill across the pages. If there is a common thread, it might be described as growing old disgracefully. The first four stories are

Selina Hastings

The triumph of hope over experience

Derek Jackson was one of the most distinguished scientists of the previous century, whose work in atomic spectroscopy contributed significantly to British success in aerial warfare. Throughout his life Jackson remained absorbed in his highly specialised subject, regarded with profound respect by colleagues throughout the world, and yet there was almost nothing about him that conformed to the usual image of the boffin. Rich and rebellious, he was arrogant, provocative, wildly funny, often offensive; incontestably patriotic, he loved German culture and language and was strongly opposed to the war in which he participated with outstanding courage; frequently in love with both men and women, he married six times; his passion

Vernon Bogdanor

Strong family ties

Kathleen Burk, Professor of History at University College, London, has written a magisterial overview of Anglo/American relations from 1497, when John and Sebastian Cabot, in Hakluyt’s words, ‘discovered that land which no men before that time had attempted’, until the modern age. Old World, New World is a remarkable achievement, based as it is upon massive and wide-ranging scholarship. It will undoubtedly become the first port of call for anyone seeking to understand this vast subject. But Professor Burk is, in Isaiah Berlin’s terms, a fox who knows many things rather than a hedgehog who knows one big thing. Her survey lacks a conclusion, and, in a sense, lacks also

Jonathan Cecil

From Cleopatra to Queen Elizabeth

In my childhood we used to make what were called ‘scrap screens’. We pasted magazine photographs, coloured and black-and-white postcards, reproductions, advertisements and flower friezes on to a folding screen, overlapping sometimes unevenly, to create a colourful collage; it was a pleasant, inexpensive pastime. Helen Mirren’s In the Frame is a scrap- screen autobiography. Her story is copiously illustrated with luminous studio portraits of herself, snap shots, stage pictures, film stills and all kinds of memorabilia from letters and telegrams to school books and even Mrs Mirren’s ration book from 1953, an austere post-war memento. Helen’s family was a remarkable one. Her grandfather, Pyotr Vasielivich Mironov, was a White Russian,

Simon Baker

A yarn about yarn-spinners

In 1937 Vladimir Nabokov described the perfect novel during a lecture in Paris which he delivered to an audience including, rather Nabokovianly, the Hungarian football team: What an exciting experience it would be to follow the adventures of an idea through the ages. With no wordplay intended, I daresay this would be the ideal novel: we would really see the abstract image, perfectly limpid and unencumbered by humanity’s dust. Miss Herbert, Adam Thirlwell tells us, is an attempt at Nabokov’s ideal novel — ‘which is not really a novel’. It is a book about novelists and their work, in which we are given themes, motifs and a fairly large caveat:

Juliet Townsend

The view from the nursery

It was a perpetual source of regret to me at the age of ten that my parents were so boringly agreeable. My attempts to persuade my friends that my father, in reality the mildest of men, was a violent sadist, who regularly whipped me with his cane while uttering the sinister words, ‘I’ve got Tickler here!’ (cribbed by me from the children’s version of Great Expectations) met with a fascinated half belief, but what I really wanted was a Worldly Mother. Children in the Victorian stories to which I was much addicted often boasted one of these. They were generally only seen on their way out to a society dinner

Jeremy Treglown

Stein and Toklas Limited

As in her brilliant study of Sylvia Plath and Ted Hughes, Janet Malcolm’s focus in Two Lives is on the writing of biography, especially the biography of a couple — here, the ebullient Gertrude Stein and her ugly, much exploited lover, Alice B. Toklas — and, behind that, the construction of identity itself. Like Stein’s own work, the book is vivid, elliptical and distrustful of artificial order. It’s un-Stein-like, though, in the lucidity of Malcolm’s underlying thesis: that life-writing often has a lot more in common with fiction than its practitioners have tended to admit. In the early 1930s, Stein wrote The Autobiography of Alice B. Toklas as a way

Allan Massie

Sympathy for the Old Devil

In his criticism of Sainte-Beuve’s biographical method, Proust observes that it ‘ignores what a very slight degree of self-acquaintance teaches us: that a book is a product of a very different self from the self we manifest in our habits, in our social life, in our vices.’ I would not enter the argument stirred up by Professor Terry Eagleton’s attack on Kingsley Amis if it weren’t for the fact that those who have leapt — gallantly in the case of his second wife, Elizabeth Jane Howard — to Kingsley’s defence have spoken of the man, rather than the writer. This is understandable. Nobody can be happy to have someone they

Saturday

Paul Johnson

You can admire a roguish old pagan without approving of him

Recently I managed to get hold of a copy of Alone by Norman Douglas. This series of essays about Italian towns at the time of the first world war was the author’s favourite book. But it is not easily found. Indeed several of Douglas’s works are rarities. Most people know his novel South Wind, about wicked goings-on in pre-1914 Capri. And Old Calabria, my own favourite, which deals with the toe and instep of Italy, is one of the finest books of travel ever written. It has been republished, notably in a 1955 edition, with an introduction by John Davenport. So has Siren Land, another fine travel discourse on the

Philip Hensher

A late and furious flowering

Sceptical readers will immediately wonder whether 14 years of any composer’s life really deserve over 1,000 pages of biographical examination. The second volume of John Tyrell’s Janacek certainly goes into events in extraordinary detail — I had a definite sense of foreboding of things to come when, on page 361, it is reported that in December 1919, ‘a button flew off [Janacek’s] fur coat so that he had to have another sewn on’. If we agree that the significance of the life dictates the substance of the biography, however, it seems perfectly reasonable. The last decade of Janacek’s life is truly one of the most astonishing and important periods in

Bryan Forbes

King of the lurid spectacle

What a strange, gifted little martinet he was, this celluloid Nixon who demanded that his every word, no matter how trite or banal, was preserved exactly by his ‘field secretary’ while another acolyte, the ‘chair boy’, ensured that wherever he was he could sit down without looking. Surrounded by these perpetual attendants and telling his crews, ‘You are here to please me, nothing else on earth matters,’ he forged a career that began with the silents and went on to encompass 70 films. In the process he became a household word for a heady mixture of religion and sex. This proved a potent box-office martini which made him a multimillionaire

Theodore Dalrymple

The great misleader

In my intermittent career as an expert witness, I have observed that the most eminent men make the worst witnesses. Speaking from the lonely heights of their professional pre-eminence, they sometimes claim that what undoubtedly happened could not have happened, and what could not have happened undoubtedly did happen. Their intellectual distinction and busy schedules excuse them, in their own opinion, from the tiresome necessity to read the documents of the case with minute attention. Sir Bernard Spilsbury was the most eminent British forensic pathologist of his day, which is to say from Dr Crippen to the outbreak of the second war. The subject of a hagiographical biography whose paperback

Allan Massie

A legend in his lifetime

There is a brand of Toscano cigars called Garibaldi. Until given a new design recently, the packet proclaimed him as ‘the hero of two worlds’ as well as a devoted smoker of cigars (‘naturalemente Toscani’). The description was fair. Garibaldi was the most famous man of his time, the most famous since Napoleon. His image was everywhere, like Che Guevara’s in our time. A Polish historian has called him ‘the symbol of popular revolution, and a model of a people’s military leader’. When he died a French newspaper described him as a citizen of the world. Like the knight errant, the medieval paladin, he had as many homelands as there

Gilbert Adair

Going through the motions

If book reviews in The Spectator were, God forbid, ‘starred’, this self-styled biography of James Bond would merit just two stars out of five. The rationale behind so mediocre a score, however, would not be, as you might expect, that Pearson’s book is a curate’s egg, good in parts. Rather, it would reflect the fact that, inept as it mostly is, it does contain a single good, even quite brilliant and, considering that it was first published in 1973, genuinely postmodern idea that rescues it from the zero rating it would otherwise receive. But since that idea is sprung on the reader two-thirds of the way through, and it would

Paul Bew

Not the place it used to be

Roy Foster’s new book has its origins in the Wiles Lectures delivered at Queen’s University Belfast in May 2004. This is a distinguished lecture series initiated in 1954 by Herbert Butterfield’s Man on his Past with such high points as Alfred Cobban’s The Social Interpretation of the French Revolution (1964) and Eric Hobsbawm’s Nations and Nationalism (1990), but it is fair to say that no previous set of Wiles lectures witnessed the excitement and large audiences attracted by the Carroll Professor of Irish History on his return to his home country. It may be that some of those attending were attracted by the guilty pleasure of seeing Dublin — after

Pj Kavanagh

All together now

In my English school our hymns were mostly in Latin which, despite years of instruction, rendered them sufficiently opaque to be appropriate. What few hymns we sang in English seemed rather weepy, which didn’t appeal. Therefore, emerging from that place into a wider England, it was a surprise to discover there was a culture of hymns in good English, some with marvellous tunes, and almost a lingua franca derived from them among those who had dutifully bellowed those tunes and words when young. Nor was this only middle-class — think of the Salvation Army. This little book is a selection of the best of them: 52 hymns, 15 carols, each

David Crane

Prodigious from the word go

There is a wonderful set of medieval wall tiles from Tring Abbey in the British Museum depicting the legendary infancy of a particularly mutinous and unappealing Jesus. A charitable interpretation of the sequence might suggest that they are the chronicles of a Child Who Did Not Know His Own Strength, but as one wretched little schoolmate or interfering adult after another is struck dead or buried upside down for doing nothing more than annoy the little Infant, the one theological message to emerge from it is a tough and unambiguous Don’t mess with me. It is only on the persuasion of a weary- looking and long-suffering mother that the poor

Matthew Dennison

Falling foul of fashion

J. B. Priestley described the forgotten interwar novelist Dorothy Whipple as the Jane Austen of the 20th century. Posterity has balked at this assessment — as indeed, within Whipple’s lifetime, did both publishers and readers. Although in 1932 her third novel, Greenbanks, topped the bestseller lists in the Observer and the Sunday Times, by the Fifties Whipple had fallen sufficiently foul of fashion to take an enforced extended break from writing, only later to be resumed with a series of low-key children’s books. Hers is a Barbara Pym story without the happy ending in the form of late-in-life rediscovery. Whipple’s re-emergence had to wait for the reissue of her final

Lloyd Evans Lloyd Evans

The importance of being earnest

Michael Billington is the Val Doonican of theatre criticism. He’s been at it since the days of black and white telly and he shows no sign of giving up. Starting at the Times in 1965, he moved to the Guardian in 1971 and there he remains, rocking, crooning and warbling. He reckons he’s spent 8,000 nights in the theatre, so he probably knows more about the subject than anyone alive apart from Peter Hall. State of the Nation is his overview of the last six decades and he opens the book on a strident note. British post-war theatre, he announces, began not on VE Day, nor in 1955 with the

Emma Tennant

Keeping it green and pleasant

John Watkins is Head of English Heritage’s Gardens and Landscape Team. Tom Wright was for 25 years Senior Lecturer in Landscape Management at Wye College. They are two professionals who have made an immense contribution to gardening in this country and abroad. This book makes available their combined lifetimes’ knowledge and experience. The authors begin by reminding the reader that gardens, if neglected, will revert to woodland, which is the natural climate vegetation of the British Isles. Neglected lawns and borders become first scrub, then forest. Lakes and ponds silt up, then form swamps which are soon colonised by willow and alder. Without maintenance even garden buildings eventually decay, collapse,